Stone of Farewell
by Tad Williams
Osten Ard (2 (Memory, Sorrow & Thorn 2)), Memory, Sorrow, and Thorn (2)
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New York Times-bestselling Tad Williams’ landmark epic fantasy saga of Osten Ard begins an exciting new cycle!“One of my favorite fantasy series.” —George R. R. Martin • “Groundbreaking.” —Patrick Rothfuss • “One of the great fantasy epics of all time.” —Christopher Paolini
Tad Williams introduced readers to the incredible fantasy world of Osten Ard in his internationally bestselling series Memory, Sorrow, and Thorn. The trilogy inspired a generation of modern show more fantasy writers, including George R.R. Martin, Patrick Rothfuss, and Christopher Paolini, and defined Tad Williams as one of the most important fantasy writers of our time.
BOOK TWO: STONE OF FAREWELL
It is a time of darkness, dread, and ultimate testing for the realm of Osten Ard, for the wild magic and terrifying minions of the undead Sithi ruler, Ineluki the Storm King, are spreading their seemingly undefeatable evil across the kingdom.
With the very land blighted by the power of Ineluki’s wrath, the tattered remnants of a once-proud human army flee in search of a last sanctuary and rallying point—the Stone of Farewell, a place shrouded in mystery and ancient sorrow.
An even as Prince Josua seeks to rally his scattered forces, Simon and the surviving members of the League of the Scroll are desperately struggling to discover the truth behind an almost-forgotten legend, which will take them from the fallen citadels of humans to the secret heartland of the Sithi—where near-immortals must at last decide whether to ally with the race of men in a final war against those of their own blood.
After the landmark Memory, Sorrow, and Thorn trilogy, the epic saga of Osten Ard continues with the brand-new novel, The Heart of What Was Lost. Then don’t miss the upcoming trilogy, The Last King of Osten Ard, beginning with The Witchwood Crown!
Praise for Osten Ard:
"Inspired me to write my own seven-book trilogy.... It’s one of my favorite fantasy series."
—George R. R. Martin, New York Times-bestselling author of A Game of Thrones
"Groundbreaking...changed how people thought of the genre, and paved the way for so much modern fantasy. Including mine."
—Patrick Rothfuss, New York Times-bestselling author of The Name of the Wind
"Tad Williams is a master storyteller, and the Osten Ard books are his masterpiece." —Brandon Sanderson, New York Times-bestselling author of Mistborn
"Memory, Sorrow, and Thorn is one of the great fantasy epics of all time."
—Christopher Paolini, New York Times-bestselling author of Eragon. show less
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Was really glad this 2nd book didn't start off with 8 hours of boring infodumps and mundane activities around the castle, but Mr. Williams still managed to write a story with twice the words needed. Luckily when the story was actually moving it was great. For me this could have gotten 5 stars from me if it did either of these things.
1) Cut the book length by 30-40% by leaving out the repetitive infodumps, cutting really long scenes in half, especially the long conversations, and dropping at least half of the parts where Simon is beating himself up for being a loser.
OR
2) Replaced those parts mentioned above with things actually happening.
Seriously I think if I was reading these books in dead tree format, I would have given up somewhere show more around 150 pages in. I don't regret spending the time reading it because I was doing other things like driving or gardening, but I'm much more stingy with my actual sit-down-and-do-only-one-thing time. show less
1) Cut the book length by 30-40% by leaving out the repetitive infodumps, cutting really long scenes in half, especially the long conversations, and dropping at least half of the parts where Simon is beating himself up for being a loser.
OR
2) Replaced those parts mentioned above with things actually happening.
Seriously I think if I was reading these books in dead tree format, I would have given up somewhere show more around 150 pages in. I don't regret spending the time reading it because I was doing other things like driving or gardening, but I'm much more stingy with my actual sit-down-and-do-only-one-thing time. show less
This series is just so great to return to every now and then. Binabik en Jiriki continue to be the dad/mentor like figures Simon so desperately needs while he clumsily stumbles through his adventures. Part of me feels like I should be annoyed by Simon, but I just can't. He's my favourite mooncalf, not even realizing how he is saved again and again by those around him.
Ofc there are characters that are pure good, and characters that are pure evil, which is silly. Ofc there are strange things like this guy who fractured both legs, splinted them so they are stiff from hip to toe, then manages to fall to his knees later on and get back up. Who cares. (Turns out I don't.)
