M. P. Shiel (1865–1947)
Author of The Purple Cloud
About the Author
Works by M. P. Shiel
The Dragon 9 copies
The Yellow Wave 4 copies
Here comes the lady 4 copies
The weird o' it 3 copies
Unto the third generation 3 copies
This knot of life 2 copies
Say au r'voir, but not goodbye 2 copies
The Bride 2 copies
The Pale Ape 2 copies
Many a Tear 2 copies
Orazio Calvo 1 copy
Dark Lot Of One Saul 1 copy
The Case of Euphemia Raphash 1 copy
Phorfor 1 copy
CHINA IN ARMS 1 copy
THE NEW KING 1 copy
SHIEL IN DIVERSE HANDS 1 copy
Associated Works
101 Years' Entertainment: The Great Detective Stories 1841-1941 (1941) — Contributor — 111 copies, 1 review
The Colour Out of Space: Tales of Cosmic Horror by Lovecraft, Blackwood, Machen, Poe, and Other Masters of the Weird (-0001) — Contributor — 109 copies, 1 review
The Ghost of Fear and Others: H. P. Lovecraft's Favorite Stories Vol.1 (2014) — Contributor — 27 copies
Homefront Horrors: Frights Away from the Front Lines, 1914-1918 (2016) — Contributor — 16 copies, 1 review
Thrills: Twenty Specially Selected New Stories of Crime, Mystery and Horror (1937) — Contributor — 10 copies
Friendly Aliens: Thirteen Stories of the Fantastic Set in Canada by Foreign Authors (1981) — Contributor — 1 copy
Tagged
Common Knowledge
- Legal name
- Shiell, Matthew Phipps
- Other names
- King Felipe I
- Birthdate
- 1865-07-21
- Date of death
- 1947-02-17
- Gender
- male
- Education
- Harrison College, Barbados
Kings College, London - Occupations
- novelist
playwright
Pedophile - Relationships
- Tracy, Louis (collaborator)
- Nationality
- UK
- Birthplace
- Montserrat, British West Indies
- Places of residence
- Montserrat
- Place of death
- Chichester, UK
- Associated Place (for map)
- Montserrat, British West Indies
Members
Reviews
One of the first of the 'Yellow Peril' books the main villain 'Dr. Yen How' was an inspiration for 'Fu Manchu'.
When it gets right down to it this is essentially a Zombie Apocalypse story with all the zombies replaced by chinese people. If you think that sounds a bit racist... well yes its racist BUT its not as racist as you might be expecting.
The villain is described in surprisingly Hitler-esque language, he creates a cult of personality about himself and manipulates the people of china show more and japan on an economic, social and religious level.
Oh and before you ask, yes you can a have a zombie story with no zombies in it! John Carpenter spent a lifetime making zombie movies without actual zombies. As long as you get the atmosphere right you can replace the zombies with just about anything, ghost-pirates (The Fog), aliens (Ghosts on Mars), criminals (Assault on Precinct 13th), homeless people (Prince of Darkness) or in this case chinese people.
Then we have the hero, a military savant, he appears to be based on Admiral Nelson a little bit but comes across like Rainman or Forest Gump.
Note, apart from the racism inherent in a story like this there are also some really effecting torture scenes which come across as surprisingly modern in there brutality and effect.
Overall this is a really bizarre spy thriller / war-story / zombie apocalypse, highly recommended :) . (Available online at archive.org) show less
When it gets right down to it this is essentially a Zombie Apocalypse story with all the zombies replaced by chinese people. If you think that sounds a bit racist... well yes its racist BUT its not as racist as you might be expecting.
The villain is described in surprisingly Hitler-esque language, he creates a cult of personality about himself and manipulates the people of china show more and japan on an economic, social and religious level.
Oh and before you ask, yes you can a have a zombie story with no zombies in it! John Carpenter spent a lifetime making zombie movies without actual zombies. As long as you get the atmosphere right you can replace the zombies with just about anything, ghost-pirates (The Fog), aliens (Ghosts on Mars), criminals (Assault on Precinct 13th), homeless people (Prince of Darkness) or in this case chinese people.
