The Continental Op

by Dashiell Hammett

The Continental Op (2.1)

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The Op, a nameless and methodical investigator, is renowned for his unflinching demeanor, sharp instincts, and willingness to bend the rules to uncover the truth. As he navigates a world of corruption, betrayal, and violence, he faces adversaries ranging from ruthless gangsters to elusive criminals, all while dealing with his own moral ambiguities and the harsh realities of his job. Hammett's hallmark style - spare, direct, and filled with atmospheric tension - makes The Continental Op a show more seminal work in the noir genre. Through the Op's eyes, readers experience a raw, cynical world where justice is often elusive and the lines between right and wrong are blurred. With its fast-paced action, complex characters, and deep sense of moral ambiguity, The Continental Op remains a landmark in detective fiction and a must-read for fans of hard-boiled mysteries. Contents: Arson Plus Slippery Fingers Crooked Souls It Bodies Piled Up The Tenth Clew The House in Turk Street The Girl with Silver Eyes The Golden Horseshoe Who Killed Bob Teal? The Whosis Kid The Scorched Face Corkscrew Dead Yellow Women The Gutting of Couffignal Creeping Siamese The Big Knock-Over $106,000 Blood Money The Main Death This King Business Fly Paper The Farewell Murder Death and Company. show less

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32 reviews
At times darker than the usual detective noir of this era that I'm familiar with, this collection of short stories starring our unnamed and unfit capable detective hits all the notes that I expected and hoped for. There are dangerous villains, terrible dames, double crosses, caricatures, as well as my favourite bits: the unglamorous boring grunt work of sitting around and waiting.

Having only been acquainted with Hammett's polished novel length famous heroes, these rough-edged curt men somehow feel more appealing, like a revelation of the real everyday world of these detectives, rather than just being associated with their high profile, once-in-a-lifetime cases. Will be seeking out even more Hammetts now.
Hammett's detective with no name is, for me, more compelling than his three most famous creations, Nick and Nora Charles and Sam Spade. This short story collection is even better than Red Harvest, with tight, taut tales often finishing with brutal brilliance. To read one detective story with that sort of conclusion would be satisfying, but to read half a dozen is a treat.
I used to think that Raymond Chandler was the best American detective story writer, but I became tired of Chandler's over-long descriptive passages and his character Philip Marlowe's constant wisecracking. I now much prefer Hammett's succinct writing style in these "Continental Op" short stories. (Similarly, I like the way that Erle Stanley Gardner gets on with the story in his Perry Mason books.)

Six of the seven stories in this book are great. The only one I didn't like much was "The Golden Horseshoe". But six out of seven is pretty good going.

Incidentally, there is a book available which contains ALL of Hammett's "Op" stories. It's called "The Big Book of the Continental Op", and I consider 21 of the 28 short stories in that book to show more be great ones which are worth rereading.

The other thing I like about Hammett himself is that he was a socialist. Unfortunately, he seems to have been one of those who were deluded into being a supporter of the Stalinist regime in Russia, which I consider to have been a bureaucratic state capitalist tyranny (like China today), not socialist or "communist". But that's another story.
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Hammett’s writing is crisp and descriptive. His knowledge of detective work - he spent six years working for the Pinkerton Detective Agency - lends an air of authenticity that balances out some of the more cliched moments: there are a few too many shoot-outs in dark rooms, for example.

The Continental operative spends much of his time chasing mundane leads - such as tracking luggage at train stations and running down bank cheques - in a way that prefigures the police procedurals that would become popular 30 or more years later.
Full review: http://www.26books.com/?p=231
Quite simply the best thing Hammett ever did. A great character who is not a thug (like Sam Spade) or an alcoholic (like Nick and Nora) but a fellow who does his job as best he can without pretending to be something he's not. DH's prose style was at its best her: clipped, terse, concise, telling you everything you need to know and not a bit more.
Read this one...and toss the others out.
I wasn't sure what to start my year with. Then suddenly I was in the used bookstore and this slim volume caught my eye. Hey you. Yeah, you. You know you can't pass up a Hammett. So true. I had high hopes. There were flashes of genius but it never broke out into the page-turning glee of its Maltese brother. The Continental Op is no Sam Spade.

