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Pride and Prejudice [1940 film] (1940)

by Robert Z. Leonard (Director), Aldous Huxley (Screenwriter), Jane Murfin (Screenwriter)

Other authors: Heather Angel (Actor), Art Berry Sr. (Actor), Edward Ashley (Actor), Jane Austen (Original book), Mary Boland (Actor)13 more, E.E. Clive (Actor), Melville Cooper (Actor), Elspeth Dudgeon (Actor), Frank Elliott (Actor), Karl Freund (Cinematographer), Greer Garson (Actor), Edmund Gwenn (Actor), Marsha Hunt (Actor), Bruce Lester (Actor), Maureen O'Sullivan (Actor), Edna May Oliver (Actor), Laurence Olivier (Actor), Ann Rutherford (Actor)

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841319,926 (3.93)None
The story of the five Bennett sisters living in early 19th century England. Their mother is scheming to make prestigious marriages for them. Focuses on Elizabeth Bennett, who mistakenly finds the rich Mr. Darcy an oaf, even as he sets all the other fair maidens' hearts aflutter.
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Review can also be found in Chill and read

Sometimes the last person on earth you want to be with is the one person you can't be without...

Over two hundred years after its first publishing, "Pride and Prejudice" remains a joyful reading. Austen truly masters the art of writing and the reader can see that on every page. The humoristic prose with respect to the way of living at that time is revealing.

All this talk of entailment and manners my seem strange nowadays, however, it was a way of living and a characteristic of the upper class and those who wished to socialize with them. People of lower class may lacked the knowledge and how much was enough, and we can see a great deal of it at Mrs. Bennet, which on occasions makes Miss Bennet feel embarrassed.

The chronicle of Elizabeth and Mr. Darcy's romance may not be so unfamiliar to the reader. As much as pride was there in the 19th century noblemen, so much egoism may now exist in those who believe themselves successful and rich. Though Lady Catherine de Bourg's manners are equivalent and rather expected by her title, they pose her as rude and bossy, which was a rather common thing those days. Her nephew however, is one of the kindest people on earth and those working for him can guarantee for his character.

Elizabeth Bennet, starts with a prejudice, hating a man who is very pride on his origins to even set another look on her beautiful eyes. However, as time goes by, her prejudice is eliminated by his actions and the greatness of his hart and his pride is making room for the lovely miss and some of her relatives that can actually stand next to him and have a nice discussion.

Things are not going to be easy for those two, but when love is in the picture, everything becomes clear.

The book has become a BBC mini series in 1995. Mr. Darcy was imposed by Colin Firth and Elizabeth Bennet by Jennifer Ehle.

Though this was not the only TV adaptation of the most known romance in book history. Many others have followed as well and there are a lot to find while looking around in the internet.

Most recently, in 2005, there was a film adaption by director Joe Wright. Staring Keira Knightley as Elizabeth Bennet and Matthew Macfadyen as Mr. Darcy.

To have a taste, check the film’s official page. ( )
  GeorgiaKo | Aug 21, 2016 |
The Olivier-Garson version of 1940 (based on a script by Aldous Huxley, among others) is cold proof that any tampering will reduce the original to the emollient and the inconsequential. Huxley’s reading is fatally winsome; even Lady Catherine de Bourgh is a good egg. Still, the adapter has to do what the adapter has to do. The pious and vigilant Janeite looks on, ever ready to be scandalised by the tiniest breach of decorum.
added by SnootyBaronet | editNew Yorker, Martin Amis
 
Animated and bouncing, the movie is more Dickens than Austen; once one adjusts to this, it’s a happy and carefree viewing experience. The movie belongs to Laurence Olivier, who plays Darcy, and to that great old dragon Edna May Oliver, as Lady Catherine. In the role of Elizabeth Bennet, Greer Garson is not as intolerably noble as she became later. She’s effective and has nice diction, though she’s arch and incapable of subtlety, and a viewer can get weary watching that eyebrow that goes up like the gold curtain at the old Met.
added by SnootyBaronet | editThe New Yorker, Pauline Kael
 

» Add other authors (11 possible)

Author nameRoleType of authorWork?Status
Leonard, Robert Z.Directorprimary authorall editionsconfirmed
Huxley, AldousScreenwritermain authorall editionsconfirmed
Murfin, JaneScreenwritermain authorall editionsconfirmed
Angel, HeatherActorsecondary authorall editionsconfirmed
Art Berry Sr.Actorsecondary authorall editionsconfirmed
Ashley, EdwardActorsecondary authorall editionsconfirmed
Austen, JaneOriginal booksecondary authorall editionsconfirmed
Boland, MaryActorsecondary authorall editionsconfirmed
Clive, E.E.Actorsecondary authorall editionsconfirmed
Cooper, MelvilleActorsecondary authorall editionsconfirmed
Dudgeon, ElspethActorsecondary authorall editionsconfirmed
Elliott, FrankActorsecondary authorall editionsconfirmed
Freund, KarlCinematographersecondary authorall editionsconfirmed
Garson, GreerActorsecondary authorall editionsconfirmed
Gwenn, EdmundActorsecondary authorall editionsconfirmed
Hunt, MarshaActorsecondary authorall editionsconfirmed
Lester, BruceActorsecondary authorall editionsconfirmed
O'Sullivan, MaureenActorsecondary authorall editionsconfirmed
Oliver, Edna MayActorsecondary authorall editionsconfirmed
Olivier, LaurenceActorsecondary authorall editionsconfirmed
Rutherford, AnnActorsecondary authorall editionsconfirmed
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The story of the five Bennett sisters living in early 19th century England. Their mother is scheming to make prestigious marriages for them. Focuses on Elizabeth Bennett, who mistakenly finds the rich Mr. Darcy an oaf, even as he sets all the other fair maidens' hearts aflutter.

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