James Hadley Chase (1906–1985)
Author of No Orchids for Miss Blandish
About the Author
Disambiguation Notice:
Reference to his work being published by Harlequin can be seen at: http://en.wikipedia.org/wiki/Harlequin_Romance
Series
Works by James Hadley Chase
3x v slepé uličce 4 copies
Du ska ändå dö 3 copies
Rakt i fällan 3 copies
En trois coups de cuiller a pot. ( just the way it is ). collection : serie noire avec jaquette n° 20 (1948) 2 copies
Gå över gränsen 2 copies
Si usted cree esto… 2 copies
Falla till föga 2 copies
Han ska dö 2 copies
Hon vet för mycket 2 copies
Jagande skräck 2 copies
Falla för frestelsen 2 copies
Hon får inte dö 2 copies
Sky inga medel 2 copies
Leda till brott 2 copies
Vittnet har förhinder 2 copies
ROMANZI 2 copies
Βίπερ 334: Η αρχή του τέλους 1 copy
L'occhio invisibile 1 copy
Βίπερ 430: Η Σειρήνα 1 copy
Βίπερ 485: Οι λύκοι 1 copy
Uma Questão de tempo 1 copy
a carne da orquídea 1 copy
Βίπερ 500: Η Κίρκη 1 copy
Ei pyydetä armoa 1 copy
Fešandám se nedaří ; Rozsvítíme a můžeme krást ; [z anglických originálů přeložila Ivana Rosenbaumová] (1996) 1 copy
Dinero Facil 1 copy
Lotusblüten für Miss Quon / Einen Kopf kürzer / Ein Double für die Falle. Drei königliche Thriller (1998) 1 copy
Queres continuar vivo? 1 copy
Topc, toc. ¿Quién es? 1 copy
A carne da orquídea 1 copy
Una bara da Hong Kong 1 copy
Βίπερ 360: Υπόθεση ρουτίνας 1 copy
Βίπερ 459: Μια του κλέφτη... 1 copy
Ran no nikutai (蘭の肉体) 1 copy
Colpo su colpo 1 copy
KNOCK,KNOCK!WHO'S THERE? 1 copy
Considérate muerto 1 copy
Objetivo: Assassinar 1 copy
No es asunto mío 1 copy
Miss Shumway jette un sort 1 copy
Poco tiempo para vivir 1 copy
Los muertos no hablan 1 copy
Ты будешь одинок в своей могиле; Тайна сокровищ Магараджи; Это ему ни к чему: Романы: Пер. с англ. 1 copy
La oreja en el suelo 1 copy
le requiem des blondes 1 copy
Миссия в Сиену роман : [16+] 1 copy
Un agujero en la cabeza 1 copy
Net iets voor mij 1 copy
You'll Get Yours 1 copy
Kto chytá tigra za chvost 1 copy
Prudente transgresor 1 copy
Kerge raha : [romaan] 1 copy
The Mirror in Room 23 1 copy
Schöner Abend für Ganoven. 1 copy
Valittu tappamaan 1 copy
SCIACALLI SI MUORE 1 copy
THE DEAD STAY NUMB 1 copy
Agent på afveje 1 copy
Døden gi'r et lift 1 copy
My Dooies bly Myne 1 copy
Asul din mânecă 1 copy
Vinovații se tem 1 copy
Padillo's Play 1 copy
The Killing Is Easy 1 copy
Omnibus: "Ace Up My Sleeve", "Goldfish Have No Hiding Place", "He Won't Need it Now" v. 2 (1994) 1 copy
Il tarlo del sospetto 1 copy
You've got it coming [18522] 1 copy
Inte förrän hon är död 1 copy
Le Denier Du Colt 1 copy
3x v pasci 1 copy
Kolskoot! 1 copy
Dis net n kwessie van tyd 1 copy
La carne dell'orchidea 1 copy
Vänta på bytet 1 copy
Vill du hellre dö? 1 copy
Bloed aan haar Handjies 1 copy
Citelný zásah 1 copy
Der Tod klopft an die Tür 1 copy
Desafio a mafia 1 copy
Třikrát ve slepé uličce 1 copy
Likviderad skuld 1 copy
Này cô em 1 copy
Mot sin vilja 1 copy
ECEL BANKASI 1 copy
Utsedd att döda 1 copy
Bilden av ett brott 1 copy
Miljonkuppen 1 copy
Sluta illa 1 copy
Dd̲en kan ej vittna 1 copy
Giftringen 1 copy
A lotus for Miss Quon 1 copy
James Hadley Chase. Chantons en choeur ! : EThe Soft centree. Traduit de l'anglais par André Bellac (1964) 1 copy
DOUZE CHINETOQUES ET UNE SOURIS. ( TWELWE CHINKS AND A WOMAN ). COLLECTION : SERIE NOIRE N° 19 (2015) 1 copy
Død mand sladrer ikke 1 copy
