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Inside Mr. Enderby introduced to a captivated audience Burgess's dyspeptic poet, whose uniquely idiosyncratic, scatological brand of verse even won the genuine approval of T. S. Eliot. In his first clash with the outside world, Enderby is extracted from his lavatorial sanctuary by the professional widow Vesta Bainbridge in a most peculiar romance.Tags
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Any novel that begins with a prolonged fart must be worth reading.
Enderby is a lyric poet whose muse works best on him when he is shut away sitting on the lavatory. His notes and inspirations are stored in his bathtub along with a pair of mice. He manages to be a professional poet by the grace of a small share portfolio inherited from his – I was going to say ‘indescribably’, but Burgess describes her all too clearly – disgusting step-mother. He lives in solitary squalor in a South Coast resort, presumably Brighton. Society for him is a geriatric pub frequented in daylight hours by the lonely and alcohol dependent elderly. His closest acquaintance is an edentulous chef from Oldham who can’t eat, so lives off vast quantities show more of beer.
Enderby, at least at the start of the book, doesn’t worry about his muse but is a martyr to his gut: as well as flatulence he is troubled with frequent, noisy eructation and frightful dyspepsia. He needs his sodium bicarbonate.
He is in a stable state of moderate creativity and self-neglect when he is awarded a Gold Medal (and a small cheque) by a rich book-seller who sees himself as a poet having a duty to support his fellows. Enderby borrows a suit from his chef pal – in exchange for a series of lascivious verses to the chef’s inamorata – and goes to London.......
Further description would spoil the read but suffice to say that he meets an improbably elegant fan of his work, with penny-coloured hair, who turns his life on its head. The book ends with Enderby as a client – that’s the modern term, anyway – of the surprisingly humane and effective mental health services of the 1950s. There was much that was bad in the psychiatry of the time, but also much good that has been lost. Of course, the fact that Enderby is as sane as you or I does make it easier for him.
Burgess does seem bothered by Catholicism and sex, apart from onanism, but he is very good on the literary muse and her loss, and he certainly has a good line on step-mothers. When the book first came out, readers must have felt very let down by the inconsequential ending – knowing that Enderby rides again makes a great difference. This is a worthwhile read that deserves its four stars. show less
Enderby is a lyric poet whose muse works best on him when he is shut away sitting on the lavatory. His notes and inspirations are stored in his bathtub along with a pair of mice. He manages to be a professional poet by the grace of a small share portfolio inherited from his – I was going to say ‘indescribably’, but Burgess describes her all too clearly – disgusting step-mother. He lives in solitary squalor in a South Coast resort, presumably Brighton. Society for him is a geriatric pub frequented in daylight hours by the lonely and alcohol dependent elderly. His closest acquaintance is an edentulous chef from Oldham who can’t eat, so lives off vast quantities show more of beer.
Enderby, at least at the start of the book, doesn’t worry about his muse but is a martyr to his gut: as well as flatulence he is troubled with frequent, noisy eructation and frightful dyspepsia. He needs his sodium bicarbonate.
He is in a stable state of moderate creativity and self-neglect when he is awarded a Gold Medal (and a small cheque) by a rich book-seller who sees himself as a poet having a duty to support his fellows. Enderby borrows a suit from his chef pal – in exchange for a series of lascivious verses to the chef’s inamorata – and goes to London.......
Further description would spoil the read but suffice to say that he meets an improbably elegant fan of his work, with penny-coloured hair, who turns his life on its head. The book ends with Enderby as a client – that’s the modern term, anyway – of the surprisingly humane and effective mental health services of the 1950s. There was much that was bad in the psychiatry of the time, but also much good that has been lost. Of course, the fact that Enderby is as sane as you or I does make it easier for him.
Burgess does seem bothered by Catholicism and sex, apart from onanism, but he is very good on the literary muse and her loss, and he certainly has a good line on step-mothers. When the book first came out, readers must have felt very let down by the inconsequential ending – knowing that Enderby rides again makes a great difference. This is a worthwhile read that deserves its four stars. show less
My wife droveback from Chicago, excited to have her brother visiting us in our new home. Given the conversation was in Serbian, I was left to devouring most of this during the tour, laughing aloud often at the beginning, less so later in the book.
Enjoyable, funny, at times hilarious. Curious about the poets further adventures.
Pfffrrrummmp. Y un muy feliz año nuevo le deseamos también a usted, Mr. Enderby. Sin embargo, ese deseo se ha echado a perder....
Feb 6, 2021Spanish
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ThingScore 50
Whatever readers may think of the content of Inside Mister Enderby, they are hardly likely to ignore the cover. This shows a lavatory seat (wood, not plastic), entwined with ivy. It is Mr Enderby’s lavatory seat, wherefrom he blasts his poetry at the world. (Mr Eliot said recently – and in the Yorkshire Post too – that poetry is a lavatorial or purgative art.)...
This is, in many ways, a show more dirty book. It is full of bowel-blasts and flatulent borborygmus, emetic meals (‘thin but over-savoury stews’, Enderby calls them) and halitosis. It may well make some people sick, and those of my readers with tender stomachs are advised to let it alone. show less
This is, in many ways, a show more dirty book. It is full of bowel-blasts and flatulent borborygmus, emetic meals (‘thin but over-savoury stews’, Enderby calls them) and halitosis. It may well make some people sick, and those of my readers with tender stomachs are advised to let it alone. show less
added by SnootyBaronet
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Author Information

Anthony Burgess was born in 1917 in Manchester, England. He studied language at Xaverian College and Manchester University. He had originally applied for a degree in music, but was unable to pass the entrance exams. Burgess considered himself a composer first, one who later turned to literature. Burgess' first novel, A Vision of Battlements show more (1964), was based on his experiences serving in the British Army. He is perhaps best known for his novel A Clockwork Orange, which was later made into a movie by Stanley Kubrick. In addition to publishing several works of fiction, Burgess also published literary criticism and a linguistics primer. Some of his other titles include The Pianoplayers, This Man and Music, Enderby, The Kingdom of the Wicked, and Little Wilson and Big God. Burgess was living in Monaco when he died in 1993. (Bowker Author Biography) show less
Awards and Honors
Series
Work Relationships
Common Knowledge
- Original publication date
- 1963
- People/Characters
- Enderby
- Epigraph
- - Allons, derniere des poetes,
Toujours enferme tu te rendras malade!
Vois, il fait beau temps, tout le monde est dehors,
Va donc acheter deux sous d'ellebore,
Ca te fera une petite promenade.
... (show all)Jules Laforgue, Dimanches - Dedication
- To D'Arcy Conyers
- First words
- Pfffrrrummmp. And a very happy New Year to you too, Mr Enderby!
- Quotations
- Above us, the January sky: Scutum, Ophiuchus, Sagittarius, the planets of age and war and love westering. And that man down below, whom that clatter of cheap metal has aroused from dyspeptic and flatulent sleep, he gives it a... (show all)ll meaning.
- Last words
- (Click to show. Warning: May contain spoilers.)Shouldering his hoe, chucking away his fag-butt, he marched.
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- Reviews
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- ISBNs
- 11
- ASINs
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