Of This Tale, I Cannot Guarantee a Single Word
by Royal College of Art
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Accompanying catalogue for 'Of this Tale, I cannot guarantee a single word', an exhibition curated by graduating students from the Curating Contemporary Art Department. Exploring the way in which stories are told, 'Of this Tale, I cannot guarantee a single word' looked to literature, comic books, cinema, documentary and oral traditions. Equally the writing in this catalogue not only explores the artists in the show, but also the different genres and media through which we come to learn the show more stories that form our shared history. show lessTags
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Of this Tale, I cannot guarantee a single word presents the works of 13 international artists who interweave personal stories with historical events to create new myths. Fake and authentic documents, fictive and historic characters, personal and official archives come together to revisit, disrupt and digress from history in an attempt to reassess our experience of the collective narrative.
The narcissistic subjectivity of personal communication forms such as YouTube and blogs has become a pervasive feature of storytelling, spreading into the realm of political rhetoric, where it is designed to persuade rather than inform. In response to the streamlined discourse of the media industry, the artworks in this exhibition use storytelling show more techniques to challenge the very notions of truth and veracity.
Departing from the more evanescent forms of earlier performance practices, the artists in this exhibition articulate their narratives through sculptures, installations and drawings. Several of the artworks on display still bear traces of the artists' presence: the objects they have left behind thus appear as physical manifestations of their performative practice.
Of this Tale, I cannot guarantee a single word is curated by graduating students on the MA Curating Contemporary Art at the Royal College of Art, London show less
The narcissistic subjectivity of personal communication forms such as YouTube and blogs has become a pervasive feature of storytelling, spreading into the realm of political rhetoric, where it is designed to persuade rather than inform. In response to the streamlined discourse of the media industry, the artworks in this exhibition use storytelling show more techniques to challenge the very notions of truth and veracity.
Departing from the more evanescent forms of earlier performance practices, the artists in this exhibition articulate their narratives through sculptures, installations and drawings. Several of the artworks on display still bear traces of the artists' presence: the objects they have left behind thus appear as physical manifestations of their performative practice.
Of this Tale, I cannot guarantee a single word is curated by graduating students on the MA Curating Contemporary Art at the Royal College of Art, London show less
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