I love the world building, the slow revealing of history, the show more characters, the language used. I love Binabik's sayings and Isgrimnur's temper. There are still glaring parallels with real life nations and religion, and with Tolkien, but it's definitely it's own story. Is it the best fantasy ever? Nope, but it's perfect for me. show less
Ofc there are characters that are pure good, and characters that are pure evil, which is silly. Ofc there are strange things like this guy who fractured both legs, splinted them so they are stiff from hip to toe, then manages to fall to his knees later on and get back up. Who cares. (Turns out I don't.)
I love the world building, the slow revealing of history, the show more characters, the language used. I love Binabik's sayings and Isgrimnur's temper. There are still glaring parallels with real life nations and religion, and with Tolkien, but it's definitely it's own story. Is it the best fantasy ever? Nope, but it's perfect for me. show less
Stone of Farewell didn't quite live up to the foundation set in Dragonbone Chair. I think mostly because towards the end Williams realized there was no way the rest of the story could fit into a reasonably-sized third book. There is evidence of revision throughout to try to cram more into this volume instead. In the end I think Williams realized there was no way to rework the plot in the way he wanted.
That said, this volume started to hint at deviation from Tolkien's philosophy and themes. Dragonbone Chair had a fairly dark atmosphere, but this ratchets that feeling up. There are particular tragic experiences the characters undergo that definitely don't belong in Tolkien, at least not minus some silver lining like they're presented show more here. On the whole, however, this book isn't a huge downer. There are hints at Robin Hobb-like character torture, but things still end up relatively happy, with promise for the future. In hindsight though, it's amazing to think how much more of this story is contained in the third volume. show less
That said, this volume started to hint at deviation from Tolkien's philosophy and themes. Dragonbone Chair had a fairly dark atmosphere, but this ratchets that feeling up. There are particular tragic experiences the characters undergo that definitely don't belong in Tolkien, at least not minus some silver lining like they're presented show more here. On the whole, however, this book isn't a huge downer. There are hints at Robin Hobb-like character torture, but things still end up relatively happy, with promise for the future. In hindsight though, it's amazing to think how much more of this story is contained in the third volume. show less
Readers of fantasy know that, quite often, the second book in a trilogy suffers from the dreaded "black sheep" syndrome. Book two is the slightly overlooked middle child. Less respected than the first and less spoiled than the last -- but necessary nonetheless. Characters often go on long journeys in the second book and think about things ad nauseam, all in preparation for whatever climax awaits in book three.
Luckily for us, Tad Williams is a master of the genre and handles this unfortunate yet necessary anomaly with such grace as to make it almost non-existent. Yes, there's much trekking in Stone of Farewell. There's a lot of introspection, as well. But rather than plodding through as I often do, I found myself enjoying every detailed show more moment.
In Stone of Farewell you will find that the cast of characters have diverged into separate adventures and the storytelling jumps between each of them in turn. The world building continues, and Osten Ard becomes an even more developed backdrop on which these adventures play out. The final scene brought actual tears to my eyes. An extraordinary read for lovers of epic fantasy -- I cannot wait to get my hands on book three. show less
Luckily for us, Tad Williams is a master of the genre and handles this unfortunate yet necessary anomaly with such grace as to make it almost non-existent. Yes, there's much trekking in Stone of Farewell. There's a lot of introspection, as well. But rather than plodding through as I often do, I found myself enjoying every detailed show more moment.
In Stone of Farewell you will find that the cast of characters have diverged into separate adventures and the storytelling jumps between each of them in turn. The world building continues, and Osten Ard becomes an even more developed backdrop on which these adventures play out. The final scene brought actual tears to my eyes. An extraordinary read for lovers of epic fantasy -- I cannot wait to get my hands on book three. show less
Continuing my review of Memory, Sorrow, and Thorn, we move into the second book.
The first book is an explosion of history and new culture- William's world has depth!- this installment is, in my opinion, much weaker. It is necessary to create the climax, but lacks any scenes with the power of the blood of Igjarjuk, the innocence of Simon Mooncalf, or the blood-stained history of the Hayholt.
It does have a very evocative eldritch city, and a closer look at the culture of the strange, fey Sithi; overall, it reads to me as the book most echoing with loss of the three. In The Dragonbone Chair, loss was in the past- even the passing of Prester John is the mourning of the passing of a man who did great deeds and touched many lives, regardless show more of his faults. In this book, it is a profound sense of things being irretrievably lost or lesser that one did not expect before the finale.
