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Loading... Bel Canto: A Novel (original 2001; edition 2001)by Ann Patchett (Author)
Work InformationBel Canto by Ann Patchett (2001)
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I got this book many years ago when it seemed that everyone I knew was reading and loving it. Then (as usual for me) I hesitated to read it because everyone I knew was loving it. It has sat untouched in my ereader library ever since. Now it seems everyone I know is reading and loving Patchett’s latest book. So I decided it was time for this one. A birthday party is taking place at the Vice-President’s home in an unnamed South American country. It’s for a wealthy businessman and planned as a way to woo him to doing business in the country. A performance by his favorite opera singer is what got him there. The party is interrupted when a group of terrorists takes everyone hostage. The ensuing standoff lasts for months. It seems odd to describe a book about terrorists and their hostages as lovely but that’s the most accurate description of this story. Over the course of the standoff the relationships that develop among the characters are wonderfully depicted. These characters will stay with me for a long time On the off chance that I’m not the last person on the planet to read this and you also haven’t read it, you should. I usually just use goodreads to track what I've read/don't write reviews, but I hated this so much so just want to say, this book is a very badly written apology for imperialism and I wish I hadn't read it. 1 to Lenore's review: https://www.goodreads.com/review/show/2289935728?book_show_action=false&from... Bel Canto is a quiet story told with a sense of inevitability. The characters are detailed and poignant; the end, when it comes, is sad but not shocking. The author makes it clear that the hostages and terrorists are suspended in a soap bubble of time together; the question is not whether it will end, but how and when.
''Bel Canto'' often shows Patchett doing what she does best -- offering fine insights into the various ways in which human connections can be forged, whatever pressures the world may place upon them. Although this novel is entirely housebound, at the vice presidential mansion, Ms. Patchett works wonders to avoid any sense of claustrophobia and keeps the place fresh at every turn. Belongs to Publisher SeriesHarper Perennial Olive Editions (2010 Olive) Is contained inHas the adaptationHas as a reference guide/companionHas as a student's study guideAwardsDistinctionsNotable Lists
Somewhere in South America, at the home of the country's vice president, a lavish birthday party is being held in honor of Mr. Hosokawa, a powerful Japanese businessman. Roxanne Coss, opera's most revered soprano, has mesmerized the international guests with her singing. It is a perfect evening -- until a band of gun-wielding terrorists breaks in through the air-conditioning vents and takes the entire party hostage. But what begins as a panicked, life-threatening scenario slowly evolves into something quite different, as terrorists and hostages forge unexpected bonds and people from different countries and continents become compatriots. Friendship, compassion, and the chance for great love lead the characters to forget the real danger that has been set in motion and cannot be stopped. No library descriptions found. |
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The hostages are winnowed down over time to the 39 most important men, including the vice president, ambassadors, businessmen, and of course Hokosawa himself (along with his translator) and Roxane Coss. Days go by, then weeks. Gen the translator finds himself very busy indeed as the guests and the soldiers get to know each other inside the mansion. Relationships of all kinds form: one of ringleaders and Hokosawa become chess partners and teach one of the young soldiers, another soldier with a beautiful voice becomes Roxane's student, romantic entanglements form (it turns out not all those soldiers are boys, after all). Always the question looms: how will this all end?
This is the first time I've read Patchett, and she's a gifted writer: her prose is sensitive, deeply felt, lyrical. She has a strong sense of character, and besides the ending, no action the people she creates on the page (and she creates people, complete with their own emotional truth, rather than just "characters") feels false. Even the people she spends less time with feel complete and real. The novel is well-paced and plotted...after the initial high drama of the home invasion, little else happens in terms of events and the action unfolds naturally from the unveiling of personalities and the growing bonds between the people at hand.
What keeps this as a very good book rather than great one, for me, is the very end. The action that two people take is...jarring. Trying to contextualize it in terms of what those two have gone through, you can understand that a rash decision might be made, but it still feels off. And it bugged me a lot, because I'd so loved everything that came before and to close on that sour note didn't feel right. It's 98% of a great book, but it could have been 100% of one and that is frustrating. ( )