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(3.67) | 25 | An extraordinary depiction of the life of an immigrant, as he struggles to come to terms with the horror of his past and the meaning of his pilgrimage to England Dear Catherine, he began. Here I sit, making a meal out of asking you to dinner. I don't really know how to do it. To have cultural integrity, I would have to send my aunt to speak, discreetly, to your aunt, who would then speak to your mother, who would speak to my mother, who would speak to my father, who would speak to me and then approach your mother, who would then approach you. Demoralised by small persecutions and the squalor and poverty of his life, Daud takes refuge in his imagination. He composes wry, sardonic letters hectoring friends and enemies, and invents a lurid colonial past for every old man he encounters. His greatest solace is cricket and the symbolic defeat of the empire at the hands of the mighty West Indies. Although subject to attacks of bitterness and remorse, his captivating sense of humour never deserts him as he struggles to come to terms with the horror of his past and the meaning of his pilgrimage to England. … (more) |
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▾References References to this work on external resources. Wikipedia in EnglishNone ▾Book descriptions An extraordinary depiction of the life of an immigrant, as he struggles to come to terms with the horror of his past and the meaning of his pilgrimage to EnglandDear Catherine, he began. Here I sit, making a meal out of asking you to dinner. I don't really know how to do it. To have cultural integrity, I would have to send my aunt to speak, discreetly, to your aunt, who would then speak to your mother, who would speak to my mother, who would speak to my father, who would speak to me and then approach your mother, who would then approach you. Demoralised by small persecutions and the squalor and poverty of his life, Daud takes refuge in his imagination. He composes wry, sardonic letters hectoring friends and enemies, and invents a lurid colonial past for every old man he encounters. His greatest solace is cricket and the symbolic defeat of the empire at the hands of the mighty West Indies. Although subject to attacks of bitterness and remorse, his captivating sense of humour never deserts him as he struggles to come to terms with the horror of his past and the meaning of his pilgrimage to England. ▾Library descriptions No library descriptions found. ▾LibraryThing members' description
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An extraordinary depiction of the life of an immigrant, as he struggles to come to terms with the horror of his past and the meaning of his pilgrimage to England.
Dear Catherine, he began. Here I sit, making a meal out of asking you to dinner. I don't really know how to do it. To have cultural integrity, I would have to send my aunt to speak, discreetly, to your aunt, who would then speak to your mother, who would speak to my mother, who would speak to my father, who would speak to me and then approach your mother, who would then approach you.
Demoralised by small persecutions and the squalor and poverty of his life, Daud takes refuge in his imagination. He composes wry, sardonic letters hectoring friends and enemies, and invents a lurid colonial past for every old man he encounters. His greatest solace is cricket and the symbolic defeat of the empire at the hands of the mighty West Indies. | |
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[Pilgrims Way] is Gurney’s 2nd book published in 1988. As always, the author has gifted us, the readers, with another compelling story, written with compassion; less a classic ‘coming-of-age” tale than–as the title suggests– more a journey of the self.
This story of Daud seems a bit more congested than Gurney’s other books and may need a bit more attentiveness and maybe a bit of patience. I really couldn’t follow the cricket-related stuff but that was not a big deal. Otherwise, this is another excellent novel from the now Noble Prize winner. ( )