If one has an attachment to the relevant sections, this book explains what the villain-hero, Ineluki, wants to restore before it is lost. show less
The first book is an explosion of history and new culture- William's world has depth!- this installment is, in my opinion, much weaker. It is necessary to create the climax, but lacks any scenes with the power of the blood of Igjarjuk, the innocence of Simon Mooncalf, or the blood-stained history of the Hayholt.
It does have a very evocative eldritch city, and a closer look at the culture of the strange, fey Sithi; overall, it reads to me as the book most echoing with loss of the three. In The Dragonbone Chair, loss was in the past- even the passing of Prester John is the mourning of the passing of a man who did great deeds and touched many lives, regardless show more of his faults. In this book, it is a profound sense of things being irretrievably lost or lesser that one did not expect before the finale.
If one has an attachment to the relevant sections, this book explains what the villain-hero, Ineluki, wants to restore before it is lost. show less
The Stone of Farewell improves on the Dragon Bone Chair simply by virtue of beginning more immediately, the conflict has already begun and the characters must endure or attempt to influence it according to their situations. (As opposed to the lengthy beginning a set up in the first book that, while necessary, was slow.) Simon's character arc and maturation remain excellent, and possibly the best example of a character growing up I've read in a fantasy book.
Some of the flaws I found with this book are the multiple povs. There are three distinct povs throughout the narrative, and of these I found Miriamels bar far the weakest, as she lacked meaningful progress, objectives, or growth. Simon's is the strongest, not just because of him being show more the MC and someone I'm deeply invested in, but is occasionally guilty of the 'cliffhanger' crime of ending a chapter somewhere tense and exciting and then sending the reader into a different pov, thus resulting in much of my excitement dying out by the time we return to the cliffhanger (as well as the annoyance of not being able to continue reading the exciting bit). And the Prince's vacillates depending on the conflict transpiring in his chapters. show less
Some of the flaws I found with this book are the multiple povs. There are three distinct povs throughout the narrative, and of these I found Miriamels bar far the weakest, as she lacked meaningful progress, objectives, or growth. Simon's is the strongest, not just because of him being show more the MC and someone I'm deeply invested in, but is occasionally guilty of the 'cliffhanger' crime of ending a chapter somewhere tense and exciting and then sending the reader into a different pov, thus resulting in much of my excitement dying out by the time we return to the cliffhanger (as well as the annoyance of not being able to continue reading the exciting bit). And the Prince's vacillates depending on the conflict transpiring in his chapters. show less
The second volume Tad Williams' Memory, Sorrow, and Thorn trilogy appears at first to be an event-laden set up piece for the grand finale series, however Stone of Farewell turned out into something more in-depth especially when it comes to characters. From various locations around Osten Ard, characters that have survived the events of The Dragonbone Chair start heading to the legendary Stone of Farewell, a temporary sanctuary for those fighting against the tide of evil brought by the Storm King. While others continue their noble, and sometimes misguided, personal quests.
From the north, Simon's journey begins with saving the lives of his friends from a death sentence then heads to the southern border of the Old Forest only to be show more separated from his friends. In the west, Prince Josua leads a ragtag band of survivors in the Old Forest first in a battle of survival then into a quest that leads them to the vast plans in the east of the country to the Stone. Miriamele learns her quest to bring Nabban to her uncle's side a failure before her arrival then finds herself being secretly traded from one political player to another while Duke Isgrimnur's search for the wayward Princess gets sidetracked to find small Wrannaman along with a legendary figure. And in occupied Hernystir, Maegwin leds her exiled country in the depths of the mountains and finds a lost city.
From the first page the action is always moving forward unlike the beginning of The Dragonbone Chair. Simon's sojourn with the exiled Sithi is a interesting and very necessary change of pace in the later half of the book as the reader continues to learn that things aren't necessary as they seem. While the vast majority of the book is a great read, there are parts that are somewhat of a drag and questionable. Both Miriamele and Maegwin seem to be well-written one page then clichéd the next, its very maddening as a reader. Another is the fact that the majority of Josua's journey to the Stone comes from Deornoth's point-of-view, while Deornoth is a great character it questionable that a major player like Josua seems sidelined by the writer.
