The Bullfighter Checks Her Makeup

by Susan Orlean

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The bestselling author of The Orchid Thief and The Library Book is back with this delightfully entertaining collection of her best and brightest profiles.

Acclaimed New Yorker writer Susan Orlean brings her wry sensibility, exuberant voice, and peculiar curiosities to a fascinating range of subjects—from the well known (Bill Blass) to the unknown (a typical ten-year-old boy) to the formerly known (the 1960s girl group the Shaggs).

Passionate people. Famous people. Short people. And one show more championship show dog named Biff, who from a certain angle looks a lot like Bill Clinton. Orlean transports us into the lives of eccentric and extraordinary characters—like Cristina Sánchez, the eponymous bullfighter, the first female matador of Spain—and writes with such insight and candor that readers will feel as if they’ve met each and every one of them.

The result is a luminous and joyful tour of the human condition as seen through the eyes of the writer heralded by the Chicago Tribune as a “journalist dynamo.”.
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12 reviews
It was fun and startling to read adult-viewpoint stories about Marky Mark and Tiffany, who were famous when I was a kid, because the way they were depicted was so different from their personas in Seventeen Magazine and the like. Yes, of course they would be different, but the thing is that I had no idea they would be in this book, so reading about them was a trip back in time.

Of course, the best ones were the stories of non-celebrities. It reinforces the idea that everyone has something interesting about them, and only needs a very talented writer around to draw out their story and put it in a witty little package. My favorites were "Show Dogs" and "I Want This Apartment" and "Silly Billy". The story about Silly Billy was especially show more interesting to me because years ago I saw the documentary "Capturing the Friedmans", and recognized Silly Billy as David Friedman, whose father and brother were accused of child molestation. This connection gave more depth and perspective to the article as I read it, as well as to how I think about and remember the movie and its people. show less
http://tinyurl.com/9rvcb47

My brother gave me this book years ago, long before I'd understood that Susan Orlean was and should always be a household name. Then I saw her speak at the 2011 Miami Book Fair International for the debut of "Rin Tin Tin" and understood still further why she is something special. It was definitely time to finally read this book of essays.

Watching Susan Orlean speak is the same thing as reading her essays. This is remarkable because I have always held to the tenet that those who can write well are those who cannot speak well, and vice versa. Her connection with language must be such that what she thinks comes out equally well if she's telling you in person or via a book. In my opinion, this hints at a highly show more organized mind, or at least one where the lobes are more connected than usual.

Some of these stories are bland. They don't grab you by the seat of your pants and they don't make you want to meet the subjects. (The hairdresser, the fan-shop guy, to name a couple.) But the others? Personality simply lifts off the page and becomes a full-fleshed person in front you, warts and all. I want to meet all the surfer girls on Maui, learn about the Ottoman Empire from the preeminent tennis mom of Bulgaria, hug Tiffany, and I definitely want to ride in a car with Jean Jennings. So will you.
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½
Engaging. Probably more so for the author's fellow New Yorkers, and more so at the times each essay was contemporary. Now it's dated (most by over 3 decades, no cell phones and only a couple of car phones). It could be read as history - getting a look at celebrities before they became big - but sometimes it read as if the author either 1. had an eye for ppl who were over-hyped (Fab Five Freddy) or 2. were going to be jinxed by the appearance of Orlean's essay (pop star Tiffany).

I do appreciate Orlean's detachment. Seldom do we get glimpses of her personality, or even of her strategies re' meeting up with these ppl and getting them to share their lives and perspectives with her. Iow, she's the opposite of Bill Bryson, which I appreciate show more *very* much.

And these are 'extraordinary' people. Then again, they're extraordinary in the sense that millions of ppl are. Her essays help a reader to realize that everyone has a story, everyone we meet could very well have something going on in their lives worth writing & reading about.

Otoh, these mini-bios are also fluffy. I had to flip through the book to pull up examples for these comments, as I've already forgotten most of the folks profiled. The few I remember were the few I googled, to find out 'where are they now.' ... So... one good thing about it being a relatively old book is that it is of historical interest. What was it like for a popular professional clown in NYC to manage his schedule, and his assistants' schedules, with no cell or car phone, for example? And it's maybe good that we can google our favorite personalities and learn more about them, and check whether they were successful.

So. 2.5 stars, rounded up because it's not Orleans' fault that I don't live in NYC and didn't read this closer to when it came out, in 2000. Still, not particularly recommended.
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Really enjoyable collection of essays. The "American Man, Age 10" essay is unbelievably funny.
In addition, she interviews a hapless girl band from the 50s, a prize stud showdog, Spain's celebrity female bullfighter, and many other quirky and unexpected people.
Susan Orlean is not one of my favorite essayists. I found some entries in this collection ("Maui Surfer Girls", the title essay and the story about Biff the show dog) to be enjoyable, though not exceptionally funny nor thought-provoking. The remainder of the essays were just this side of boring—readable, but nothing to which I'd ever return.
½
Great writing used to describe some really interesting people.
I gave this 4 stars because: In on story she used "and" rather than commas, which was completely annoying and I didn't like all of her stories.

I especially liked the stories on the Southern Gospel singers & their traveling show, The Fish Market window designer, the ten-year old "perfect America man, the New York City apartment broker, the only buttons-only store, Bill Blass, the Hana Surfer Girls, and the Ashanti King who drives a Taxi Cab.

The other stories were interesting as well... I certainly wanted more about the Torera, it was definitely lacking personal input.....

The Library I work in does not own a copy, but they will tomorrow as I am adding the one I got from the book sale to the collection!

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Author Information

Picture of author.
30+ Works 12,086 Members
Susan Orlean is a staff writer for The New Yorker and has also written for Outside, Esquire, Rolling Stone, and Vogue. She graduated from the University of Michigan and worked as a reporter in Portland, Oregon, and Boston, Massachusetts. Orlean is the author of The Orchid Thief and Rin Tin Tin: The Life and Legend. She now lives in New York City show more and can be reached via the internet at www.susanorlean.com (Bowker Author Biography) show less

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Common Knowledge

Canonical title
The Bullfighter Checks Her Makeup
Original publication date
2001-01-23
First words
I always wanted to be a writer. In fact, as far as I can recall, I have never wanted to be anything other than a writer.
Last words
(Click to show. Warning: May contain spoilers.)The man had the interior lamp turned on,maybe for the pony, and it made a trail of light I could follow the whole way back to Madrid.

Classifications

Genres
Nonfiction, General Nonfiction, Biography & Memoir
DDC/MDS
920.00904History & geographyBiographies, Genealogy, HealdryBiographiesGeneral and collective by localities
LCC
CT220 .O79Auxiliary Sciences of HistoryBiographyBiographyNational biography
BISAC

Statistics

Members
489
Popularity
61,529
Reviews
10
Rating
½ (3.60)
Languages
English
Media
Paper, Ebook
ISBNs
7
ASINs
3