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Loading... Prince Valiant: Far From Camelotby Gary Gianni
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Prince Valiant is "the biggest, most beautiful comic [strip] of all time." --Comic Revue Prince Valiant is a high-art comic novel that follows the exploits of the iconic knight errant. Originally created by Hal Foster and now sketched by award-winning creators Gary Gianni and Mark Schultz, Prince Valiant is an epic comic adventure that has maintained a continuous story line since its debut in 1937. Noted for its realistic panoramas and its intelligent, humorous narrative, Prince Valiant depicts events taken from various time periods spanning from the late Roman Empire to the High Middle Ages. This collection follows Prince Valiant and his son Nathan as they prepare for battle following King Arthur's abdication. The knightly father and son encounter danger and adventure as they right wrongs throughout each step of their journey. Meanwhile, Aleta, Valiant's true love, holds court back at Camelot while facing challenges of her own. Prince Valiant appears weekly in more than 300 newspapers nationwide. Strips dating from November 21, 2004, to May 11, 2008 are included within this collection. No library descriptions found. |
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The book opens with Prince Valiant, now serving along with his wife Queen Aleta as regents of England following Arthur's abdication, chafing at the idleness of courtly life. After a brief set of strips in which Valiant takes out his frustrations on those around him, he is encouraged to take his son Nathan as his squire and head out into the country in search of adventure. From there four lengthy stories ensue, one after another, as Valiant ventures further and further away from his home in Camelot. First Valiant befriends a Pict named Borgut who convinces him to head north to deal with dragons that are plaguing Borgut's village. After some adventure, intrigue, treachery, and something of a love interest for Nathan, Valiant and his squire charter passage back to Camelot. Of course, as this is Prince Valiant, their journey home is interrupted by some anachronistic Norse raiders, and Valiant is taken prisoner.
The stories are told in a fairly boisterously implausible style, with Valiant doing manly things and dealing with manly men. The Norse captain Skyrmir humiliates Valiant until Valiant manages to disable him, resulting in his replacement as captain by the even more ruthless Thornwolf. After sailing to Iberia, the Norse crew finds a mysterious tower and learn of a forgotten Carthaginian treasure that turns out to be King Solomon's gold. After adventures involving the hoards otherworldly guardian, Valiant and Skyrmir escape, establish the sort of macho friendship that results when two men beat each other over the head for a while, only to stumble across and rescue an African princess named Makeda. Meanwhile Nathan finds Gawain, who takes him back to Camelot where he can report Valiant's capture to Aleta.
And so the story winds on as Valiant finds himself drawn into a quest to return King Solomon's gold to its African guardians in the city of Ab'Saba, and Aleta sets out to rescue the husband she thinks is still the prisoner of Norse pirates. Instead of trying to return home to his wife and children, Valiant decided that once he was free of his pseudo-Viking captors he would work his way south along the African coast. And so Valiant's adventures continue until he finds himself in the middle of a Ab'Saban civil war, where, serendipitously, Aleta's expedition happens to show up to tie the story up in a neat little bow.
For anyone who has ever read Prince Valiant in the Sunday papers, there isn't really anything in this volume that should be surprising. The artwork is done in the usual realistic style, the text is placed in little boxes - the Valiant strip has never used speech bubbles. The stories are, as one would expect, filled with villains who are at turns nefarious, duplicitous, and jovial, and monsters that are sometimes implausible, and sometimes merely beastly. Throughout, Valiant perseveres with the kind of swashbuckling bravado that only works in the particular kind of comic strip that he lives in, but it is a kind of swashbuckling bravado that is entertaining as well. Readers who don't enjoy Arthurian epic heroism won't get much out of this book. Those who do, on the other hand, will certainly find this to be an enjoyable and exciting read.
This review has also been posted to my blog Dreaming About Other Worlds. (