The Chinese set down his tan bag and shook his head. "There will be no killing," he drawled, "or there will be quite a bit of killing. You don't mistake my meaning, do you, Hook?" - The House in Turk Street
One of the best storytellers of any generation, his ability to hook and engage his readers feels almost effortless. This was a far more matured collection of stories than his first few for Black Mask that I read in a different collection. His writing evolves very quickly which is fascinating to see.

Superb

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Author Information

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362+ Works 32,347 Members
Samuel Dashiell Hammett was born on May 27, 1894 in St Mary's County, Maryland. Raised in Baltimore and Philadelphia, he attended Baltimore Polytechnic until he was 13 years old, but was forced to drop out and work a series of jobs to help support his family. At the age of 21 Hammett was hired by the Pinkerton National Detective Agency as an show more operative. After a stint in the United States Army during World War II, he married a nurse named Josephine Annas Dolan, whom he met when he fell ill with tuberculosis. In 1922, Hammett began writing for Black Mask magazine. Using his background in detective work, he created the tough guy detective characters Sam Spade and the Continental Op, as well as debonair sleuths Nick and Nora Charles. By 1927, Hammett had written the Poisonville series, which later became the novel Red Harvest. He wrote more than 85 short stories and five novels during his lifetime. The novels include The Dain Curse, The Glass Key, The Thin Man, and The Maltese Falcon, which was later adapted into a classic movie starring Humphrey Bogart. He also wrote an autobiography entitled Beams Falling: The Art of Dashiell Hammett. After his marriage faltered in the late 1920s, Hammett met Lillian Hellman, then a married 24-year-old aspiring playwright. In 1930, Hellman left her husband for Hammett. Eventually they both divorced their spouses and, although the two never married, they remained together until Hammett's death on January 10, 1961. (Bowker Author Biography) show less

Some Editions

Ekholm, Rauno (Translator)
Marcus, Steven (Introduction)
Slonims, Nancy (Cover artist)

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Common Knowledge

Canonical title
The Continental Op
Original title
The Continental Op
Original publication date
1974
People/Characters
Continental Op
Important places
San Francisco, California, USA
First words
"Mr. Leopold Gantvoort is not at home," the servant who opened the door said, "but his son, Mr. Charles, is --if you wish to see him."
Quotations
The Chinese set down his tan bag and shook his head. "There will be no killing," he drawled, "or there will be quite a bit of killing. You don't mistake my meaning, do you, Hook?" - The House in Turk Street
She face she made at me was probably meant for a smile. Whatever it was, it beat me. I was afraid she'd do it again, so I surrendered. [p. 57, from "The Golden Horseshoe"]
Last words
(Click to show. Warning: May contain spoilers.)They hanged him.
Blurbers
Chandler, Raymond
Original language
English
Disambiguation notice
Contains:
  • The Tenth Clew
  • The Golden Horseshoe
  • The House in Turk Street
  • The Girl with the Silver Eyes
  • The Whosis Kid
  • The Main Death
  • The Farewell Murder

Classifications

Genres
Fiction and Literature, Mystery
DDC/MDS
813.52Literature & rhetoricAmerican literature in EnglishAmerican fiction in English1900-19991900-1945
LCC
PS3515 .A4347 .C6Language and LiteratureAmerican literatureAmerican literatureIndividual authors1900-1960
BISAC

Statistics

Members
1,422
Popularity
16,625
Reviews
31
Rating
(4.09)
Languages
10 — Danish, English, Finnish, French, German, Italian, Portuguese, Slovak, Spanish, Swedish
Media
Paper, Ebook
ISBNs
28
ASINs
28