Transformation and Other Stories
by Mary Shelley
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'He stretched out his two long, lank arms, that looked like spider's claws, and seemed to embrace with them the expanse before him' His inheritance squandered and engagement severed, Guido di Cortese stalks the desolate Genoese coast. A monstrous creature, shipwrecked by a ferocious storm, offers him unimaginable wealth to exchange bodies, entwining their fates. Transformation, with two further tales of striking and eerie power here, shows how Mary Shelley haunts us still.Tags
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This is a good little book: just three stories collected together, but they're all interesting.
The first two are in the Gothic tradition: the title story, Transformation is a story of about the squandering of youth's potential, of decadence and selfishness. A morality tale, but not overbearingly so. The scene of Guido on the desolate shore, meeting with the dwarf cast up from the stormy sea is very effective.
The second story, The Mortal Immortal tells of the growing loneliness and despair felt by Winzy (who considers himself to be a young immortal, being only 323 years old) as all that he knows and loves passes away. This is a take on the Sorcerer's Apprentice motif and the most tragic in tone of the three stories.
The last story, The show more Evil Eye, is not Gothic, but would, I'm sure, have been received as rather exotic at the time of its original publication (1829). Set in Albania and Greece, this is a tale of sibling rivalry, vengeance and treachery, piracy, banditry and abduction. The unlikely coincidences are forgivable in such an engagingly-told story.
I liked the way Shelley switched the focus on characters as you're not at first sure where your sympathies should lie. I think it's good when authors skew your expectations and don't immediately give you everything on a plate. show less
The first two are in the Gothic tradition: the title story, Transformation is a story of about the squandering of youth's potential, of decadence and selfishness. A morality tale, but not overbearingly so. The scene of Guido on the desolate shore, meeting with the dwarf cast up from the stormy sea is very effective.
The second story, The Mortal Immortal tells of the growing loneliness and despair felt by Winzy (who considers himself to be a young immortal, being only 323 years old) as all that he knows and loves passes away. This is a take on the Sorcerer's Apprentice motif and the most tragic in tone of the three stories.
The last story, The show more Evil Eye, is not Gothic, but would, I'm sure, have been received as rather exotic at the time of its original publication (1829). Set in Albania and Greece, this is a tale of sibling rivalry, vengeance and treachery, piracy, banditry and abduction. The unlikely coincidences are forgivable in such an engagingly-told story.
I liked the way Shelley switched the focus on characters as you're not at first sure where your sympathies should lie. I think it's good when authors skew your expectations and don't immediately give you everything on a plate. show less
Mary Shelley is best known for "Frankenstein" and, to a lesser extent, her end-of-days novel "The Last Man". However, apart from a number of other novels, she also wrote several short stories, often with a supernatural or fantastic theme. Three of these are included in this attractive paperback edition published by Hesperus Classics. The title piece - "Transformation" - describes the narrator's Faustian pact with a devilish dwarf, and is rich in Gothic tropes. "The Mortal Immortal" features a hapless protagonist who drinks an elixir of life and eventually discovers that immortality is more of a bane than a blessing. "The Evil Eye" is a tale of warring tribes and family feuds set in the Balkans. Despite its title, its subject is not show more overtly supernatural but, in its exoticism and unexpected plot twists it recalls respectively the "Oriental Gothic" and the then budding genre of "sensation literature". All three stories are finely crafted and reveal an active imagination at work. "Frankenstein" was certainly no one-off. show less
Mary Shelley is best known for "Frankenstein" and, to a lesser extent, her end-of-days novel "The Last Man". However, apart from a number of other novels, she also wrote several short stories, often with a supernatural or fantastic theme. Three of these are included in this attractive paperback edition published by Hesperus Classics. The title piece - "Transformation" - describes the narrator's Faustian pact with a devilish dwarf, and is rich in Gothic tropes. "The Mortal Immortal" features a hapless protagonist who drinks an elixir of life and eventually discovers that immortality is more of a bane than a blessing. "The Evil Eye" is a tale of warring tribes and family feuds set in the Balkans. Despite its title, its subject is not show more overtly supernatural but, in its exoticism and unexpected plot twists it recalls respectively the "Oriental Gothic" and the then budding genre of "sensation literature". All three stories are finely crafted and reveal an active imagination at work. "Frankenstein" was certainly no one-off. show less
The first two stories are the best and are set firmly in the gothic horror cannon, tales of doppelgangers and immortality, filled with high emotion and evocative prose. The last is more of an adventure tale and I liked it a lot less. I found the style jarring, too much like a long list of rushed facts and so I was unable to connect with the theme of loss it was supposed to engender . Still overall the book was enjoyable but far too short to recommend you buy it. I love Heserpus books but they could have included more tales!
