That Distant Land: The Collected Stories

by Wendell Berry

Port William Membership (Short Stories — )

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That Distant Land collects twenty-three stories, interlinked with each other and with the other published 'Port William' novels. The stories, arranged in their fictional chronology (from 1888 to almost the present day), become one sustained work, a new novel that spans the entire life and time involved. The range of this book is extraordinary: it offers rest for the weary, hope for the beleaguered, and strength for everyone else.

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Summary: A collection of short stories about the Port William membership not part of the longer novels.

If you’ve read a number of the fictional short stories of Wendell Berry, it is likely that you have encountered some of the stories in this collection. Stories from three earlier publications are represented here, although some differ slightly in the telling: The Wild Birds, Fidelity, and Watch with Me. I didn’t mind, though. It was delightful to revisit the courtship of Ptolemy Proudfoot and Minnie Quinch, to chuckle when the temperate Minnie determines to “dispose” of the half-pint of Old Darling Ptolemy had bought for lambing, or feel a sense of vindication when Ptolemy reveals he is far from the country bumpkin and gets the show more last laugh in “The Lost Bet.”

Two of the stories from Fidelity were a particular joy, both involving the lawyer Wheeler Catlett, who worked as hard to preserve the membership as any in Port William. The title work, “That Distant Land” conveys the bittersweet reflections also found in “The Wild Birds” at the losses to modernity Port William has suffered but also his dawning realization that the illegitimate son of Burley Coulter, who Burley wants to inherit his land is also part of that membership, not only by birth but through his care of the land in the company of Burley and others of the membership. “Fidelity,” I think is simply one of the greatest pieces of short story fiction. Danny “rescues” (or kidnaps, in the eyes of the law) Burley from the hospital where he is being kept alive on life support which is merely prolonging his dying at great expense. This was before the hospice movement, and the recognition of how providing a dignified dying in a familiar place is indeed fidelity to the dying. The beauty of what Danny does (not euthanasia but simply allowing Burley a natural death) and the way the membership stands together to protect him from the legal ramifications is both consummate storytelling and thought provoking.

There were several stories I hadn’t read before that I savored. “Making It Home” tells the story of Art Rowanberry’s military service, his recovery from the physical wounds and the mental ones that remain, as he walks home through countryside once again familiar, making it in time for dinner. “The Discovery of Kentucky” is one of those wisdom tales that shows how pompous pretensions can go sideways at the inaugural parade when a float to commemorate Kentucky is manned by Burley and his friends, when best-laid plans go awry and when the float sponsor totally fails to realize how the sign he has posted will be read in light of everything else. “The Inheritors,” which closes out the collection describes one of the final encounters between Wheeler Catlett and Danny Branch. Wheeler, who is slowly failing of body and mind, persuades Danny to drive him to a stock sale and then subjects Danny to a hair-raising drive home on the wrong side of the Interstate. Through it all, one senses an intimacy between the two, a passing of the baton and a blessing as Wheeler comes to the point of relinquishing his membership as Danny fully takes it up.

