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The Film Club: A Memoir by David Gilmour
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The Film Club: A Memoir

by David Gilmour

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2632621,031 (3.43)16
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A near-perfect exhibition of the impotence of the Boomer ideal of tolerant love—especially when cast against the raunchy pop culture of the modern youth. The memoir starts with a 16th century quote identifying the mysterious challenge of educating youth. It was an encouraging start. Then it became apparent that the author took the quote as evidence of the inability for a father to raise his son well, instead of a as a challenge to courageously lead his son against ancient forces of youthful apathy, libido, and purposelessness.

On behalf of film lovers, I commend his premise to teach through film. Though when thinking of parents who may uncritically admire Gilmour, I shutter. On behalf of those who take education seriously, I'm offended. Home schooling is hard, noble work. I applaud Gilmour for his willingness to look outside the box of contemporary education which is killing our youth, but rather than fight for his son, he sits back and hopes that conversation without leadership or inspiration will stop the malaise that is slowly draining his teen's soul.

Sadly, there is little to admire contained in its pages. ( )
1 vote ebnelson | Sep 17, 2009 |
What do you do when your 16-year old wants to drop out of high school? Gilmour made the tough decision to pull him out and educate him the way he knew how: through movies. This courageous, sincere tale describes a parent's agony watching his son grow up, make mistakes, get hurt. It shows striking the balance between interfering, listening and letting go. There are tender moments, passionate accounts of films bonding father and son and tales of fear and love.
The sore points are the numerous chapters dedicated to Jesse's girl friends which I found rather annoying and belly aching. I would have been more interested in finding out about how his jobs and the movies matured him.
Overall, a very well-written account which will have you running to your local video store. ( )
  Cecilturtle | Aug 2, 2009 |
an airport buy (extreme rarity for me). A pretty basic story (as I tell others about it, I can tell they don't see why I'm excited), but well done. I'm also intrigued by the 12 Books (publisher) thing; will have to check them out.
  ms_cegenation | Jul 1, 2009 |
sexual content, not sure if it would work for the teen book club, but an interesting read, could work for nonfiction bookclub ( )
  lindsayburns | Jun 29, 2009 |
The filmography at the back of the book does not include movie dates; I wound up writing them in myself along with page number references. ( )
  mthelibrarian | Jun 7, 2009 |
Showing 1-5 of 26 (next | show all)
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Amazon.com Product Description (ISBN 044619929X, Hardcover)

"I loved David Gilmour's sleek, potent little memoir, The Film Club. It's so, so wise in the ways of fathers and sons, of movies and movie-goers, of love and loss."
--- Richard Russo, Pulitzer Prize winning author of Empire Falls

"If all sons had dads like David Gilmour, then Oedipus would be a forgotten legend and Father's Day would be a worldwide film festival."

--Sean Wilsey, author of Oh the Glory of It All

"David Gilmour is a very unlikely moral guidance counselor: he's broke, more or less unemployed and has two children by two different women. Yet when it looks as though his teenage son is about to go off the rails, he reaches out to him through the only subject he knows anything about: the movies. The result is an object lesson in how fathers should talk to their sons." --Toby Young, author of How to Lose Friends & Alienate People



At the start of this brilliantly unconventional family memoir, David Gilmour is an unemployed movie critic trying to convince his fifteen-year-old son Jesse to do his homework. When he realizes Jesse is beginning to view learning as a loathsome chore, he offers his son an unconventional deal: Jesse could drop out of school, not work, not pay rent - but he must watch three movies a week of his father's choosing.

Week by week, side by side, father and son watched everything from True Romance to Rosemary's Baby to Showgirls, and films by Akira Kurosawa, Martin Scorsese, Brian DePalma, Billy Wilder, among others. The movies got them talking about Jesse's life and his own romantic dramas, with mercurial girlfriends, heart-wrenching breakups, and the kind of obsessive yearning usually seen only in movies.

Through their film club, father and son discussed girls, music, work, drugs, money, love, and friendship - and their own lives changed in surprising ways.



(retrieved from Amazon Fri, 24 Apr 2009 07:58:09 -0400)

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