Then we have the hero, a military savant, he appears to be based on Admiral Nelson a little bit but comes across like Rainman or Forest Gump.
Note, apart from the racism inherent in a story like this there are also some really effecting torture scenes which come across as surprisingly modern in there brutality and effect.
Overall this is a really bizarre spy thriller / war-story / zombie apocalypse, highly recommended :) . (Available online at archive.org) show less
"...savagery civilised in its top-story only: for civilization was apparently from the head downwards, and never once grew below the neck..."
So the author is a monster but on the upside so are his characters (and he's been dead for 70 years, bonus).
Apocalyptic fiction. The psychology of it reminded me a lot of Robinson Crusoe. Oh yeah in case you havn't read that, Crusoe is pretty deranged... but the poster child for sanity compared to this protagonist. Who i would describe as a paranoid show more schizophrenic pyromaniac with delusions of grandeur :) .
I've read two other works by this author but don't recall either of them being this hard to parse. Some quite difficult to decipher sentences at times, heres an example, if you hate comma's look away now ;) :
"I leaned and loitered a long time on the bridge, gazing up to the craggy height, which is heavy with a waving wood, and crowned by the Castle-tower, the Tees sweeping round the mountain-base, smooth here and sunlit, but a mile down, where i wished to go, but would not, brawling bedraggled and lacerated, like a sweet strumpet, all shallow among rocks under reaches of shadow - the shadow of Rokeby Woods."
What does the last part of that even mean, did that cliff murder a hooker? :lol .
Its about 15-20% longer than it needs to be. There are also some very dry spots usually when the author is describing things and the ending while probably very meaningful on a personal level does feel fairly pointless in the grand scheme of things. So some may feel it to be anti-climactic.
Its also very religious which i say as a neutral statement, its this really odd mix of old victorian ideas and newer 20th century science. Overall a bizarre and highly interesting bit of fiction with a unique anti-hero.
Plus an interesting representative of the clash of new and old ideas from the turn of the century when it was written.
Also if it makes you feel better about reading something by this author, at least he served time, thats more than has happened to most of our monsters contemporary or historical. show less
So the author is a monster but on the upside so are his characters (and he's been dead for 70 years, bonus).
Apocalyptic fiction. The psychology of it reminded me a lot of Robinson Crusoe. Oh yeah in case you havn't read that, Crusoe is pretty deranged... but the poster child for sanity compared to this protagonist. Who i would describe as a paranoid show more schizophrenic pyromaniac with delusions of grandeur :) .
I've read two other works by this author but don't recall either of them being this hard to parse. Some quite difficult to decipher sentences at times, heres an example, if you hate comma's look away now ;) :
"I leaned and loitered a long time on the bridge, gazing up to the craggy height, which is heavy with a waving wood, and crowned by the Castle-tower, the Tees sweeping round the mountain-base, smooth here and sunlit, but a mile down, where i wished to go, but would not, brawling bedraggled and lacerated, like a sweet strumpet, all shallow among rocks under reaches of shadow - the shadow of Rokeby Woods."
What does the last part of that even mean, did that cliff murder a hooker? :lol .
Its about 15-20% longer than it needs to be. There are also some very dry spots usually when the author is describing things and the ending while probably very meaningful on a personal level does feel fairly pointless in the grand scheme of things. So some may feel it to be anti-climactic.
Its also very religious which i say as a neutral statement, its this really odd mix of old victorian ideas and newer 20th century science. Overall a bizarre and highly interesting bit of fiction with a unique anti-hero.
Plus an interesting representative of the clash of new and old ideas from the turn of the century when it was written.
Also if it makes you feel better about reading something by this author, at least he served time, thats more than has happened to most of our monsters contemporary or historical. show less
H.P. Lovecraft lo tenía claro: ”La mejor novela de ciencia ficción escrita hasta la fecha.”