Stone of Farewell is a wonderful middle volume of a trilogy that is not only an adventure in itself, but builds up the story for the finale. If you've read The Dragonbone Chair and are thinking about if you really want to continue with the series, I recommend you read the first 100 pages because you won't want to put it down. show less
From the north, Simon's journey begins with saving the lives of his friends from a death sentence then heads to the southern border of the Old Forest only to be show more separated from his friends. In the west, Prince Josua leads a ragtag band of survivors in the Old Forest first in a battle of survival then into a quest that leads them to the vast plans in the east of the country to the Stone. Miriamele learns her quest to bring Nabban to her uncle's side a failure before her arrival then finds herself being secretly traded from one political player to another while Duke Isgrimnur's search for the wayward Princess gets sidetracked to find small Wrannaman along with a legendary figure. And in occupied Hernystir, Maegwin leds her exiled country in the depths of the mountains and finds a lost city.
From the first page the action is always moving forward unlike the beginning of The Dragonbone Chair. Simon's sojourn with the exiled Sithi is a interesting and very necessary change of pace in the later half of the book as the reader continues to learn that things aren't necessary as they seem. While the vast majority of the book is a great read, there are parts that are somewhat of a drag and questionable. Both Miriamele and Maegwin seem to be well-written one page then clichéd the next, its very maddening as a reader. Another is the fact that the majority of Josua's journey to the Stone comes from Deornoth's point-of-view, while Deornoth is a great character it questionable that a major player like Josua seems sidelined by the writer.
Stone of Farewell is a wonderful middle volume of a trilogy that is not only an adventure in itself, but builds up the story for the finale. If you've read The Dragonbone Chair and are thinking about if you really want to continue with the series, I recommend you read the first 100 pages because you won't want to put it down. show less
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Author Information

128+ Works 54,653 Members
Tad Williams Tad Williams grew up in Palo Alto, California. He didn't go off to college after high school, he was more interested in living on his own and supporting himself. Williams therefore began a long string of collectively bad part time jobs. He stacked tiles, made tacos, sold shoes, peddled insurance, collected loans not all at the same show more time and worked at other things in his free moments, such as writing, as well as, several years in a rock band, hosting a radio talk show, making commercial and uncommercial art, acting, and others DAW was the first to publish Williams, accepting "Tailchaser's Song," which became an big success. It never occurred to Williams that his books wold not sell and indeed they have not stopped selling since the beginning. (Bowker Author Biography) show less
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- Canonical title
- Stone of Farewell
- Original title
- Stone of Farewell
- Original publication date
- 1990
- People/Characters
- Seoman Snowlock (aka Simon); Binabik; Prince Josua; Miriamele; Tiamak; Isgrimnur (show all 17); Maegwin; Eolair; Guthwulf; Deornoth; Rachel the Dragon; Sludig; Jiriki; Elias; Pyrates; Ineluki, the Storm King; Ingen Jegger
- Important places
- Stone of Farewell (aka Sesuad'ra); Aldheorte Forest; Yiqanuk; Thrithings; The Hayholt, Erkynland, Osten Ard (aka Asu'a); Jao e-Tinukai'i
- Epigraph
- . . . Of all the many changing things
In dreary dancying past us whirled,
To the cracked tune that Chronos sings,
Words alone are certain good.
Where are now the warring kings,
Word be-mocke... (show all)rs?—By the Rood,
Where are not the warring kings?
An idle word is now their glory,
By the stammering scholboy said,
Reading some entangled story:
The kings of the old time are dead;
The wandering earth herself may be
Only a sudden flaming word,
In clanging space a moment heard,
Troubling the endless reverie.
—William Butler Yeats
(from The Song of the Happy Shepherd) - Dedication
- This series is dedicated to my mother, Barbara Jean Evans, who taught to me a deep affection for Tad Hall, the Hundred Aker Woods, the Shire, and many other hidden places and countries beyond the fields we know. She also indu... (show all)ced in me a lifelong desire to make my own discoveries, and to share them with others. I wish to share these books. with her.
- First words
- Even in the cave, where the crackling fire sent gray fingers of smoke up to the hole in the stony roof, and red light played across the wall carvings of twining serpents and tusked, staring-eyed beasts, the cold still gnawed ... (show all)at Simon's bones.
- Last words
- (Click to show. Warning: May contain spoilers.)As darkness crept over the drowned valley, the sweet, clear voice rose through the trees and echoed out over the black water.
- Publisher's editor
- Gilbert, Sheila ; Wollheim, Betsy
- Original language
- English
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