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Schoenberg and the New Music: Essays by Carl…
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Schoenberg and the New Music: Essays by Carl Dahlhaus

by Carl Dahlhaus

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311552,197 (4.5)None
This book is a collection of essays, by the leading German musicologist of our day, on one of the most controversial and influential composers of our century: Arnold Schoenberg. Schoenberg is considered here as a historical figure, as a thinker and theoretician and as a composer whose works may be subjected to technical analysis and/or examined in relation to the history of ideas. Above all, he is considered in the context of the 'New Music', the historical and cultural movement of the first two decades of this century which embrace musicians such as Webern, Schreker and Scriabin (all of whom are allotted individual essays), as well as Schoenberg himself. In addition to historical and analytical essays there are essays of a broader cultural-historical and even sociological import which should interest all those involved with twentieth-century music and ideas.… (more)

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Ethan Haimo: Journal of Music Theory: Vol. 33.1
http://www.jstor.org/stable/843674

Arnold Whittall: The Musical Times, Vol. 130, No. 1755, May, 1989
http://www.jstor.org/stable/966322

Mark Evan Bonds: Notes, Vol. 45, No. 2
http://www.jstor.org/stable/941352

Joseph Auner: Music Theory Spectrum, Vol. 13, No. 1, Spring, 1991
http://www.jstor.org/stable/745978

Malcolm Miller: Tempo, No. 165, Jun., 1988
http://www.jstor.org/stable/945140

Oliver Neighbour: Music & Letters, Vol. 69, No. 3, Jul., 1988
http://www.jstor.org/stable/i235821
  TriMosaic | Oct 8, 2014 |
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