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Loading... Imperial Bedrooms (2010)by Bret Easton Ellis
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Sign up for LibraryThing to find out whether you'll like this book. No current Talk conversations about this book. A string of superlatives benefits no one, but I did enjoy this immensely. Ignore the reviews that pan this because if you enjoy Ellis' work you'll enjoy this. Pick it up, pour yourself a drink, and dive on in. ( ) Question the narrator of Imperial Bedrooms - Bret Easton Ellis's follow up to his cult novel, Less Than Zero - because you've been duped before. In Less Than Zero, we're led to believe Clay's the one at the helm. He's writing the story as it happens. Imperial Bedrooms, on the other hand, opens with Clay - once again - narrating: "They had made a movie about us. The movie was based on a book written by someone we knew." Clay describes the book and the movie and the differences between the both. "The book was blunt and had an honesty about it, whereas the movie was just a beautiful lie," he says. We share the same feelings for the novel and its cinematic counterpart, "The movie was begging for our sympathy whereas the book didn't give a shit." And the book still doesn't give a shit. Adapt that, Hollywood! Less Than Zero is to first year of college as Imperial Bedrooms is to mid-life crisis. Is that accurate? In Less Than Zero, we're forced to see that things change. People change. And college is the enforcer of this change for many of us. Some of us become nostalgic, others become cold and jaded. And those who become come cold and jaded grow up to be Hollywood producers, writers, directors, actors, pimps, schemers, executives, and whore mongers. They use people for their own sexual gratification, whispering - not sweet nothings - spectacular promises that one can never hold on to. Has Clay grown up? Has he matured? No. Not in the least. Rather than evolving, he's become less than he was in Less Than Zero. Has Julian learned from his time as a hustler, working for Finn? No. Instead, he becomes the pimp. Has Blair learned not to pursue Clay? No. And much like the film of Less Than Zero, Rip plays the villain. Julian owes him a ton of money. Julian is his little project. And Clay is forced to realize that he has been given the same opportunity that his fictional counterpart was given on the big screen. He has the power to be a friend. To bail Julian out of troubled waters. The novel shines a light on our darker selves, examining the people we can be and the people we choose to be. Read because I love Less than Zero, this is the sequel and, to my regret, I still care about the characters. This book doesn't. It flails around, creating fake drama where it doesn't belong in absence of actually being about anything. Feels like half-an-effort of a famous author who no longer feels like he has to try.
Despite Chip Kidd’s cover art, which features a traffic-stopping Satanic image and Mr. Ellis’s name in the book-jacket equivalent of big red neon letters, “Imperial Bedrooms” is without shock value. It’s a work of limited imagination that all too deftly simulates the effects of having no imagination at all. Distinctions
Clay, a successful screenwriter, has returned from New York to Los Angeles to help cast his new movie, and he's soon drifting through a long-familiar circle that will leave him no choice but to plumb the darkest recesses of his character and come to terms with his proclivity for betrayal. No library descriptions found. |
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Google Books — Loading... GenresMelvil Decimal System (DDC)813.54Literature English (North America) American fiction 20th Century 1945-1999LC ClassificationRatingAverage:
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