Siempre me han fascinado las historias que tratan sobre “el último hombre sobre la tierra”. ‘La nube púrpura’ (The Purple Cloud, 1901) ha entrado por méritos propios en mi olimpo personal sobre este particular subgénero de la ciencia ficción, junto a otros grandes clásicos: ‘La Tierra permanece’ (1949), de George R. Stewart, ‘Soy leyenda’ (1954), de Richard Matheson, y ‘El show more muro’ (1968), de Marlen Haushofer (sí, ya existían cúpulas antes de la de King).
El inglés M.P. Shiel, seudónimo de Matthew Phipps Shiel (1865-1947), fue un prolífico autor de novelas y relatos de ciencia ficción y misterio. Su obra ha quedado un tanto olvidada, siendo su novela más famosa ‘La nube púrpura’. Hay que destacar la peculiaridad de que fue coronado de niño por su padre como Rey de Redonda, una isla deshabitada, puesto mítico que ha ido pasando de escritor en escritor, y al que actualmente aspira Javier Marías.
‘La nube púrpura’ está narrada en primera persona por Adam Jeffson, que viaja en una expedición al Polo Norte. Al regresar, descubrirá la catástrofe que ha acaecido. (El prólogo es muy interesante, pero es mejor leerlo después de haber leído la novela, ya que desvela toda la trama.) Shiel bebe de fuentes como E.A. Poe, H.G. Wells y Jack London, algo que se nota a lo largo de la historia. De Poe, su mayor influencia desde su juventud, hereda su prosa recargada y deslumbrante; de Wells (del que hay que decir que era gran admirador de Shiel), adquiere la parte de anticipación y ciencia de la novela, así como su gran imaginación; y de London, esas clásicas aventuras del hombre en lucha contra la naturaleza. Pero ‘La nube púrpura’ es mucho más que un relato de aventuras. En ella también entran en juego la religión y la moralidad, paralelismos que quedan claros durante su lectura.
Las imágenes creadas por Shiel son muy poderosas, y quedarán en mi recuerdo la visión de barcos a la deriva, ciudades desiertas, y en general todo el periplo del protagonista en la primera parte de la novela. Para mí, un clásico, una obra maestra. show less
Siempre me han fascinado las historias que tratan sobre “el último hombre sobre la tierra”. ‘La nube púrpura’ (The Purple Cloud, 1901) ha entrado por méritos propios en mi olimpo personal sobre este particular subgénero de la ciencia ficción, junto a otros grandes clásicos: ‘La Tierra permanece’ (1949), de George R. Stewart, ‘Soy leyenda’ (1954), de Richard Matheson, y ‘El show more muro’ (1968), de Marlen Haushofer (sí, ya existían cúpulas antes de la de King).
El inglés M.P. Shiel, seudónimo de Matthew Phipps Shiel (1865-1947), fue un prolífico autor de novelas y relatos de ciencia ficción y misterio. Su obra ha quedado un tanto olvidada, siendo su novela más famosa ‘La nube púrpura’. Hay que destacar la peculiaridad de que fue coronado de niño por su padre como Rey de Redonda, una isla deshabitada, puesto mítico que ha ido pasando de escritor en escritor, y al que actualmente aspira Javier Marías.
‘La nube púrpura’ está narrada en primera persona por Adam Jeffson, que viaja en una expedición al Polo Norte. Al regresar, descubrirá la catástrofe que ha acaecido. (El prólogo es muy interesante, pero es mejor leerlo después de haber leído la novela, ya que desvela toda la trama.) Shiel bebe de fuentes como E.A. Poe, H.G. Wells y Jack London, algo que se nota a lo largo de la historia. De Poe, su mayor influencia desde su juventud, hereda su prosa recargada y deslumbrante; de Wells (del que hay que decir que era gran admirador de Shiel), adquiere la parte de anticipación y ciencia de la novela, así como su gran imaginación; y de London, esas clásicas aventuras del hombre en lucha contra la naturaleza. Pero ‘La nube púrpura’ es mucho más que un relato de aventuras. En ella también entran en juego la religión y la moralidad, paralelismos que quedan claros durante su lectura.
