Just Listen
by Sarah Dessen
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Isolated from friends who believe the worst because she has not been truthful with them, sixteen-year-old Annabel finds an ally in classmate Owen, whose honesty and passion for music help her to face and share what really happened at the end-of-the-year party that changed her life.Tags
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When events at a party at the beginning of the summer leave Annabel suddenly without her best friend, she dreads going back to school alone. She won't talk about what happened, and honestly has enough going on with her sister Whitney struggling with anorexia, and her mom still fragile after a bout with depression. Then she becomes friends with Owen, who's always listening to music and encourages Annabel to say what she really thinks.
Just Listen could so easily be an "issue" book with a point to be made, but while it touches on a lot, that never overwhelms the story of Annabel's growth, her acceptance of herself, and dealing with both interpersonal conflict and what happened at that party in May. I love Owen, the kid who had to go show more through anger management but resolves never to tell a lie. Annabel's family morphs and changes too, as she learns to see her sisters and parents in a new light and each of them grows over the course of the story. The dynamics among them rang true and were never heavy-handed. This was the first Sarah Dessen book I ever read and still among my favorites. show less
Just Listen could so easily be an "issue" book with a point to be made, but while it touches on a lot, that never overwhelms the story of Annabel's growth, her acceptance of herself, and dealing with both interpersonal conflict and what happened at that party in May. I love Owen, the kid who had to go show more through anger management but resolves never to tell a lie. Annabel's family morphs and changes too, as she learns to see her sisters and parents in a new light and each of them grows over the course of the story. The dynamics among them rang true and were never heavy-handed. This was the first Sarah Dessen book I ever read and still among my favorites. show less
After an ugly falling out with a friend and with the truth behind that falling out uglier than she’s revealed to anyone, Annabel faces the new school year very much isolated until befriending a music obsessed boy with his own issues.
You’ll probably figure out what Annabel is hiding fairly early on, it’s not meant to be about the suspense of what happened, it’s more a matter of working up to the point where Annabel may be ready to talk about it. I thought Annabel’s struggle felt realistic, particularly as another person’s situation becomes public. It was just towards the end where I wanted a little more of Annabel and her family dealing with things and especially an in depth conversation with her mom.
The romance was kind of show more underdeveloped, it definitely felt more like friendship territory to me, but I didn’t really mind that since friendship was something Annabel sorely needed. I did like Owen, his snobby taste in music and his entertaining little sister gave the book some necessary lighter bits amid the heavier subjects tackled here.
As compelling as I found Annabel’s situation, I was even more interested in her sister Whitney’s eating disorder and the arc she’s on over the course of the book, it had me wishing her story wasn’t just secondary but a novel all its own. show less
You’ll probably figure out what Annabel is hiding fairly early on, it’s not meant to be about the suspense of what happened, it’s more a matter of working up to the point where Annabel may be ready to talk about it. I thought Annabel’s struggle felt realistic, particularly as another person’s situation becomes public. It was just towards the end where I wanted a little more of Annabel and her family dealing with things and especially an in depth conversation with her mom.
The romance was kind of show more underdeveloped, it definitely felt more like friendship territory to me, but I didn’t really mind that since friendship was something Annabel sorely needed. I did like Owen, his snobby taste in music and his entertaining little sister gave the book some necessary lighter bits amid the heavier subjects tackled here.
As compelling as I found Annabel’s situation, I was even more interested in her sister Whitney’s eating disorder and the arc she’s on over the course of the book, it had me wishing her story wasn’t just secondary but a novel all its own. show less
Not all is as it seems in the Greene’s modern glass home. From the outside, sisters Annabel, Whitney and Kirsten Greene look perfect. All three are models, and Annabel starred in a commercial as the high school girl who has everything. Under the surface though, it’s an entirely different story.
Sarah Dessen's Just Listen takes a look inside the glass house. Whitney has an eating disorder which she doesn’t want to acknowledge, Kirsten is the oldest and doesn’t want to model anymore, and then there’s Annabel. After her best friend dumps her, Annabel spends her summer in a self-imposed social exile. She starts her junior year alone and friendless. Sitting alone at lunch, Annabel meets Owen, a tall, music-obsessed, “bad-boy” show more who teaches her about what it means to be honest. Through their friendship Annabel finds her voice and begins to use it.