Ingen orkidéer 1 copy
Oh, søster kær ... 1 copy
Hvorfor netop mig? 1 copy
Chok-behandling 1 copy
Lotusblomsten 1 copy
Agent på glatis 1 copy
අලුගෝසුවාගේ හෝරාව 1 copy
'n Vinnige Noot 1 copy
As jy dood is, is jy eensaam 1 copy
Meisie, Hier's jou Krans 1 copy
Die Afperser 1 copy
Wat's beter as geld? 1 copy
Die aasvoel wag geduldig 1 copy
Soos die dobbelstene val 1 copy
Die Troef is myne 1 copy
Die klou van die Aap 1 copy
Toc, toc, quién es? 1 copy
Mission the Venice 1 copy
মৃত্যু তিমির 1 copy
Associated Works
Tagged
Common Knowledge
- Canonical name
- Chase, James Hadley
- Legal name
- Raymond, René Lodge Brabazon
- Other names
- Raymond, R.
Chase, James Hadley
Docherty, James L.
Grant, Ambrose
Marshall, Raymond - Birthdate
- 1906-12-24
- Date of death
- 1985-02-06
- Gender
- male
- Education
- King's School, Rochester, Kent, England, UK
- Occupations
- broker in a bookshop
encyclopedia salesman
book wholesaler
novelist - Organizations
- Royal Air Force
- Short biography
- James Hadley Chase is a pseudonym for British author Rene Brabazon Raymond (December 24,1906 – February 6, 1985) who also wrote under the names James L. Docherty, Ambrose Grant and Raymond Marshall. Chase, a London-born son of a British colonel serving in the colonial Indian Army who intended his son to have a scientific career, was initially raised at the King's School, Rochester, Kent and later studied in Calcutta. He left home at the age of 18 and became at different times a broker in a bookshop, a children's encyclopedia salesman and book wholesaler before capping it all with a writing career that produced more than 80 mystery books. In 1933, Chase married Sylvia Ray, who gave him a son. Following the US Great Depression (1929-1939), the Prohibition, and the gangster culture during this period, and after reading James M. Cain's novel The Postman Always Rings Twice (1934), he decided to try his own hand as a mystery writer. He had read about the American gangster Ma Barker and her sons, and with the help of maps and a slang dictionary, he composed in six weeks No Orchids for Miss Blandish. The book achieved remarkable popularity and became one of the best-sold books of the decade. It was a stage play in London's West End, was filmed in 1948 and in 1971 was remade by Robert Aldrich as The Grissom Gang. During World War II he served as a pilot in the RAF, eventually achieving the rank of Squadron Leader. In 1946 Graham Greene, who was a very good friend of Chase's, selected a Chase novel, More Deadly Than the Male (written under the pseudonym Ambrose Grant), for publishing under the Bloomsbury logo. Chase wrote most of his books using a dictionary of American slang, detailed maps, encyclopedias and reference books on the American underworld. He was wildly popular in Asia and Africa. He also enjoyed success in France and Italy where more than twenty of his books were made into movies. Joseph Losey's film version of Chase's thriller EVE (1945), made in 1962, was cut by the producers, the Hakim brothers. He was also extremely popular in the Soviet Union during and after the perestroika years around 1990-1993. Chase moved to France in 1956 and over to Switzerland in 1961, living a secluded life in Corseaux-Sur-Vevey, north of Lake Geneva, from 1974. He eventually died there peacefully on February 6, 1985.
