Deliverance

“You sure got a pretty mouth, boy.”

James Dickey established himself in the cultural history of America in a way that he probably didn’t intend when he sold the movie rights to his novel [Deliverance]. The tale is about four urban friends who take a canoe trip in the Southern back-country. When one of the city-slickers is assaulted by a local, the men plumb the depths of their souls.

Unfortunately, most folks only remember the images from the movie – hillbillies playing banjoes and rednecks with tobacco stained lips.

Bottom Line: Read the book before dismissing it – it’s a much deeper examination of the dark heart in everyone.

4 bones!!!!!

Wow. I've been talking about Deliverance to all my friends, who all roll their eyes at me, because I haven't seen the movie.

This was one of the best books I've read this year. The writing is documentary style, but surprisingly lyrical. It's told from a single point of view, and works so well for description, mood, suspense, I absolutely loved it.

Am I the only person in the world who hasn't seen the movie? I'm familiar with the two most talked-about scenes. The banjo scene was beautifully written, and the rape is brutal in its simplicity.

I think that was the best quality of Deliverance - the simplicity. Everything except the country is told in a stripped down, journalistic style, but the river country they travel through, is a show more fully-realized character on its own. The narrator rambles. He tells what they did in little bits. But he describes what he sees in long panoramas, framed by his designer vision, like a layout for one of his magazine spreads.

I was prepared to be disappointed, having read several books lately that seemed as though they had been written just to be an easy screenplay. This novel demands to be filmed, and you just hope that it gets done by somebody who can do it justice. I suppose I'll have to watch it, just to see if it happened. Wikipedia tells me: "In 2008, Deliverance was selected for preservation in the United States National Film Registry by the Library of Congress as being 'culturally, historically, or aesthetically significant.'" One can hope that means they succeeded. show less

If you saw the movie ""Deliverance" when it was first released in the mid-1970s, you most likely never forgot it. The movie received national attention for the brutally sensationalized rape scene along with quite a bit of criticism for it’s graphic depiction of the Appalachian hillbillies; scruffy, toothless, uneducated wild men who lived by their own rules… and woe to any outsider who ventured uninvited into their God-forsaken wilderness.

I saw the movie and didn’t have much interest in reliving the horror by reading the book, but since "Deliverance" is rated number 42 on the Modern Library List of greatest novels, I couldn’t resist. Thankfully, the book is much better than the movie. Surely just a gruesome, but more personal show more with psychological and philosophical elements.

The story is told by Ed Gentry - the tale of a week-end canoe trip. Ed’s good friend Lewis Medlock is an avid outdoorsman and somewhat of a dare-devil with a bucket list of adventurous deeds he wants to experience before he dies. Lewis talks three buddies including Ed into riding the rapids of the Cahulawassee River. Never mind that this is the heart of Appalachia… an uncharted wilderness, parts of which are impossible to reach by road and are controlled by wild and lawless hillbillies.

The result: a week-end in Hell filled with drama, adventure, murder and rape. One of the things that makes this book great is Ed - the narrator. You are living this story through Ed’s eyes (as opposed to viewing the movie as an outsider)... from the vivid descriptions of the beautiful virgin scenery to the heart pounding terror of navigating the treacherous rapids.

As the story begins Ed contemplates that Lewis is going to turn this trip into SOMETHING… “A lesson. A moral. A life principle. A way.” And indeed he did. The conversation in the car on the ride out to the country about having the strength and courage to do whatever it takes in life to survive was prophetic. You can talk about it as often as you like, but none of us know our true capabilities until we are in the throes of a lethal conflict. Ed Genrty discovers the answer to that question about himself on that fateful weekend.