Las imágenes creadas por Shiel son muy poderosas, y quedarán en mi recuerdo la visión de barcos a la deriva, ciudades desiertas, y en general todo el periplo del protagonista en la primera parte de la novela. Para mí, un clásico, una obra maestra. show less
After being stuck on an overheated train for six and a half hours yesterday, I didn’t have the energy to compose a proper review of this book. I only managed three words: ‘The purplest prose.’ For never before has a novel been so aptly named. ‘The Purple Cloud’ combines elements of Mary Shelley’s [b:The Last Man|966835|The Last Man|Mary Wollstonecraft Shelley|https://images.gr-assets.com/books/1392984325s/966835.jpg|835097], J-K Huysmans’ [b:Against Nature|210255|Against show more Nature|Joris-Karl Huysmans|https://images.gr-assets.com/books/1385099642s/210255.jpg|306152], H.G Wells’ [b:The Shape of Things to Come|29966|The Shape of Things to Come|H.G. Wells|https://images.gr-assets.com/books/1386912599s/29966.jpg|1011738], Joanna Russ’ [b:We Who Are About To...|651807|We Who Are About To...|Joanna Russ|https://images.gr-assets.com/books/1348710724s/651807.jpg|2641294], and Hampton Sides’ [b:In the Kingdom of Ice: The Grand and Terrible Polar Voyage of the USS Jeannette|20897517|In the Kingdom of Ice The Grand and Terrible Polar Voyage of the USS Jeannette|Hampton Sides|https://images.gr-assets.com/books/1395935993s/20897517.jpg|28027377] into an unholy festival of the apocalyptic. The prose is incredibly overwrought, there is a wholly superfluous framing conceit, and the main character is a nightmare. I really loved it, truly an excellent novel to read when overhead lines have come down and your train is stuck in a long queue just outside London. I even toyed with giving it five stars, before deciding that Adam the main character doesn’t deserve that sort of vindication.
A sample of Adam's narration:
If you can stomach that then you will appreciate ‘The Purple Cloud’. After finishing it, I recommend describing the plot to a friend in detail, as this fully reveals its hilarious absurdity. Particularly worthy of mention:Adam murdering a guy for saying that his fiance murdered another guy (which she did), Adam swooning dramatically at the North Pole (which is an actual pole in a lake), Adam piercing his own ears and growing a postapocalyptic beard, Adam recreationally burning down major world cities, Adam spending nearly two decades building a gold palace in which to laze around taking drugs, Adam’s reacting to seeing another human being by wanting to KILL and EAT her (WHY), Leda’s ridiculous harem backstory, Leda correctly diagnosing capitalism as the root of all humanity’s problems, Adam melodramatically refusing to bang Leda, Adam having her draw straws for who should die so that they don’t accidentally reproduce the human species, and Adam’s use of the terms ‘Black Power’ and ‘White Power’ in a very different context to how we understand them today.
