Happy Birthday, Wanda June
by Kurt Vonnegut
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At the center of Kurt Vonnegut's first play, which premiered in New York in 1970 and was then adapted into a film in 1971, is big-game hunter and war hero Harold Ryan. For eight years, he has been presumed dead, lost in the Amazon Rain Forest while hunting for diamonds. Now he's back, only to find his wife engaged to a hippie doctor and his son transformed into a pampered sissy. Though his hunting trophies remain, an inexplicable birthday cake sits in the living room bearing a strange show more icing inscription: Happy Birthday, Wanda June. Can the household bear the returning force of Harold's machismo? And who on earth is Wanda June? show lessTags
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Member Reviews
Vonnegut’s only play is about Harold Ryan, a hunter, soldier and all-around “man’s man.” He left his family a decade before the play begins to search for diamonds in the Amazon. He has since been declared dead and his wife and son have been trying to make a life for themselves without him. Penelope (aptly named because she waits 10 years for her husbands return) and her son Paul are shocked when Harold turns up on their doorstep.
No one is more surprised than the two men that Penelope has been dating: a vacuum salesman named Herb Shuttle and the peaceful doctor, Norbert Woodly. Penelope’s life is thrown into chaos with her husband’s return. His cruel and brash ways are ill suited for life outside the jungle.
The three-act show more play is soaked with Vonnegut’s trademark wit and sarcasm. It’s a harsh look at men who pride themselves as warriors vs. men who value peace. I had the opportunity to see it performed as a live reading at the Kurt Vonnegut Memorial Library and then I read a hardcopy. It was interesting to note that the theatre company doing the reading chose to end the play in a different way than it ends in the book.
BOTTOM LINE: It’s not Vonnegut’s best work, but it’s hard to find and reading it back-to-back with a viewing of a live reading was such a treat. If you already love Vonnegut than read it if you have the chance! show less
No one is more surprised than the two men that Penelope has been dating: a vacuum salesman named Herb Shuttle and the peaceful doctor, Norbert Woodly. Penelope’s life is thrown into chaos with her husband’s return. His cruel and brash ways are ill suited for life outside the jungle.
The three-act show more play is soaked with Vonnegut’s trademark wit and sarcasm. It’s a harsh look at men who pride themselves as warriors vs. men who value peace. I had the opportunity to see it performed as a live reading at the Kurt Vonnegut Memorial Library and then I read a hardcopy. It was interesting to note that the theatre company doing the reading chose to end the play in a different way than it ends in the book.
BOTTOM LINE: It’s not Vonnegut’s best work, but it’s hard to find and reading it back-to-back with a viewing of a live reading was such a treat. If you already love Vonnegut than read it if you have the chance! show less
Happy Birthday, Wanda June, one of Vonnegut's few published attempts at drama, is a speedy read if not a terribly exciting one, a play populated by mostly flat and static characters but still capable, in the end, of having an interesting impact.
Based very loosely on the idea of the hero's return home after a long absence a la The Odyssey, the play centers on the "man's man" Harold Ryan, coming home after being presumed dead for years to a wife and son who barely recognize him. Penelope has romanced two men completely unlike the hunter, and the majority of the play consists of each character, completely resistant to change, attempting to make sense of a new life in which Harold is actually alive.
The play's themes of love, tenderness, and show more the obsolescence of war are a little too cloying at times to feel especially genuine, exposing the play as more a product of its time than anything else. In his introduction to the work, Vonnegut mentions that the play has no true villain and therefore no satisfying ending, which is to a certain degree a fault, but Harold is such a completely unlikable character that we are wholly convinced of his role in the good vs. evil and old school vs. new school binaries of the play. In fact, his (ever so slight) turn at the end is the only thing that really doesn't feel consistent, perhaps because it is the only real example of a character changing.
Despite the placidity of the characterizations, however, the play is humorously written and fun to read. The dialogue is lightning-quick, and the quirky self-awareness of the drama makes it feel lighthearted even as the tension continually rises. Scenes taking place in heaven intersperse the action, and make for a humorous aside in the play's closing moments, but otherwise don't feel quite as necessary or diverting as Vonnegut must have intended.
All told, the play hits and misses, as does most of Vonnegut's dramas (according to the master himself). Happy Birthday, Wanda June is by no means top-shelf Vonnegut, but it's certainly worth the time to read it if you can find it. show less
Based very loosely on the idea of the hero's return home after a long absence a la The Odyssey, the play centers on the "man's man" Harold Ryan, coming home after being presumed dead for years to a wife and son who barely recognize him. Penelope has romanced two men completely unlike the hunter, and the majority of the play consists of each character, completely resistant to change, attempting to make sense of a new life in which Harold is actually alive.
The play's themes of love, tenderness, and show more the obsolescence of war are a little too cloying at times to feel especially genuine, exposing the play as more a product of its time than anything else. In his introduction to the work, Vonnegut mentions that the play has no true villain and therefore no satisfying ending, which is to a certain degree a fault, but Harold is such a completely unlikable character that we are wholly convinced of his role in the good vs. evil and old school vs. new school binaries of the play. In fact, his (ever so slight) turn at the end is the only thing that really doesn't feel consistent, perhaps because it is the only real example of a character changing.