This is a fantastic collection of 23 of Berry’s Port William short stories, the best thing to read if you haven’t read any of the other works represented here. The arrangement of the stories is chronological and tells the story of a community over nearly a hundred year period. The book also includes a detailed map of Port William and a family tree of the Beechum, Feltner, and Coulter family lines. This is a great accompaniment to the Port William novels, which are indicated chronologically in the table of contents. All told, this work is one more reminder of the great contribution Mr. Berry has made to American literature.
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It is possible this is not my all-time favorite collection of short stories. But if it's not, then it's certainly close enough to be standing on its toes. On several occasions, tears came to my eyes while reading, not from a particular scene's sadness, but from the sheer beauty of the depth of humanity revealed. I've tried to describe this book to others, citing the fictional Port William location somewhat reminiscent of the old TV show, "The Waltons", but that comparison fails miserably to avoid the sentimentality of the TV show while still far exceeding the depth of human thoughts, feelings, and interactions that allow the reader to savor it so fully. The author has written a number of works centered on his Port William community, and show more I had previously read, with great satisfaction one of his novels, Jayber Crow, so I was concerned that a collection of short stories would seem too disjointed. Quite to the contrary, the collection proved that it could easily have stood together as a novel, presenting its characters over time, had it been written as such. Each story stands very well on its own, but the collection gives added depth to each of the others. Very, very highly recommended. show less
Wendell Berry's stories are always a delight, with his interconnected tales of Port William, a small farming community where everyone knows everyone else and life moves at a leisurely pace. This collection of 30 stories are chock full of characters that will be old friends to Berry's readers. Each story is a delightful respite from the hectic pace of modern life. My only complaint is that, at 475 pages, it was a bit on the long side. Of course, the only solution to that is to break up the book into two volumes and charge readers twice as much. I suspect, though, that that isn't Berry's style.
Wendell Berry’s fiction is set in Port William, Kentucky, a rural community on the Ohio River. Each book includes a map and a family tree, and his novels typically focus on one person or family in that tree. That Distant Land is a collection of short stories featuring some familiar faces, like the Feltner, Coulter, and Catlett families, as well as some new names. The stories take place over a century, from 1888 to 1986, with the overarching theme being the changes in agricultural and rural life (not always for the better). Given the 100-year span, readers also have to say good-bye to much-loved members of Port William; each of their stories is told in a manner both poignant and fitting to the character. These were my favorites in the show more collection, but every story is well told and Berry’s writing makes me feel peaceful and centered, which is definitely welcome these days. show less
These wonderful wise tragicomic stories chronicle the lives and loves of different characters inhabiting a small Kentucky town and its surroundings from the late 19th century to the late 20th. I especially loved the character of Tol. Wendell Berry does belong in the top ranks of American fiction writers. Who else could sustain a story for 30-odd pages about a group of men following another man through the woods--a story about nothing more than a walk, and yet, totally riveting?
Just outstanding set of stores following the same families moving forward in time from the end of the 1800's up to about 1980. Stunning dignity and values those people and their community together had. Wonderfully read by Michael Kramer with what you would assume would be a true Kentucky accent of the time.
For both "A Consent" and "Down in the Valley,"
That Distant Land earns a full 5 stars.

For the unfortunate emphasis on animal killing - with the loathsome hog butchering
and the never-ending hunting - it rates a zero.

As well, Berry seems to have little deep connection with his pets or the ones in the wild.

Fascinating details abound!

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160+ Works 24,668 Members
Wendell Berry The prolific poet, novelist, and essayist Wendell Berry is a fifth-generation native of north central Kentucky. Berry taught at Stanford University; traveled to Italy and France on a Guggenheim Fellowship; and taught at New York University and the University of Kentucky, Lexington, before moving to Henry County. Berry owns and show more operates Lanes Landing Farm, a small, hilly piece of property on the Kentucky River. He embraced full-time farming as a career, using horses and organic methods to tend the land. Harmony with nature in general, and the farming tradition in particular, is a central theme of Berry's diverse work. As a poet, Berry gained popularity within the literary community. Collected Poems, 1957-1982, was particularly well-received. Novels and short stories set in Port William, a fictional town paralleling his real-life home town of Port Royal further established his literary reputation. The Memory of Old Jack, Berry's third novel, received Chicago's Friends of American Writers Award for 1975. Berry reached his broadest audience and attained his greatest popular acclaim through his essays. The Unsettling of America: Culture and Agriculture is a springboard for contemporary environmental concerns. In his life as well as his art, Berry has advocated a responsible, contextual relationship with individuals in a local, agrarian economy. (Bowker Author Biography) show less

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Canonical title
That Distant Land: The Collected Stories

Classifications

Genres
Fiction and Literature, General Fiction
DDC/MDS
813.54Literature & rhetoricAmerican literature in EnglishAmerican fiction in English1900-19991945-1999
LCC
PS3552 .E75 .A6Language and LiteratureAmerican literatureAmerican literatureIndividual authors1961-
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416
Popularity
74,002
Reviews
9
Rating
½ (4.50)
Languages
English
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Paper, Audiobook, Ebook
ISBNs
6
ASINs
4