This book contains three stories: Transformation, The Invisible Girl, and The Mortal Immortal. Unfortunately I found them rather samey.
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Mary Wollstonecraft Shelley was born in England on August 30, 1797. Her parents were two celebrated liberal thinkers, William Godwin, a social philosopher, and Mary Wollstonecraft, a women's rights advocate. Eleven days after Mary's birth, her mother died of puerperal fever. Four motherless years later, Godwin married Mary Jane Clairmont, bringing show more her and her two children into the same household with Mary and her half-sister, Fanny. Mary's idolization of her father, his detached and rational treatment of their bond, and her step-mother's preference for her own children created a tense and awkward home. Mary's education and free-thinking were encouraged, so it should not surprise us today that at the age of sixteen she ran off with the brilliant, nineteen-year old and unhappily married Percy Bysshe Shelley. Shelley became her ideal, but their life together was a difficult one. Traumas plagued them: Shelley's wife and Mary's half-sister both committed suicide; Mary and Shelley wed shortly after he was widowed but social disapproval forced them from England; three of their children died in infancy or childhood; and while Shelley was an aristocrat and a genius, he was also moody and had little money. Mary conceived of her magnum opus, Frankenstein, or the Modern Prometheus, when she was only nineteen when Lord Byron suggested they tell ghost stories at a house party. The resulting book took over two years to write and can be seen as the brilliant creation of a powerful but tormented mind. The story of Frankenstein has endured nearly two centuries and countless variations because of its timeless exploration of the tension between our quest for knowledge and our thirst for good. Shelley drowned when Mary was only 24, leaving her with an infant and debts. She died from a brain tumor on February 1, 1851 at the age of 54. (Bowker Author Biography) show less
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Common Knowledge
- Canonical title
- Transformation and Other Stories
- Original publication date
- 1831
- People/Characters
- Guido Carega; Juliet Torella; Winzy; Cornelius Agrippa; Bertha; Albert Hoffer
- Important places
- Genoa, Liguria, Italy; Grenoble, Isère, Auvergne-Rhône-Alpes, France
- First words
- I have heard it said, when any strange, supernatural, and necromantic adventure has occurred to a human being, that being, however desirous he may be to conceal the same, feels at certain periods torn up as it were by an inte... (show all)llectual earthquake, and is forced to bare the inner depths of his spirit to another.
- Last words
- (Click to show. Warning: May contain spoilers.)Three centuries have passed since I quaffed the fatal beverage; another year shall not elapse before, encountering gigantic dangers — warring with the powers of frost in their home— beset by famine, toil, and tempest — I yield this body, too tenacious a cage for a soul which thirsts for freedom, to the destructive elements of air and water; or, if I survive, my name shall be recorded as one of the most famous among the sons of men; and, my task achieved, I shall adopt more resolute means, and, by scattering and annihilating the atoms that compose my frame, set at liberty the life imprisoned within, and so cruelly prevented from soaring from this dim earth to a sphere more congenial to its immortal essence.
- Original language
- English
- Canonical DDC/MDS
- 823.08731
- Disambiguation notice
- This is a book containing three short stories and should not be combined with editions of the short story only, nor with editions containing other stories. Contents:
The Transformation
The Mortal Immortal
The Evil... (show all) Eye
Classifications
- Genres
- Fiction and Literature, General Fiction, Horror
- DDC/MDS
- 823.08731 — Literature & rhetoric English & Old English literatures English fiction By type Genre fiction Adventure fiction Horror and ghost fiction Gothic fiction
- LCC
- PR5397 — Language and Literature English English Literature 19th century , 1770/1800-1890/1900
- BISAC
Statistics
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- 145
- Popularity
- 225,119
- Reviews
- 5
- Rating
- (3.56)
- Languages
- English, Spanish
- Media
- Paper, Audiobook, Ebook
- ISBNs
- 11
- ASINs
- 2



























































