Found in the Street

by Patricia Highsmith

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Elsie Tyler turns heads wherever she goes. After leaving her upstate hometown for Greenwich Village, the charming young waitress soon finds herself surrounded by admirers, including Jack and Natalia Sutherland, a married couple who invite Elsie into their bohemian inner circle and help her launch a career as a model. Meanwhile, Ralph Linderman, a middle-aged security guard with a dog named God, is nursing his own obsession with Elsie. He sets out to protect her from the "bad company" she show more attracts, but his uninvited affections are overbearing, possibly even pathological. When Ralph finds Jack's wallet on a morning stroll through the Village, and returns it, he is entirely unprepared for the complex maze of sexual obsession and disturbing psychological intrigue he is about to be drawn into. Found in the Street is classic Highsmith-an engrossing, unsettling thriller that explores the bleakest alleyways of human desire, and a kaleidoscopic portrait of 1980s New York City. Patricia Highsmith, author of Strangers on a Train and The Talented Mr. Ripley, has been called "one of the finest crime novelists" by the New York Times-and is now considered one of the most original voices in twentieth-century American fiction. show less

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shaunie Both late Highsmiths, they lack the urgency of her best books but are sunnier in outlook.

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6 reviews
Once again, I find myself returning to Highsmith for an engrossing tale. I particularly liked this one for its focus on things somewhat 'ephemeral' to the deaths. As always, Highsmith's psychological insights are stunning. In this, written (or, at least, published) in the last decade of her life, there's a fairly sensitive portrayal of a multitude of characters in the art world & in the world of sexual variance. Most importantly, perhaps, a character that is probably usually just a peripheral 'type' is central here: the crank who files 'well-intended' but somewhat naive & misinformed & paranoid police reports.

This particular 'crank', Ralph Linderman, starts off as sympathetic enuf by returning a lost wallet to its owner w/ a show more substantial amt of cash in it untouched. He informs the astonished recipient of the wallet of his philosophy of honesty & goes on to talk about his atheism. So far, so good - he's someone I can relate to. But he immediately becomes suspect to the wallet's owner, Jack Sutherland, as a bit of a nut to be avoided. Things develop from there as Linderman's revealed to be considerably more out of touch w/ 'reality' than this intro to him might imply.

What's interesting, for me, is the way Highsmith slowly develops the relations between the characters. Most of the main people manage to have what might seem to most to be difficult relations w/ a fair amt of reasonableness - except for a few fringe characters like Linderman who don't quite have what it takes to cope. Linderman's just enuf 'off' to be a 'failure' - but where he's failed, at a psychological level, isn't necessarily completely obvious.

When the 2nd of the 2 deaths happens, who's eventually caught for the crime is almost of no consequence in the overall scheme of things. What's important is the relationships of all the characters not so much to the crime but to the overall social circumstances. Highsmith, w/o making it too obvious, seems to be making a case for sensible attitudes, as personified by the Sutherlands, & for an understanding of the banal grating delusions, trials & tribulations of the 'crank' Linderman. As usual, she does it w/ a depth of development & finess that makes Highsmith worth reading over & over again & makes me happy that she wrote enuf to keep me busy for yrs to come.

Unlike most crime fiction, there's no genius detecting or great leaps of deductive reasoning by the hardboiled protagonist - & this is precisely what makes Highsmith so special. She's not a hack writer pumping out stories revolving around a likable eccentric detective that's capable of great insight & survivalism. Instead, the perpetrator, in this novel, is fairly easily caught by a combination of a character's common sense & fairly routine police work - both revolving around experience w/ human nature. SO, instead of sensational heroes we have a social milieu & various outcasts.
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Quizá porque ahora estoy obsesionada con la construcción de personajes redondos, pero "El hechizo de Elsie" me ha conquistado por el desarrollo de todos sus protagonistas y no tanto por la trama en sí. Creo que Patty pensó eso mientras lo escribía, donde lo mundano deja entrever los tejemanejes del verdadero amor.

Y pensar que encontré el libro por un euro muy de casualidad mientras trabajaba, me ha dejado muy buen sabor de boca.
Everyone is obsessed with Elsie, who seems to be the most abstract character in the book—and maybe that’s the point. There is no substance to Elsie, so why all the fuss? The other characters, Ralph Linderman, Jack Sutherland, and his wife, Natalia, are the leading players (although there are others) and are each fixated on Elsie. The beginning of the book draws you in with the possibility of a maniac (Linderman) stalking an innocent girl (Elsie). However, most of the book is spent in endless descriptions of the bohemian lifestyles of New Yorkers and gay love triangles. In the end, Elsie’s carefree lifestyle catches up to her. The story is predictable and disappointing.
Perhaps her first bad book, but new bad!

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302+ Works 32,974 Members
Patricia Highsmith wrote twenty-one novels including "Strangers on a Train" & the "Ripley" series. She died in 1995 in Switzerland, where she resided much of her life. (Publisher Provided) Patricia Highsmith (January 19, 1921 -- February 4, 1995) was an American novelist and short story writer, most widely known for her psychological thrillers, show more which led to more than two dozen film adaptations. She was born in Fort Worth, Texas. Highsmith grew up with her maternal grandmother in Astoria, Queens, and attended Barnard College. Her first novel, Strangers on a Train (1950), was adapted for stage and screen numerous times, notably by Alfred Hitchcock in 1951. In addition to her acclaimed series about murderer Tom Ripley, which was made into a film in 1955, she wrote many short stories, often macabre, satirical or tinged with black humor. Highsmith liked to examine the ways in which people can get to the point where they are capable of murder, as well as who they become after they have committed a crime. In carefully constructed stories and novels, she integrated this scrutiny of the human psyche into complex plots that often took unexpected twists. In Strangers on a Train, architect Guy Haines meets Charles Bruno on a train. Bruno conceives a plan to have Haines kill Bruno's father, while Bruno will kill Haines's wife. The effect that this plan has on Haines is the focus of the story. Highsmith's awards include: O. Henry Award for best publication of first story, for "The Heroine" in Harper's Bazaar (1946), Grand Prix de Littérature Policière, for The Talented Mr. Ripley (1957), and the Dagger Award -- Category Best Foreign Novel, for The Two Faces of January from the Crime Writers' Association of Great Britain (1964). Highsmith died of aplastic anemia and cancer in Locarno, Switzerland, at age 74. Her last novel, Small G: A Summer Idyll, was published one month after her death in 1995. (Bowker Author Biography) show less

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Dyer, Peter (Cover designer)
Taylor, Kinsman (Cover photo)

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Common Knowledge

Canonical title*
Elsie's Lebenslust
Original title
Found in the street
Original publication date
1986
People/Characters
Elsie Tyler; Jack Sutherland; Natalia Sutherland; Amelia Sutherland
Important places
New York, New York, USA
Dedication
For Kingsley
For Kingsley
First words
The girl trotted, and leapt to a curb.
Last words
(Click to show. Warning: May contain spoilers.)Up at the corner, Max and Natalia were laughing at him.
Original language*
Amerikanisch
*Some information comes from Common Knowledge in other languages. Click "Edit" for more information.

Classifications

Genres
Fiction and Literature, Mystery
DDC/MDS
813.54Literature & rhetoricAmerican literature in EnglishAmerican fiction in English1900-19991945-1999
LCC
PS3558 .I366 .F68Language and LiteratureAmerican literatureAmerican literatureIndividual authors1961-
BISAC

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Reviews
5
Rating
(3.19)
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Media
Paper, Ebook
ISBNs
34
ASINs
11