One of the things I love about Sarah Dessen’s books is that, while they can be predictable, I always find characters with whom I can identify.
People-pleasing Annabel can’t stand to disappoint. She goes to great lengths in order to keep up appearances, even if it means lying. Avoidance is her modus operandi. She avoids what happened at a party before the summer; she avoids Clarke, her childhood best friend; she avoids dealing with Whitney’s eating disorder; she avoids telling her mother she no longer wants to model. She learns from Owen that lies by omission are still lies.
I used to believe that everyone had to like me or agree with me. I wish I had “an Owen” to inspire me to live in complete honesty, not mean-spirited, unsolicited criticism masquerading as honesty, but the kind that enables me to take ownership of my feelings and opinions. It has taken me a long time begin to understand that I have to respect myself, and I can’t avoid situations hoping that they will magically change. In facing things as they really are, I learn to accept them and, as Annabel does, become the person I am supposed to be. show less
Sarah Dessen's Just Listen takes a look inside the glass house. Whitney has an eating disorder which she doesn’t want to acknowledge, Kirsten is the oldest and doesn’t want to model anymore, and then there’s Annabel. After her best friend dumps her, Annabel spends her summer in a self-imposed social exile. She starts her junior year alone and friendless. Sitting alone at lunch, Annabel meets Owen, a tall, music-obsessed, “bad-boy” show more who teaches her about what it means to be honest. Through their friendship Annabel finds her voice and begins to use it.
One of the things I love about Sarah Dessen’s books is that, while they can be predictable, I always find characters with whom I can identify.
People-pleasing Annabel can’t stand to disappoint. She goes to great lengths in order to keep up appearances, even if it means lying. Avoidance is her modus operandi. She avoids what happened at a party before the summer; she avoids Clarke, her childhood best friend; she avoids dealing with Whitney’s eating disorder; she avoids telling her mother she no longer wants to model. She learns from Owen that lies by omission are still lies.
I used to believe that everyone had to like me or agree with me. I wish I had “an Owen” to inspire me to live in complete honesty, not mean-spirited, unsolicited criticism masquerading as honesty, but the kind that enables me to take ownership of my feelings and opinions. It has taken me a long time begin to understand that I have to respect myself, and I can’t avoid situations hoping that they will magically change. In facing things as they really are, I learn to accept them and, as Annabel does, become the person I am supposed to be. show less
Annabel Greene is the girl who has everything, or at least she plays one on TV. When the commercial she features in starts popping up on TV screens, Annabel feels like she couldn't be less like the smiling girl in the pictures who is having the perfect high school experience. Instead, something happened during the summer that she can't talk about, that is the talk of the school, that has sent all her best friends packing to avoid becoming a social pariah like Annabel. Things are no better at home where her mother is struggling with depression, her middle sister is recovering from anorexia, and Annabel has no choice but to maintain the facade to keep her precarious family's boat from rocking.
Instead of letting the truth out, Annabel is show more limping through her senior year friendless and sick with worry. That is, of course, until she meets the guy. Owen Armstrong's not exactly a social butterfly either. He's got kind of a frightening reputation for anger and a habit of always using his headphones to block out the world, but it turns out broody, honest to a fault Owen is the only one who can rescue Annabel from her own act and help her tell the truth, even to herself.
There is definitely something special about a Sarah Dessen book. It's not that I relate terribly much to her trying-to-be-perfect teenage main characters or expect that an unexpected guy will always come to the rescue when life goes south. However, Dessen does a great job of turning a "perfect" untouchable girl into a normal person with normal problems whose life isn't as great as it seems. Annabel's life, in ways, is perfectly typical, filled with sisters who are rivals; loving, if distracted, parents; and a childhood friend or two who got dropped along the way. It's that true-to-life high school experience that really helps Dessen's characters jump off the page and become truly lovable.