Beneath the florid description, though, is a genuinely interesting thought experiment that feels oddly prescient. It was first published in 1901 and reads to me like a direct link between [b:The Last Man|966835|The Last Man|Mary Wollstonecraft Shelley|https://images.gr-assets.com/books/1392984325s/966835.jpg|835097] (also [b:After London: or, Wild England|2220037|After London or, Wild England|Richard Jefferies|https://images.gr-assets.com/books/1348221574s/2220037.jpg|905982]) and apocalyptic novels of the nuclear age such as [b:On the Beach|38180|On the Beach|Nevil Shute|https://images.gr-assets.com/books/1327943327s/38180.jpg|963772]. The narrative displays fear of both humanity’s destructiveness as a result of industrialisation and its continued fragility in the face of nature’s incomprehensible might. The mass death as a result of inhaling poisonous purple fumes prefigures the weaponisation of gas during the First World War. Watching Adam reconstruct what has happened by observing what remains is the most moving and powerful part of the book.It reminded me of this 1916 anecdote from [b:I May Be Some Time: Ice and the English Imagination|1189521|I May Be Some Time Ice and the English Imagination|Francis Spufford|https://images.gr-assets.com/books/1328022532s/1189521.jpg|2003765]:
Adam is a peculiar narrator and far from a Victorian hero archetype. He’s clearly not very mentally well-balanced, self-indulgent, over-emotional, strangely comfortable with murder, and often consumed by a sense of his own importance and/or evil. While his reactions to the cataclysm seem deeply strange, they do highlight that there is no reasonable response to such extraordinary circumstances. And he certainly can tell a tale colourfully. show less
A sample of Adam's narration:
I read, I say, I conned, I would not stop: but I read that night wracked by panics such as have never entered into a heart to fancy, my flesh moving and creeping like a pool which, here and there, a breeze breathes on. Sometimes for three, four, minutes the profound interest of what I read would fix my mind, and then I would peruse an entire column, or two, without consciousness of the sense of one phrase, my brain all drawn away to the innumerable troops that camped about me, to musing on the question of whether they might stand, and accuse me: for the worm was the world, and in the air a stirring of cerements, and the taste of the grey of ghosts seemed to infect my throat, and the odours of the loathsome tomb my nose, and deep tones of tolling my ears; at last the lamp smouldered low, low, and my charnel fancy was chockful with the screwing-down coffins, lynch-gates and grave-diggers, and the grating of ropes that lower into the grave, and the first thump of the earth upon the lid of that gaunt and gloomy home of the mortal; that lethal look of cold dead fingers I seemed to see before me, the insipidness of dead tongues, the pout of the drowned, and the vapid froths which ridge their lips, until my flesh was moist as with the stale washing-waters of morgues and mortuaries, and with such sweats as corpses sweat, and the mawkish tear which pauses on dead men’s cheeks: for what is one insignificant man in his garment of flesh against mobs and armies of the disembodied, he alone with them, and nowhere another, his peer, to whom to appeal against them?
If you can stomach that then you will appreciate ‘The Purple Cloud’. After finishing it, I recommend describing the plot to a friend in detail, as this fully reveals its hilarious absurdity. Particularly worthy of mention:
Beneath the florid description, though, is a genuinely interesting thought experiment that feels oddly prescient. It was first published in 1901 and reads to me like a direct link between [b:The Last Man|966835|The Last Man|Mary Wollstonecraft Shelley|https://images.gr-assets.com/books/1392984325s/966835.jpg|835097] (also [b:After London: or, Wild England|2220037|After London or, Wild England|Richard Jefferies|https://images.gr-assets.com/books/1348221574s/2220037.jpg|905982]) and apocalyptic novels of the nuclear age such as [b:On the Beach|38180|On the Beach|Nevil Shute|https://images.gr-assets.com/books/1327943327s/38180.jpg|963772]. The narrative displays fear of both humanity’s destructiveness as a result of industrialisation and its continued fragility in the face of nature’s incomprehensible might. The mass death as a result of inhaling poisonous purple fumes prefigures the weaponisation of gas during the First World War. Watching Adam reconstruct what has happened by observing what remains is the most moving and powerful part of the book.
As soon as the three scarecrow-like travellers had established who they were to Mr Sorlle, the manager, and what they were doing wandering through his whaling station frightening children, “Tell me, when was the war over?” Shackleton asked. “The war is not over,” he answered. “Millions are being killed. Europe is mad. The world is mad.”
Adam is a peculiar narrator and far from a Victorian hero archetype. He’s clearly not very mentally well-balanced, self-indulgent, over-emotional, strangely comfortable with murder, and often consumed by a sense of his own importance and/or evil. While his reactions to the cataclysm seem deeply strange, they do highlight that there is no reasonable response to such extraordinary circumstances. And he certainly can tell a tale colourfully. show less
Lists
Awards
You May Also Like
Associated Authors
Statistics
- Works
- 65
- Also by
- 40
- Members
- 1,376
- Popularity
- #18,684
- Rating
- 3.6
- Reviews
- 32
- ISBNs
- 165
- Languages
- 5
- Favorited
- 5
