Aside from the physical prowess required to survive this action-packed drama, you also experience the psychological effects of putting the struggle to survive above all else. You experience the minute by minute thoughts of a man looking in the eyes of evil, and into the face of death. The events of Deliverance have been contrasted to Dante’s Inferno - descending into the circle of Hell. Along with Ed, you will contemplate the moral dilemma - to kill or be killed- and ponder the unknown consequences regarding eternal salvation. show less

I can only think of three reasons someone reads Deliverance. You're a bibliophile who refuses to watch movies if they're based on books, you hate Burt Reynolds, or you have a fantasy wherein you're raped at gunpoint by country boys. My point is, no one watches the movie and says to themselves, "I've gotta read this book!" If you have never heard of Deliverance, you should sublet your rock to the witness protection program. Even if you haven't seen the movie or read the book you've heard about the scene concerning Bobby's anus and one redneck's probing demeanor. Is this because that's all there is to talk about when it comes to James Dickey's Deliverance? Nope. Is it because we're all demented individuals who like to slow down and ogle show more car accidents? Yep.

Dickey's novel was published in 1970. To those of you that don't math (yes, math is now a verb), that's 43 years ago. Going into this novel, I was concerned that dated references would detract from my enjoyment of the novel, as with early Stephen King books, but that wasn't the case here. Other than "negro" being used instead of "black" or "African American", this book holds up to the test of time.

Now for the writing. You will taste, hear, smell, feel, and see everything in this book. James Dickey is a master wordsmith who can play at both pretentious, syntax-juggling, verbosity, or be direct and to the point. There are only two major events in this book: the rape and the revenge. Yet the book is almost 300 pages long. The audiobook - narrated by the ever brilliant Will Patton - is just over seven hours long. This is because Dickey explains every detail down to the minutia. How does bark feel against the palm of your hand when you're nervous? What does it feel like to fall out of a tree and not realize you're falling out of a tree. What does a man look like when he's tracking you if you don't know he's tracking you? Scenes other writers would spend a paragraph on, Dickey spends entire pages describing. If you're not one for heavy-handed detail, run screaming from this book. With that being said, if you're a beginning author and are having trouble with showing instead of telling, this is the book to read. Dickey manages to make all his descriptions part of the action, scene building while moving the plot forward. Image someone staring you in the eyes while secreting a coin behind your ear. Then, when you least expect it, he pulls the coin out and, for the briefest second, you wonder just how in the hell it got there. This is what Dickey's writing is like. A sleight of hand so subtle, you won't believe two things are happening at once. He's entertaining you with scenery so that, when the action begins, you see everything, down to the striations in the bark on the log where the chubby man has been made to bend over...

So, you might be asking yourself which one I am? Why did I read this book? Am I the bibliophile, the one with the rape fantasy, or the one who loathes that steaming pile of mustachioed narcissism with the vapor-locked face? I'll let you decide. show less

It's been nearly four decades since this book was published, and it still holds its own with the best adventure/thrillers ever written. I wonder if Conrad's "Heart of Darkness" was Dickey's jumping off point. The similiarities are striking. Also like Dante's "Inferno", the dark woods are where we go to learn what we are capable of. We return to civilization (if we are lucky) with a hard-won self-knowledge and bitter experience. None of the surviving characters rejoice in having survived, but they do have a new perspective and appreciation for their lives.

A masterpiece of lyrical, intense writing. When I think of the old writing admonition "make haste, slowly," I think of this book, because the plot is riveting and tense and yet it all unfurls with a measured deliberation, with great care in the writing that transforms it from a potboiler to something far more beautiful. There are so many arresting sentences here. I've cracked the book at random to highlight just a couple (and I don't think they'll spoil anything since they're devoid of context):

"I knew it was not a game, and yet, whenever I could, I glanced at the corpse to see if it would come out of the phony trance it was in, and stand up and shake hands all around, someone new we'd met in the woods, who could give us some idea where show more we were. But the head kept dropping back, and we kept having to keep it up, clear of the weeds and briars, so that we could go wherever we were going with it." show less

Deliverance is dripping with so much manliness that it would easy to parody, but the novel still works, thanks to Dickey's sentence-craft and finely drawn narrator and protagonist, Ed. To summarize, four suburban Atlanta friends go for a canoe trip on a wild river in north Georgia, and murder, mayhem, and masculine self-discovery ensue. Though Dickey's poetic instincts sometimes lead him to go on for pages about the beauty of the woods, there is plenty of adventure to reward the patient reader. In its portrayal of Ed's ennui, the disappearing Georgia wilderness, and the encroachment of mass consumer culture, the novel anticipates keenly some of the spiritual challenges of contemporary America.