The romance that brings an unlikely couple together is satisfying, but more importantly serves as a way to draw out Annabel's character and her coming of age story. Admittedly, Dessen books have a bit of a formula to them, but I think it's a great formula, and when Annabel finally comes to terms with her secrets, I was crying right along with her. Just Listen is a touching, satisfying romance with a musical bent and a main character who is learning just how much the truth can set her free. show less
Instead of letting the truth out, Annabel is show more limping through her senior year friendless and sick with worry. That is, of course, until she meets the guy. Owen Armstrong's not exactly a social butterfly either. He's got kind of a frightening reputation for anger and a habit of always using his headphones to block out the world, but it turns out broody, honest to a fault Owen is the only one who can rescue Annabel from her own act and help her tell the truth, even to herself.
There is definitely something special about a Sarah Dessen book. It's not that I relate terribly much to her trying-to-be-perfect teenage main characters or expect that an unexpected guy will always come to the rescue when life goes south. However, Dessen does a great job of turning a "perfect" untouchable girl into a normal person with normal problems whose life isn't as great as it seems. Annabel's life, in ways, is perfectly typical, filled with sisters who are rivals; loving, if distracted, parents; and a childhood friend or two who got dropped along the way. It's that true-to-life high school experience that really helps Dessen's characters jump off the page and become truly lovable.
The romance that brings an unlikely couple together is satisfying, but more importantly serves as a way to draw out Annabel's character and her coming of age story. Admittedly, Dessen books have a bit of a formula to them, but I think it's a great formula, and when Annabel finally comes to terms with her secrets, I was crying right along with her. Just Listen is a touching, satisfying romance with a musical bent and a main character who is learning just how much the truth can set her free. show less
I love everything about Just Listen — the story, the characters, the writing. I had so many flashbacks of my teenage years as I read this novel. I felt like I knew the characters, maybe from my childhood or at the very least, I felt like I could reach out and touch them. I lived with them — their day-to-day drama, their secrets, their frustrations.
At first you think Annabel has everything and then her world comes crashing down only to have everything circle back around making the story feel complete.
I could relate to Annabel, not regarding her modeling career, but her avoidant behavior, how she was intimated by her friend Sophie, and how she hoped her troubles would just dissolve away only to have them haunt her until she finally show more speaks up. I’m grateful that I didn’t have Annabel’s traumatic experience.
Whitney’s issues with food threw me back into my high school years when I barely ate. My issue never got as bad at hers, landing her in the hospital for months followed by outpatient therapy. I do remember feeling as broken as Whitney and food became one of our enemies, temporarily, but something that was always on our minds.
I wanted a friend like Annabel’s friend Owen, someone to pick me up during my darkest moments in my adolescence. He has his own radio show on Sunday mornings and he plays techno and new age type of songs. I love his views of commercial music and fashion. I’m not sure if this is Sarah Dessen’s views of music and fashion or just something fictitious she created for the novel. Owen expressed his opinions so directly and I couldn’t have said it better myself.
I love Owen for his brutal honesty. We can all name at least a dozen teenage singers who fit that description. I get so angry when I hear of another talentless teenage singer who is worth $100 million all because they fit a mold and people blindly support them without thinking. I just don’t find these singers entertaining. Anybody can sound good if you add a ton of reverb and compression to their vocals and then run it through ProTools.
Mallory is Owen’s little sister who idolizes fashion, fashion models, and the latest popular artists. By the way, her personality is hysterical. Owen is constantly voicing his opinion of Mallory’s taste in fashion and music.
I went to school with so many label whores. You know the type. They’re in the shallow cliques who all think, act and dress alike in whatever the trend-of-the-week happens to be. If you’re not wearing a label, you’re a nobody, a loser. This scene with Owen and Mallory reminded me of a time when I sat in band class and the girl next to me criticized me for wearing generic labels while she wore her Alligator shirt and whatever those trendy shorts were at the time. I can picture them, but I’m drawing a blank on the name of them. Back then, I just played dumb and pretended that I just didn’t know where to buy those trendy clothes when in reality, my single-parent mother was dead-ass broke. It’s sort of funny how a harmless and entertaining novel like the one can bring back so many memories.