Despite the placidity of the characterizations, however, the play is humorously written and fun to read. The dialogue is lightning-quick, and the quirky self-awareness of the drama makes it feel lighthearted even as the tension continually rises. Scenes taking place in heaven intersperse the action, and make for a humorous aside in the play's closing moments, but otherwise don't feel quite as necessary or diverting as Vonnegut must have intended.
All told, the play hits and misses, as does most of Vonnegut's dramas (according to the master himself). Happy Birthday, Wanda June is by no means top-shelf Vonnegut, but it's certainly worth the time to read it if you can find it. show less
This was a surprisingly great play! There is so much going on here, and yet so focused, that it's eventful, comic, dark, meaningful, poised, and tenacious all at the same time. The characters really stand out here and I really liked the premise and execution of this. A great play!
4.5 stars!
4.5 stars!
Happy Birthday, Wanda June is a play by Kurt Vonnegut, his take on Odysseus’ return to Penelope.
Plot:
Penelope and her son Paul have been living on their own ever since her husband and his father, big game hunter Harold, left 10 years earlier and wasn’t heard of since. In the meantime Penelope has started dating two men, Herb Shuttle – a “manly man” much like her husband – and Norbert Woodly – a studied man and pacifist. But then Harold returns quite surprisingly.
Happy Birthday, Wanda June is a strange play that falls between the cracks a little bit. It feels completely surreal but it isn’t, not really. Despite that, or maybe because of it, I liked it a whole lot.
Read more on my blog: show more target="_top">http://kalafudra.wordpress.com/2012/04/20/happy-birthday-wanda-june-kurt-vonnegu... show less
Plot:
Penelope and her son Paul have been living on their own ever since her husband and his father, big game hunter Harold, left 10 years earlier and wasn’t heard of since. In the meantime Penelope has started dating two men, Herb Shuttle – a “manly man” much like her husband – and Norbert Woodly – a studied man and pacifist. But then Harold returns quite surprisingly.
Happy Birthday, Wanda June is a strange play that falls between the cracks a little bit. It feels completely surreal but it isn’t, not really. Despite that, or maybe because of it, I liked it a whole lot.
Read more on my blog: show more target="_top">http://kalafudra.wordpress.com/2012/04/20/happy-birthday-wanda-june-kurt-vonnegu... show less
näytelmät, plays
Nov 19, 2025English (UK)
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The appeal of Kurt Vonnegut, especially to bright younger readers of the past few decades, may be attributed partly to the fact that he is one of the few writers who have successfully straddled the imaginary line between science-fiction/fantasy and "real literature." He was born in Indianapolis and attended Cornell University, but his college show more education was interrupted by World War II. Captured during the Battle of the Bulge and imprisoned in Dresden, he received a Purple Heart for what he calls a "ludicrously negligible wound." After the war he returned to Cornell and then earned his M.A. at the University of Chicago.He worked as a police reporter and in public relations before placing several short stories in the popular magazines and beginning his career as a novelist. His first novel, Player Piano (1952), is a highly credible account of a future mechanistic society in which people count for little and machines for much. The Sirens of Titan (1959), is the story of a playboy whisked off to Mars and outer space in order to learn some humbling lessons about Earth's modest function in the total scheme of things. Mother Night (1962) satirizes the Nazi mentality in its narrative about an American writer who broadcasts propaganda in Germany during the war as an Allied agent. Cat's Cradle (1963) makes use of some of Vonnegut's experiences in General Electric laboratories in its story about the discovery of a special kind of ice that destroys the world. God Bless You, Mr. Rosewater (1965) satirizes a benevolent foundation set up to foster the salvation of the world through love, an endeavor with, of course, disastrous results. Slaughterhouse-Five; or The Children's Crusade (1969) is the book that marked a turning point in Vonnegut's career. Based on his experiences in Dresden, it is the story of another Vonnegut surrogate named Billy Pilgrim who travels back and forth in time and becomes a kind of modern-day Everyman. The novel was something of a cult book during the Vietnam era for its antiwar sentiments. Breakfast of Champions (1973), the story of a Pontiac dealer who goes crazy after reading a science fiction novel by "Kilgore Trout," received generally unfavorable reviews but was a commercial success. Slapstick (1976), dedicated to the memory of Laurel and Hardy, is the somewhat wacky memoir of a 100-year-old ex-president who thinks he can solve society's problems by giving everyone a new middle name. In addition to his fiction, Vonnegut has published nonfiction on social problems and other topics, some of which is collected in Wampeters, Foma and Granfalloons (1974). He died from head injuries sustained in a fall on April 11, 2007. (Bowker Author Biography) show less
Series
Belongs to Publisher Series
Common Knowledge
- Original title
- Happy Birthday, Wanda June: A Play
- Original publication date
- 1970
- Related movies
- Happy Birthday, Wanda June (1971 | IMDb)
- Original language
- English
Classifications
Statistics
- Members
- 789
- Popularity
- 35,146
- Reviews
- 5
- Rating
- (3.57)
- Languages
- English, Estonian, Italian, Polish
- Media
- Paper, Ebook
- ISBNs
- 16
- ASINs
- 20



























