- Nationality
- UK
- Birthplace
- London, Middlesex, England, UK
- Places of residence
- London, Middlesex, England, UK (birth)
Rochester, Kent, England, UK
Calcutta, India
France
Corseaux-sur-Vevey, Switzerland (death) - Place of death
- Corseaux-sur-Vevey, Switzerland
- Burial location
- Cimetière des Monts-de-Corsier Corseaux, District de la Riviera-Pays-d’Enhaut, Vaud, Switzerland
- Map Location
- England, UK
- Disambiguation notice
- Reference to his work being published by Harlequin can be seen at: http://en.wikipedia.org/wiki/Harlequi...
Members
Reviews
This was a delightful experience of a Briton writing as a hard-boiled American with all the misconceptions of mid-century drugs and thugs. A billionaire keeps his daughter securely imprisoned and under guard in Paradise City, Florida to protect her from kidnappers. Mike Frost, an ex-cop, ex-FBI, and Vietnam jungle fighter is hired as one of her guards. I got a kick out of the American slang that aimed to sound like Cagney but didn't quite manage it. The author was obviously not American, I show more mean what American thug would eat a hamburger with a knife and fork? But that made it all the more entertaining. Terrific ending. show less
Another solidly entertaining book by Chase, although it definitely takes a little too long to reach its conclusion. A newspaper photographer, who just lost his job, is offered a lot of money to take some photos of someone's ex-wife and the man who is blackmailing her - or at least that's the story he is told. As is usual in Chase, things are much more complicated than that. The next thing he knows, he's helping her hide a body (they take it to a "burial ground" on the other side of Greenwich show more Village and put it in a crypt). This book is full of Britishisms such as "burial ground" and "shan't" that throw off the mood every few pages - not sure if there is an American edition where these were changed. In any case, things keep moving so fast that you don't have that much time to think about it. This is a book with only a few ounces of compassion for anybody - and certainly not for our ex-photographer as he makes the acquaintance of numerous stereotyped but nevertheless interesting gangland characters. You can almost pick out the 1940s actors who could have played them.
So, bottom line, this is recommended, but read "No Orchids for Miss Blandish" first. If you can stomach that, you will probably like whatever else by Chase you can get your hands on. show less
So, bottom line, this is recommended, but read "No Orchids for Miss Blandish" first. If you can stomach that, you will probably like whatever else by Chase you can get your hands on. show less
‘The Flesh of the Orchid’ is one of the best books I’ve ever read. It’s compelling from start to finish. Drama, tension, suspense, action, violence, romance, nudity – it’s got all the ingredients that make one heck of a good story.
In Carol Blandish we have a beautiful protagonist and antagonist rolled into one because she has a split personality. The story opens at the mental institution where she’s preparing to escape.
Before meeting Carol, we’re introduced to some minor show more characters who work at the hospital. The author does a great job at setting the scene, creating an eerie atmosphere and a vivid picture in the mind.
The book starts with Carol’s volatile personality. It later switches to the good side before flipping back again.
News of her escape reaches the ears of several folks, including the frightening Sullivans, who aren’t brothers but used to perform a knife-throwing act at a circus as the Sullivan Brothers. These two are among several stand-out characters. They want to get hold of Carol because the law in this state permits an asylum escapee their freedom if they're not caught after a specific length of time. If she stays free, Carol will inherit millions.
Apart from the Sullivans, others want to befriend Carol in hope of benefiting from her fortune.
This is a gritty crime thriller with many thrills and chills along the way. I could go on praising it but not without the risk of revealing spoilers.
I read this twelve years after reading ‘No Orchids for Miss Blandish’, a book I had great hopes for but was ultimately disappointed in. Therefore, I started this sequel with low expectations, only to be blown away by it’s brilliance. I won’t be waiting another dozen years before reading another novel by this gifted author.