Annabel’s friend Sophie was intimidating and a bit scary, but I got the impression that Annabel wished she had those qualities. She wanted to stand up to Sophie, but found herself remaining silent and constantly following her lead until they had a falling out. Sarah Dessen describes Sophie’s social behavior very vividly:
Owen taught Annabel how to speak up for herself. At first it was by expressing her opinion of Owen’s taste in music on his radio show. Their disagreements about music were often humorous. I laughed when Annabel gave her honest opinion of a “Baby Bejesuses song” that she described as a song that was all touch-tones. Owen tried to claim that the song meant “The Baby Bejesuses are innovators of the genre.” Annabel replied, “Then they should be able to put together a song using more than a phone keypad.” Annabel had to endure songs with yodeling, Gregorian chants and faucets dripping. No joke.
Owen also taught Annabel how to be direct with her opinions and not use placeholders like interesting or thing. He told her they were “something you use when you don’t want to say something else.” Actually, there were several characters other than Annabel that experienced internal growth. Both of her sisters, Whitney and Kirsten changed in meaningful ways. I feel like I’ve been schooled in so many ways by Owen, Annabel, Whitney, and even Sophie, but they each had something different to teach.
Just Listen left me wanting more of the story and more of Sarah Dessen’s novels. She’s definitely an author I’ll be coming back to in the near future. show less
At first you think Annabel has everything and then her world comes crashing down only to have everything circle back around making the story feel complete.
I could relate to Annabel, not regarding her modeling career, but her avoidant behavior, how she was intimated by her friend Sophie, and how she hoped her troubles would just dissolve away only to have them haunt her until she finally show more speaks up. I’m grateful that I didn’t have Annabel’s traumatic experience.
Whitney’s issues with food threw me back into my high school years when I barely ate. My issue never got as bad at hers, landing her in the hospital for months followed by outpatient therapy. I do remember feeling as broken as Whitney and food became one of our enemies, temporarily, but something that was always on our minds.
I wanted a friend like Annabel’s friend Owen, someone to pick me up during my darkest moments in my adolescence. He has his own radio show on Sunday mornings and he plays techno and new age type of songs. I love his views of commercial music and fashion. I’m not sure if this is Sarah Dessen’s views of music and fashion or just something fictitious she created for the novel. Owen expressed his opinions so directly and I couldn’t have said it better myself.
“Bitsy Bonds isn’t a singer, Mallory. She’s a product. She’s fake. She has no soul; she doesn’t stand for anything.”
“I mean, you just have to keep in mind that my listeners are going to be confused. They’re still tuning in, and they expect quality. If possible, enlightenment. Not commercial, mass-produced crap sung by a teenager completely controlled by corporate marketing.”
I love Owen for his brutal honesty. We can all name at least a dozen teenage singers who fit that description. I get so angry when I hear of another talentless teenage singer who is worth $100 million all because they fit a mold and people blindly support them without thinking. I just don’t find these singers entertaining. Anybody can sound good if you add a ton of reverb and compression to their vocals and then run it through ProTools.
Mallory is Owen’s little sister who idolizes fashion, fashion models, and the latest popular artists. By the way, her personality is hysterical. Owen is constantly voicing his opinion of Mallory’s taste in fashion and music.
“’Mallory,’ Owen said, ‘don’t be a label whore.’”
I went to school with so many label whores. You know the type. They’re in the shallow cliques who all think, act and dress alike in whatever the trend-of-the-week happens to be. If you’re not wearing a label, you’re a nobody, a loser. This scene with Owen and Mallory reminded me of a time when I sat in band class and the girl next to me criticized me for wearing generic labels while she wore her Alligator shirt and whatever those trendy shorts were at the time. I can picture them, but I’m drawing a blank on the name of them. Back then, I just played dumb and pretended that I just didn’t know where to buy those trendy clothes when in reality, my single-parent mother was dead-ass broke. It’s sort of funny how a harmless and entertaining novel like the one can bring back so many memories.
Annabel’s friend Sophie was intimidating and a bit scary, but I got the impression that Annabel wished she had those qualities. She wanted to stand up to Sophie, but found herself remaining silent and constantly following her lead until they had a falling out. Sarah Dessen describes Sophie’s social behavior very vividly:
Sophie’s particular brand of fearlessness was perfect for navigating the cliques and various dramatics of middle school and high school. The bossy girls and whispered comments that had always unnerved me didn’t bother her at all, and I found it was much easier to cross the various social barriers once she’d already busted through them for me.”
