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Earnest, small-town Lawrence Campbell is fascinated by his poetry professor, the charismatic and uncompromising Jim Arsenault. Larry is determined to escape a life of thrifty drudgery and intellectual poverty working for his parents' motel and mini-golf business on Prince Edward Island. Jim appears to the young poet as a beacon of authenticity - mercurial, endlessly creative, fearless in his confrontations with the forces of conformity. And he drinks a lot. Jim's magnetic personality soon show more draws Larry's entire poetry composition class into his orbit. Among the other literary acolytes are Sherrie Mitten, with her ringletted blonde hair and guileless blue eyes, the turtlenecked, urbane Claude who writes villanelles, and the champion of rhyming couplets about the heroic struggles of the Maritime proletariat, Todd. Casting a huge shadow over the group is the varsity football player and recreational drug user Chuck Slaughter - titanically strong, capriciously violent, hilariously indifferent to the charms of the poetic life - who has nearly given up terrifying Larry in order to pursue an awkward romantic interest in Sherrie. Drawn by ambition and fascination, the group assembles itself fawningly around Jim, tagging along to bars, showing up at readings, thrilled to be invited to Jim's home, a shambling farmhouse in the woods where he lives with Moira, his shrewish backwoods muse. Lost in adulation, Larry is so delighted to be singled out for Jim's attention that he does not pause to wonder what Jim expects from his increasingly close relationship with the young poet. Closely observed and deeply funny, Mean Boy tells the story of Larry's year-long battle against the indiscriminate use of quotation marks in advertising and his disillusionment as his narcissistic, hard-drinking idol spins out of control and threatens to take the young man's cherished notions about art and poetry down with him. Mean Boy is Lynn Coady's most polished and ambitious work to date. show less

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2 reviews
A wonderfully painful satire on creative writing schools and the cult of the Canadian poet. Having gone to a writing school for my undergraduate degree, I re-experienced the awkwardness that is trying to find one's place--while trying very hard not to look like one is trying--in what seems like a mysterious and exclusive world.

At almost every turn I thought the author's instincts were bang on; one thing I like a great deal about Lynn Coady's writing is that she doesn't choose easy plot resolution. Her books are engaging, and yet unpredictable. I did think that there was a sort of false resolution at which she could have ended the book. The actual ending felt anticlimactic, and like an attempt to finish on a note of gravity, rather than show more humour. But the humour in the novel is so weighted by the empathy and discomfort I felt for Larry Campbell, that I would have preferred the 'false' ending to the real one. show less
Nineteen-year-old aspiring poet Larry Campbell has come to Woodcock University, where he now wishes to be called Lawrence, to become a poet under the tutelage of his hero, poet Jim Arsenault.

This is the funniest Canadian novel I've read in some time. Coady's evocation of the artist as a young man is pitch perfect: his need for approval, his naïveté, his grandiose dreaming. She fleshes out the novel with a cast of memorable characters, whose interactions are wonderfully comic.

Towards the end, the novel falters. The humour begins to disappear, which could well be deliberate, but more importantly, there is a sense that Coady is finding ways to spin out the story, to build false suspense by holding back what the narrator knows. show more

Nevertheless, well worth reading.
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13+ Works 908 Members
Lynn Coady was born in Cape Breton. She has a Bachelor of Arts from Carleton University and an MFA from the University of British Columbia, in Vancouver. She has edited an anthology of new writing from Canada's east coast called 'Victory Meat,' and a novel called 'Mean Boy' has been sold to Doubleday Canada. She writes for newspapers and magazines show more from time to time as well. Her title, Strange Heaven has won the Dartmouth Book Award in 1999, the Atlantic Bookseller's Choice Award in 1999, the Air Canada/Canadian Author's Association Award for Most Promising Writer Under Thirty in 1998, and was shortlisted for the Governer-General's Award for Fiction in 1998. Her title, Play the Monster Blind, won the Canadian Author's Association's Jubilee Award for a short fiction collection in 2001, was shortlisted for the Stephen Leacock Award for Humour in 2000, was shortlisted again for the CNIB Award, and The Writer's Trust Award in 2001. (Bowker Author Biography) show less

Awards and Honors

Common Knowledge

Original publication date
2006
Important places
New Brunswick, Canada

Classifications

Genres
General Fiction, Fiction and Literature
DDC/MDS
813.54Literature & rhetoricAmerican literature in EnglishAmerican fiction in English1900-19991945-1999
LCC
PR9199.3 .C546 .M4Language and LiteratureEnglishEnglish LiteratureEnglish literature: Provincial, local, etc.
BISAC

Statistics

Members
95
Popularity
338,532
Reviews
2
Rating
(3.76)
Languages
English
Media
Paper
ISBNs
3