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Winning the NZ Book Award for Fiction in 1987, Potiki follows a small coastal community threatened by developers. It is a time of fear and confusion - and growing anger. The prophet child Tokowaru-i-te-Marama shares his people's struggles against bulldozers and fast money talk, his all-seeing eye looking forward to a strange and terrible new dawn.

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11 reviews
This novel tells us of Hemi and Roimata and their children, members of a coastal Māori village in New Zealand. Though the book is filled with many tales, it forms a single story in three parts: introducing us to the family; showing their return toward traditional life following hardships, economic and otherwise, in the white world; finally telling of the conflict between this community and the developers, "Dollarmen", who wanted their land in order to build a resort.

For me, the value of this book lay in the fact that the surface story—the conflict between the indigenous people and those who would exploit them—didn't really form the theme of the book. Recounting that type of conflict has been done before, and often. Instead, I show more realized that this story was about connectedness in all its forms, about a world view that I found distinctly different and fascinating. Using the traditional carvings of ancestors that decorate the communal assembly hall as a thread that weaves through from the first pages to the last, Ms. Grace touched upon the villagers' feelings of connectedness with their ancestors; with their past history, both good and bad; with each other; with chance strangers who graced them with a visit; and with their land and dwellings.

The result was an interesting shift in perspective. Though the author's voice was politically clear in her beliefs, the result wasn't so much a negative definition, a rejection of the West, rather it was a positive affirmation of themselves—"we are what we have always been" rather than "we are not like you."

It was beautifully done. When the book was over, I felt I had obtained a real glimpse into another culture, and a little of the calm of the story had rubbed off.
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I thoroughly enjoyed this book - the primary characters are Toko, the potiki (youngest) prophet child, and his parents. The book's theme is the attempt of land developers to effect change over a small peaceful Maori village in New Zealand. The traditions of the village prevail with the assistance of other native village communities and non-native locals.
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78/2021. Potiki, by Patricia Grace, is a novel set in a Maori community in Aotearoa (New Zealand) about family, cultural and economic survival, and how all are linked to environmental caretaking.

A traditional Maori whānau community, the Tamihanas, and their way of life, already under pressure from generations of settler-colonialism, are threatened by ruthless developers who want their land. Their allies, other Maori, local people resisting change, and environmentalists, prove ineffectual against big business with government and the police on their side, but the Tamihanas have a deep-rooted connection to their homeland and their extended family which gives them strength. The story also effortlessly includes disabled family members as show more half the main point of view characters.

Quote: "She made her way along by the water's edge singing, sometimes talking as she went. Every now and again she would bend and pick something up. If it was something that either lived or could live - a crab, a shellfish or a weed - she threw it into the sea. If it was something that did not live and could not - paper, plastic or tin - she put it into her bucket to take home."
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A group of native New Zealanders survive on their land, some overcoming their alien educations and some fighting to regain territories taken from them ostensibly for a war time landing strip but never so used. A very internally told narrative, a woman, her husband, their children a few others.Their land is valued by external money makers, but they and their way of life are considered obstacles requiring them to persist in spite of what is brought to bear against them.
Will need to re-read to see if some of the more esoteric parts make more 'sense' - but a well-written account of Maori struggle against the near-mythical "progress" which threatens a recently rediscovered way of life.
Potiki is not only the story of one family, but it looks at the issue of Maori land ownership in the modern world. It is narrated through the eyes of individual family members and the reader gradually gains an appreciation and new perspective on the rural Maori lifestyle, their desire to live a simple life on the land conserving their natural resources. The book is divided into three parts. In the first section we look at the family, their land and the history. In the second the modern day dilemmas of what price progress and is it, in fact, progress, are presented and confronted. The third section brings resolution and conclusion with hope for the furure.
Hemi and Roimata and their children and extended family have worked hard to make a show more living from the land and sea but in tough times were forced to sell off portions. When a property development company approaches them to buy the rest of their land or at least access through their remaining property to create a tourist complex, their quiet lifestyle is threatened.
Patricia Grace weaves mythology throughout the tale and engenders a respect for the past and hope for the future. I think this is a very important piece of New Zealnd writing that deserves a wide audience.
One thing I feel is lacking is a glossary with the translation of the many Maori words to enhance the readers appreciation and knowledge.
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Reading the large print version of this book, along with the childlike, repetitive prose style put me off this book initially. But I am glad I finished it. It's interesting to think this book was written 25 years ago now = at times the themes seem a bit obvious - the dichotomy of good and evil too obvious - but 25 years ago this was a really important, and until then, untold story. And, on second thoughts, that's probably still the case now; the story needs to be told even if it seems old to those who have already heard it.

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Nov 30, 2011
added by michalsuz

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Author Information

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37+ Works 1,203 Members
Novelist, short story writer, and children's author Patricia Grace was born in Wellington, New Zealand on August 17, 1937. She was a teacher in primary and secondary schools in Northland, Picton, and King County, New Zealand. She is of Ngati Toa, Ngati Raukawa and Te Ati Awa descent and has been instrumental in the emergence of Maori fiction in show more English. Her first collection of stories, Waiariki, was published in 1975 and won the PEN/Hubert Church Award for Best First Book of Fiction. Her second novel, Potiki, won the fiction section of the New Zealand Book Awards in 1987. Her children's book, The Kuia and the Spider, was the winner of the Children's Picture Book of the Year award in 1982. Another children's book, The Trolley, won the Russell Clark Award in 1994. She also won the 2005 Deutz Medal for Fiction or Poetry for Tu. She was honored as a living icon of New Zealand art in 2005 and currently lives in Plimmerton, New Zealand. Her title Chappy made the New Zealand Bst Seller List in 2015. (Bowker Author Biography) show less

Awards and Honors

Series

Belongs to Publisher Series

Common Knowledge

Canonical title
Potiki
Original title
Potiki
Original publication date
1986
Important places
New Zealand
Original language
English; Maori

Classifications

Genres
General Fiction, Fiction and Literature
DDC/MDS
823Literature & rhetoricEnglish & Old English literaturesEnglish fiction
LCC
PR9639.3 .G7 .P6Language and LiteratureEnglishEnglish LiteratureEnglish literature: Provincial, local, etc.
BISAC

Statistics

Members
343
Popularity
91,707
Reviews
11
Rating
(3.81)
Languages
9 — Dutch, English, Finnish, French, German, Italian, Maori, Portuguese, Spanish
Media
Paper, Audiobook, Ebook
ISBNs
26
ASINs
5