Owen taught Annabel how to speak up for herself. At first it was by expressing her opinion of Owen’s taste in music on his radio show. Their disagreements about music were often humorous. I laughed when Annabel gave her honest opinion of a “Baby Bejesuses song” that she described as a song that was all touch-tones. Owen tried to claim that the song meant “The Baby Bejesuses are innovators of the genre.” Annabel replied, “Then they should be able to put together a song using more than a phone keypad.” Annabel had to endure songs with yodeling, Gregorian chants and faucets dripping. No joke.
Owen also taught Annabel how to be direct with her opinions and not use placeholders like interesting or thing. He told her they were “something you use when you don’t want to say something else.” Actually, there were several characters other than Annabel that experienced internal growth. Both of her sisters, Whitney and Kirsten changed in meaningful ways. I feel like I’ve been schooled in so many ways by Owen, Annabel, Whitney, and even Sophie, but they each had something different to teach.
Just Listen left me wanting more of the story and more of Sarah Dessen’s novels. She’s definitely an author I’ll be coming back to in the near future. show less
I could do this review in six words: "listen between the lines." or four, either way. (I could add two "wow"s in there too. Because this novel was just wonderful. So often with YA stuff there are unnecessary paragraphs or plot points tossed in that don't really make sense to me in my late 20s frame of mind, that's not to say they wouldn't have made sense to my teenage mind though. And after all that's the audience for these novels. But Dessen has none of that.)
That's the generally idea though behind this book. If the characters actually listened to each other they might be a bit better off. Isn't that something that every teen/person struggles with everyday? Saying what's on their mind and finding someone who is willing to actually show more listen to what they are saying?
I loved the idea that you don't know exactly what happens to Annabel until most than 3/4s of the way through the book. It's not the important part of the story. It's just the cause that leads to the effect. And the effect is her just learning how to grow as a person and actually articulate her feelings, to learn how to speak and not be afraid of what will happen once she does say something.
An amazing novel that, I think, is a "gateway drug" to more Dessen novels and a search for enlightening YA. show less
That's the generally idea though behind this book. If the characters actually listened to each other they might be a bit better off. Isn't that something that every teen/person struggles with everyday? Saying what's on their mind and finding someone who is willing to actually show more listen to what they are saying?
I loved the idea that you don't know exactly what happens to Annabel until most than 3/4s of the way through the book. It's not the important part of the story. It's just the cause that leads to the effect. And the effect is her just learning how to grow as a person and actually articulate her feelings, to learn how to speak and not be afraid of what will happen once she does say something.
An amazing novel that, I think, is a "gateway drug" to more Dessen novels and a search for enlightening YA. show less
In my quest to become more familiar with YA fiction, I turned to my coworkers who suggested that I read Sarah Dessen, specifically this novel. Contemporary YA is usually hit-or-miss for me, especially since I don't care for romance which seems to be a requirement for YA nowadays.
This book surprised me. I really, really enjoyed it. In fact, I read it over the course of two days and at times had to physically pull myself away from the book because, oh, you know...I had to eat. Or sleep. Or whatever.
Annabel Greene is a high school student, a local model, and a pariah at school because of an incident that happened at a party earlier that summer. (We don't find out until later what it is, but if you've read the book Speak by Laurie Halse show more Anderson, that'll give you a good idea as to what's going on.) She finds solace in her new friend, Owen, who teaches her valuable lessons about music and honesty, and helps her confront the truth of what happened that summer.
YA doesn't always work for me because I'm not always able to approach the story from a teenager's perspective, but this wasn't an issue for Just Listen. Maybe it was because I could relate to Annabel's character, maybe it was the writing style, and maybe it was a little bit of both. But I found myself transported back to my own high school days (for better or for worse), and I was able to leave my adult perspectives behind. There's a romantic subplot, but it doesn't take over the entire story.
There are a ton of appeal factors that make Just Listen a great suggestion for a wide range of readers: writing that does not feel dated, a significant subplot revolving around eating disorders, an honest portrayal of friendship during the high school years, romance, a positive ending, and a universal message about conflict and honesty.
I debated on the rating for this book - although it's not what I would consider a stunning novel, it captured my attention so thoroughly that giving it anything less than five stars felt unfair. I knew Sarah Dessen was a popular author with our teen patrons, but now I have a concrete understanding of why her novels are so popular, and I'll likely read another one in the future.