The info on Goodreads states that the publication date was 1940; however, the book itself states that it was first published in 1948. Another online source also lists it as a 1948 publication. Somehow, it feels more modern.
Superb novel. At the time of writing, I’d go as far as stating it’s the second best book I’ve ever read (after Norah Lofts’s ‘Jassy’). show less
In Carol Blandish we have a beautiful protagonist and antagonist rolled into one because she has a split personality. The story opens at the mental institution where she’s preparing to escape.
Before meeting Carol, we’re introduced to some minor show more characters who work at the hospital. The author does a great job at setting the scene, creating an eerie atmosphere and a vivid picture in the mind.
The book starts with Carol’s volatile personality. It later switches to the good side before flipping back again.
News of her escape reaches the ears of several folks, including the frightening Sullivans, who aren’t brothers but used to perform a knife-throwing act at a circus as the Sullivan Brothers. These two are among several stand-out characters. They want to get hold of Carol because the law in this state permits an asylum escapee their freedom if they're not caught after a specific length of time. If she stays free, Carol will inherit millions.
Apart from the Sullivans, others want to befriend Carol in hope of benefiting from her fortune.
This is a gritty crime thriller with many thrills and chills along the way. I could go on praising it but not without the risk of revealing spoilers.
I read this twelve years after reading ‘No Orchids for Miss Blandish’, a book I had great hopes for but was ultimately disappointed in. Therefore, I started this sequel with low expectations, only to be blown away by it’s brilliance. I won’t be waiting another dozen years before reading another novel by this gifted author.
The info on Goodreads states that the publication date was 1940; however, the book itself states that it was first published in 1948. Another online source also lists it as a 1948 publication. Somehow, it feels more modern.
Superb novel. At the time of writing, I’d go as far as stating it’s the second best book I’ve ever read (after Norah Lofts’s ‘Jassy’). show less
12 Chinks and a Woman by James Hadley Chase
Hardboiled fiction?
This fiction is so hard that it is fossilised.
This guy's speech is so clipped and to the point that he doesn't use adverbs, adjectives, nouns or verbs.
He shoots prepositions on sight.
This guy is so tough that he irons his shirts by laying in the road and getting run over by trucks, big trucks.
But it is a ripping good yarn with morals. The bad guys all die and in the end the whole story is unfolded so we are not left in the dark. show more Some poor lunks get it before their time and some dames are just too hot for their own good.
Yes, it really was like that in 1941 when this was written. Now it seems cliched and tired but it makes me wonder how much of our current crop will also seem cliched in 75 years time. Jo Nesbo? Ian Rankin? How will they fare?
This is how it starts:
"Only one man could satisfy Glorie Leadler's craving for love and affection. And though this golden-haired bit of feminine dynamite could have had a dozen men at her feet for the asking, it was a solitary Oriental who made her heart beat fast. When jealous rivals tore that midnight love from Glorie's arms, her over-heated emotions burst forth in a volcano of love-stricken vengeance that rocked Florida and left a mark on many men's souls"
Could you beat that? show less
Hardboiled fiction?
This fiction is so hard that it is fossilised.
This guy's speech is so clipped and to the point that he doesn't use adverbs, adjectives, nouns or verbs.
He shoots prepositions on sight.
This guy is so tough that he irons his shirts by laying in the road and getting run over by trucks, big trucks.
But it is a ripping good yarn with morals. The bad guys all die and in the end the whole story is unfolded so we are not left in the dark. show more Some poor lunks get it before their time and some dames are just too hot for their own good.
Yes, it really was like that in 1941 when this was written. Now it seems cliched and tired but it makes me wonder how much of our current crop will also seem cliched in 75 years time. Jo Nesbo? Ian Rankin? How will they fare?
This is how it starts:
"Only one man could satisfy Glorie Leadler's craving for love and affection. And though this golden-haired bit of feminine dynamite could have had a dozen men at her feet for the asking, it was a solitary Oriental who made her heart beat fast. When jealous rivals tore that midnight love from Glorie's arms, her over-heated emotions burst forth in a volcano of love-stricken vengeance that rocked Florida and left a mark on many men's souls"
Could you beat that? show less
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