The Fionavar Tapestry

I read this and really liked it in my early twenties. I'm rereading it now, and am far less impressed.

Look, I love GG Kay. He's a lovely person, a fellow Canadian; he's doing something different and unique with his historical fantasy novels; I own and have read most of his books. But this trilogy is not good work.

1) The continually overwrought language. OK, I get it. High fantasy. It's got to be high-falutin', and yes, it was his first book. He's sounding like Tolkein. But it grates on me. Particularly in the dialogue--particularly when it's the modern-day Toronto characters speaking--it does not sound at all natural.

2) Constantly telling the readers how to feel. We don't need the author or the characters to tell us how sad something show more is! It's sad! We get it! Imagine watching Romeo and Juliet, and at the end of the show one of the characters comes on stage with a massive monologue about all of the layered complexities of sorrow and how exactly much their heart was breaking and how this compared with all of the other sorrows and heartbreaks throughout the play. Jebus. Cut it out. If it's really sad, we will figure it out on our own; if we're reading it and we're not sad, then the solution is not to have a character plunk themselves down and start telling us about exactly how terribly sad it all is.

3) The freaking misogyny. Come on. Fionavar is supposed to be "first of all the worlds," and the one on which all others were patterned. And here, even here, women are second-class citizens. Oh yes, I do see his subtle attempts to make meaningful female characters. I even appreciate them. Definitely a step up from Tolkein in that regard. But consider that every female character in these books has a choice to make between power and love--and one that the male characters do not need to make. Consider that Ysanne and Jaelle both needed to be kicked out of their sisterhood for the crime of loving a man. Consider that the sisterhood, the powerful female priestesses, worship blood, for crying out loud, and draw their power from the earth. Consider that they were deposed by the superior and intellectual mages drawing on "sky-lore." You might as well just label the Mormae as "scary man-hating feminists."

But the misogyny bothers me less for being present, than for being present in a world that is supposed to be the basis of all other worlds. Great. So sexism, then, isn't an error, or an injustice, it's structural.

4) Too many deus-ex-machinas. We can't have Jennifer's rape-baby born on Earth, eh? Having a child mature to adulthood in less than one year would be awfully disconcerting and possibly require a long hospital stay and a lot of genetic tests. He needs to be born in Fionavar; and besides, how else is he supposed to confront his terrible choice? So better have Galadan corner Paul and Jennifer in a museum in Toronto when she's 7 months pregnant, for apparently no other reason than to force Paul to momentarily figure out how to get them to Fionavar, just so she can go into preterm labour and leave her baby with a local woman before heading back to Toronto. Gods and goddesses aren't supposed to interfere--except that they do, whenever the main characters are in a real scrape, with some dialogue about the price they will be forced to pay for helping, and no indication of what that price may be. (sigh)

It all adds up to some decent literary comfort food, but nothing I can really lose myself in anymore. show less

Guy G. Kay is one of my favorite authors. However, I thought the Fionavar Tapestry verged on unoriginal and dull. How many fantasy books have I read where a group of intelligent, resourceful modern-day young people get sucked into a medieval-esque fantasy world? Well... it's a lot. And I didn't think Kay's contribution to the oeuvre was particularly exceptional. But - don't let that turn you off the rest of his books, which are gorgeously written, strikingly original, subtle and bold.

Guy Gavriel Kay has taken the best and most beloved elements of the genre and woven them seamlessly into a beautiful masterpiece. All of us who enjoy reading at one time or another wish we could be a part of the stories read; Kay makes the impossible seem possible!

This is an omnibus volume covering GK's first literary efforts. A fantasy set in a sort of Fantasy role-playing context, I found it enjoyable and recommend it to others.

protagonisti poco simpatici, storia tipicamente fantasy (YA dell '84)


per una recensione più "particolareggiata" leggere @Krell
https://www.goodreads.com/review/show/4520782525
(merita!!)

I almost forgot about this!