Readalikes:
Speak - Laurie Halse Anderson. The writing is more experimental and poetic than in Just Listen, which employs a more traditional style. But the plots are very similar and teens who connected strongly with Just Listen will likely feel the same way about Speak.
OCD, The Dude, and Me - Lauren Roedy Vaughn. Both protagonists find themselves ostracized from their classmates at the beginning of the school year, but are able to rise above their situations with the help of an unusual friendship. Both novels ultimately end on a positive note, and both realistically portray high school life.
Novelist also offers these authors as readalike suggestions for Sarah Dessen fans: Jenny Han, Sara Zarr, and Robyn Schneider. All of these authors write female-centered YA fiction that focus on complex characters, romance, and adolescent issues. show less
This book surprised me. I really, really enjoyed it. In fact, I read it over the course of two days and at times had to physically pull myself away from the book because, oh, you know...I had to eat. Or sleep. Or whatever.
Annabel Greene is a high school student, a local model, and a pariah at school because of an incident that happened at a party earlier that summer. (We don't find out until later what it is, but if you've read the book Speak by Laurie Halse show more Anderson, that'll give you a good idea as to what's going on.) She finds solace in her new friend, Owen, who teaches her valuable lessons about music and honesty, and helps her confront the truth of what happened that summer.
YA doesn't always work for me because I'm not always able to approach the story from a teenager's perspective, but this wasn't an issue for Just Listen. Maybe it was because I could relate to Annabel's character, maybe it was the writing style, and maybe it was a little bit of both. But I found myself transported back to my own high school days (for better or for worse), and I was able to leave my adult perspectives behind. There's a romantic subplot, but it doesn't take over the entire story.
There are a ton of appeal factors that make Just Listen a great suggestion for a wide range of readers: writing that does not feel dated, a significant subplot revolving around eating disorders, an honest portrayal of friendship during the high school years, romance, a positive ending, and a universal message about conflict and honesty.
I debated on the rating for this book - although it's not what I would consider a stunning novel, it captured my attention so thoroughly that giving it anything less than five stars felt unfair. I knew Sarah Dessen was a popular author with our teen patrons, but now I have a concrete understanding of why her novels are so popular, and I'll likely read another one in the future.
Readalikes:
Speak - Laurie Halse Anderson. The writing is more experimental and poetic than in Just Listen, which employs a more traditional style. But the plots are very similar and teens who connected strongly with Just Listen will likely feel the same way about Speak.
OCD, The Dude, and Me - Lauren Roedy Vaughn. Both protagonists find themselves ostracized from their classmates at the beginning of the school year, but are able to rise above their situations with the help of an unusual friendship. Both novels ultimately end on a positive note, and both realistically portray high school life.
Novelist also offers these authors as readalike suggestions for Sarah Dessen fans: Jenny Han, Sara Zarr, and Robyn Schneider. All of these authors write female-centered YA fiction that focus on complex characters, romance, and adolescent issues. show less
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Author Information
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Sarah Dessen was born in Evanston, Illinois on June 6, 1970. She graduated from the University of North Carolina at Chapel Hill in 1993 with a degree in English with an emphasis in creative writing. Her first book, That Summer, was published in 1996. She mainly writes for young adults. Her books include Someone Like You, Just Listen, Along for the show more Ride, Keeping the Moon, Dreamland, What Happened to Goodbye, Saint Anything, and The Moon and More. She also teaches creative writing at the University of North Carolina at Chapel Hill. (Bowker Author Biography) show less
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Awards
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Is contained in
Is abridged in
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Common Knowledge
- Canonical title
- Just Listen
- Original title
- Just Listen
- Original publication date
- 2006-04-06
- People/Characters
- Annabel Greene; Owen Armstrong; Sophie; Whitney Greene; Kirsten Greene; Emily (show all 10); Clarke; Will; Mallory; Rolly
- Epigraph
- The best way out is always through. - Robert Frost
- First words
- I taped the commercial back in April, before anything had happened, and promptly forgot about it.
- Last words
- (Click to show. Warning: May contain spoilers.)It was bright and warm, catching the ring on my thumb as Owen reached for it, spinning it slowly, slowly, as the song played on.
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