HomeGroupsTalkMoreZeitgeist
Search Site
This site uses cookies to deliver our services, improve performance, for analytics, and (if not signed in) for advertising. By using LibraryThing you acknowledge that you have read and understand our Terms of Service and Privacy Policy. Your use of the site and services is subject to these policies and terms.

Results from Google Books

Click on a thumbnail to go to Google Books.

Loading...

Music in Mainland Southeast Asia: Experiencing Music, Expressing Culture

by Gavin Douglas

Series: Global Music

MembersReviewsPopularityAverage ratingConversations
1211,623,904NoneNone
** Music in Mainland Southeast Asia is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of musicaround the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. **Mainland Southeast Asia is a culturally diverse and musically intriguing area, yet the ethnomusicological record lacks coverage of many of its musical and cultural traditions. Placing the music of this region within a social, cultural, and historical context, Music in Mainland Southeast Asia is thefirst brief, stand-alone volume to profile the under-represented musical traditions of Burma, Cambodia, Thailand, and Vietnam. It also contains the first introduction to Burmese music ever presented in a music textbook.Drawing on his extensive fieldwork, author Gavin Douglas frames this survey of Southeast Asian music within three key themes: music and diversity, music and political turmoil, and music and globalization. Each theme lends itself to a discussion of the region's classical musical traditions, folktraditions, and contemporary developments. Uniquely focusing on the people who practice these musical traditions - rather than the locales from which the traditions originate - the text also follows individuals out of their native lands and into diasporic communities throughout the world.A vibrant, thorough introduction, Music in Mainland Southeast Asia is ideal for introductory undergraduate courses in world music or ethnomusicology and for upper-level courses in Southeast Asian music or Southeast Asian culture. Packaged with a 70-minute CD containing musical examples, the textfeatures numerous listening activities that actively engage students with the music and the themes. The companion website includes supplementary materials for instructors.… (more)
None
Loading...

Sign up for LibraryThing to find out whether you'll like this book.

No current Talk conversations about this book.

Reviewed by Christopher A. Miller in Asian Music 43/2 (Summer/Fall 2012): 167-170. DOI: 10.1353/amu.2012.0012
  AsianMusicReviews | Dec 3, 2012 |
no reviews | add a review

Belongs to Series

You must log in to edit Common Knowledge data.
For more help see the Common Knowledge help page.
Canonical title
Original title
Alternative titles
Original publication date
People/Characters
Important places
Important events
Related movies
Epigraph
Dedication
First words
Quotations
Last words
Disambiguation notice
Publisher's editors
Blurbers
Original language
Canonical DDC/MDS
Canonical LCC

References to this work on external resources.

Wikipedia in English

None

** Music in Mainland Southeast Asia is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of musicaround the world. It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. **Mainland Southeast Asia is a culturally diverse and musically intriguing area, yet the ethnomusicological record lacks coverage of many of its musical and cultural traditions. Placing the music of this region within a social, cultural, and historical context, Music in Mainland Southeast Asia is thefirst brief, stand-alone volume to profile the under-represented musical traditions of Burma, Cambodia, Thailand, and Vietnam. It also contains the first introduction to Burmese music ever presented in a music textbook.Drawing on his extensive fieldwork, author Gavin Douglas frames this survey of Southeast Asian music within three key themes: music and diversity, music and political turmoil, and music and globalization. Each theme lends itself to a discussion of the region's classical musical traditions, folktraditions, and contemporary developments. Uniquely focusing on the people who practice these musical traditions - rather than the locales from which the traditions originate - the text also follows individuals out of their native lands and into diasporic communities throughout the world.A vibrant, thorough introduction, Music in Mainland Southeast Asia is ideal for introductory undergraduate courses in world music or ethnomusicology and for upper-level courses in Southeast Asian music or Southeast Asian culture. Packaged with a 70-minute CD containing musical examples, the textfeatures numerous listening activities that actively engage students with the music and the themes. The companion website includes supplementary materials for instructors.

No library descriptions found.

Book description
Haiku summary

Current Discussions

None

Popular covers

Quick Links

Rating

Average: No ratings.

Is this you?

Become a LibraryThing Author.

 

About | Contact | Privacy/Terms | Help/FAQs | Blog | Store | APIs | TinyCat | Legacy Libraries | Early Reviewers | Common Knowledge | 205,970,540 books! | Top bar: Always visible