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The Wall: And Other Stories (New Directions…
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The Wall: And Other Stories (New Directions Paperbook) (1939)

by Jean-Paul Sartre

Other authors: See the other authors section.

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English (4)  Italian (2)  All languages (6)
Showing 4 of 4
"Ninguna vida tenía valor. Se iba a colocar a un hombre frente a un muro y a tirar sobre él hasta que reventara..." ( )
  darioha | Jan 28, 2013 |
סיפורים קצרים של סארטר ( )
  amoskovacs | Jan 3, 2012 |
The first story in this book is really the best one out of the bunch. The final story is the worst, almost like the book was designed as a progression with decreasing quality as you move along.This is not to say that the style or the writing got any worse particularly. Sartre's fiction style isn't any great shakes, though his stories are always interesting. The last story though "Childhood of a Leader" is just so thick with period references to France between the two World Wars that it's difficult to understand all the references to various historical figures and movements. The fascism is easy enough to clue in on, but the ins and outs of the youth movements and so on made for distracting reading. New Directions is a cheap ass publishing house (though they do important and valuable service), so don't expect a footnoted edition any time ever, as helpful as that would be. ( )
  TheDigitarian | Jun 14, 2010 |
Jean-Paul Sartre is famous for his philosophical works expounding his theory of Existentialism which Webster’s dictionary defines as “the plight of each individual to assume the ultimate responsibility for his acts of free will without any certain knowledge of what is right and wrong, good and bad.” All that is certain is that we exist and we each must create our own meaning. Finding it difficult to express the essence of Existentialism by definition alone, Sartre found literary expression in his powerful novel "Nausea".

The narrator, Antoine Roquentin, through stream of conscious writing, illustrates the meaning the Existentialism. He is a young successful author of documentaries. Unfortunately his choice of career required constant travel for research and rigid isolation for writing, thus no home, no serious relationships, no emotional attachments, and no rooted past. Suddenly he wakes up one day and realizes his life is meaningless. Not just his life, but all life…meaningless. He is confronted with the absurdity that we exist for no other purpose but to exist. The feeling of nausea begins.

There is very little plot to this book. Similar to Dostoevsky’s "Notes From Underground", Antoine keeps a diary of his daily encounters, his nihilistic anguish, his self discoveries, and his ultimate conclusion to finding authentic meaning in life.

"Nausea" offers insight into many of the principles of Existentialism; the sterile roles people assume and pointless activities that humans use to define themselves. Meaningless adventures turned into discarded memories. Superficial connections to people we really don’t know at all. The false barriers we erect based on our pasts, the imaginary limitations we impose on ourselves; the self-deception, the blame game, and the difficulty in accepting that we have the free will to make choices and we alone bear the responsibility to create meaning in our life. As Sartre once said, “We are only as good as our deeds”, or in more contemporary terms, there is no “woulda’, coulda’, shoulda’….no excuses. I previously knew very little about Existentialism, but after reading "Nausea" I spent several weeks researching Jean-Paul Sartre’s philosophy and found myself profoundly moved.

Not to be taken lightly, "Nausea" at the very least evokes an elevated level of consciousness. People who merely read for entertainment or who strongly oppose the Existentialist doctrine might find the book depressing and pessimistic. ( )
  LadyLo | Dec 27, 2009 |
Showing 4 of 4
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» Add other authors (37 possible)

Author nameRoleType of authorWork?Status
Jean-Paul Sartreprimary authorall editionsconfirmed
Alexander, LloydTranslatorsecondary authorsome editionsconfirmed
Lijsen, C.N.Translatorsecondary authorsome editionsconfirmed
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To Olga Koszakiewicz
First words
Intimacy (Lloyd Alexander translation): Lulu slept naked because she liked to feel the sheets carressing her body and also because laundry was expensive.
The Wall (Lloyd Alexander translation): They pushed us into a big white room and I began to blink because the light hurt my eyes.
The Room (Lloyd Alexander translation): Mme Darbédat a rahat-loukoum between her fingers. She brought it carefully to her lips and held her breath, afraid that the fine dust of sugar that powdered it would blow away.
Erostratus (Lloyd Alexander translation): You really have to see men from above.
The Childhood of a Leader (Lloyd Alexander translation): "I look adorable in my little angel's costume."
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Book description
Five stories:
INTIMACY, 
EROSTRATUS,
THE WALL,
THE CHILDHOOD OF A LEADER, &
THE ROOM.

From the back cover of the Berkeley Medallion edition:
"INTIMACY reveals a forbidden world which is perverse, shocking, diabolical--unlike anything you have ever met on the printed page, but a startling reflection of life as you know it...
Here is a portrait of life seen from new and revealing angles, in which the human soul is stripped of its civilized veneer, and layers of experience are peeled back with ferocious skill--to reveal the depths of the private obsessions, sensualities and neuroses of our time, and the overwhelming evil to which modern man can descend."
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