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James Hadley Chase (1906–1985)

Author of No Orchids for Miss Blandish

343+ Works 5,502 Members 101 Reviews 6 Favorited

About the Author

Disambiguation Notice:

Reference to his work being published by Harlequin can be seen at: http://en.wikipedia.org/wiki/Harlequin_Romance

Series

Works by James Hadley Chase

No Orchids for Miss Blandish (1939) — Author — 519 copies, 17 reviews
Lady - Here's Your Wreath (1940) 157 copies, 3 reviews
You Never Know with Women (1949) 119 copies, 1 review
The Guilty Are Afraid (1957) 100 copies
Eve (1945) 99 copies, 4 reviews
One Bright Summer Morning (1963) 96 copies, 3 reviews
A Coffin from Hong Kong (1962) 93 copies, 2 reviews
Lay Her Among the Lillies (1950) 91 copies, 2 reviews
The Vulture Is a Patient Bird (1969) 87 copies, 1 review
I'll Bury My Dead (1953) 79 copies, 1 review
Come Easy - Go Easy (1960) 78 copies
The Dead Stay Dumb (1951) 77 copies, 1 review
You Find Him - I'll Fix Him (1956) 76 copies, 1 review
Twelve Chinks and a Woman (1952) 76 copies, 4 reviews
Tiger by the Tail (1954) 74 copies
Tell it to the birds (1963) 74 copies, 2 reviews
The Flesh of the Orchid (1948) 73 copies, 3 reviews
Figure it Out for Yourself (1951) 72 copies, 1 review
Like a Hole in the Head (1970) 70 copies
An ace up my sleeve (1971) 70 copies, 3 reviews
The Way the Cookie Crumbles (1965) 70 copies, 2 reviews
A Lotus for Miss Quon (1961) 68 copies, 1 review
The World in My Pocket (1959) 66 copies, 1 review
He Won't Need It Now (1941) 65 copies, 2 reviews
This Way for a Shroud (1953) 63 copies, 1 review
Strictly for Cash (1951) 61 copies
Well Now, My Pretty (1967) 55 copies, 1 review
I Would Rather Stay Poor (1962) 54 copies, 1 review
Mission to Siena (1955) 54 copies, 1 review
Not Safe to Be Free (1958) 52 copies
Just Another Sucker (1961) 52 copies
Mission to Venice (1954) 52 copies, 1 review
The Fast Buck (1952) 51 copies
You've Got It Coming (1955) 51 copies
You're Dead Without Money (1972) 51 copies, 1 review
Have a Change of Scene (1973) 50 copies, 3 reviews
What's Better Than Money? (1960) 50 copies
The Whiff of Money (1969) 50 copies
You Have Yourself a Deal (1966) 50 copies, 1 review
The Paw in the Bottle (1949) 49 copies, 2 reviews
Make The Corpse Walk (1946) 49 copies, 2 reviews
Miss Shumway Waves a Wand (1944) 49 copies, 2 reviews
Safer Dead aka Dead Ringer (1954) 48 copies
Just A Matter Of Time (1972) 48 copies, 1 review
Shock Treatment (1959) 48 copies, 1 review
The Wary Transgressor (1952) 48 copies, 1 review
The Double Shuffle (1952) 46 copies, 1 review
Get a Load of This (Anthology) (1988) 45 copies, 1 review
Hit and Run (1958) 43 copies
Why Pick on Me? (1951) 43 copies
Knock Knock Who's There? (1973) 42 copies, 1 review
My Laugh Comes Last (1976) 42 copies, 1 review
Cade (1966) 42 copies
I'll get you for this (1946) 41 copies
The Sucker Punch (1954) 41 copies, 1 review
Believed Violent (1968) 41 copies, 1 review
Mallory (1950) 41 copies
Have a Nice Night (1982) 41 copies, 1 review
Trusted Like the Fox (1948) 41 copies
There's Always a Price Tag (1956) 40 copies
More Deadly Than the Male (1946) 39 copies
But a Short Time to Live (1951) 39 copies
An Ear to the Ground (1968) 39 copies
Have This One on Me (1967) 38 copies, 1 review
Hand Me A Fig Leaf (1981) 38 copies
Consider yourself dead (1978) 36 copies, 1 review
Want to Stay Alive? (1971) 35 copies
This is for real (1965) 34 copies
You Must be Kidding (1979) 33 copies
Try This One for Size (1980) 33 copies, 3 reviews
The Things Men Do (1953) 33 copies
Miss Callaghan Comes To Grief (1941) 32 copies, 1 review
Do Me a Favour-Drop Dead (1975) 32 copies
Believe This... You'll Believe Anything (1974) 31 copies, 1 review
Never Trust a Woman (1951) 30 copies
A Can of Worms (1979) 29 copies
Just the Way It Is (1944) 28 copies
I Hold the Four Aces (1976) 27 copies, 1 review
No Business of Mine (1947) 24 copies
You Can Say That Again (1979) 24 copies
The Soft Centre (1964) 24 copies
So What Happens To Me? (1974) 24 copies
Not My Thing (1983) 24 copies
Hit Them Where it Hurts (1984) 22 copies
The joker in the pack (1974) 20 copies, 2 reviews
Blondes' Requiem (1946) 16 copies
Night Out (1972) 12 copies
Si Deseas Seguir Viviendo (1995) 4 copies
Meet Helga Rolfe (1984) 4 copies
I cinque volti di Chase (1973) 3 copies
Isku vyön alle (1985) 3 copies
Passez Une Bonne Nuit (1981) 3 copies
ENTRE SOMBRAS (1951) 3 copies
Rakt i fällan 3 copies
Dark ladies (1989) 3 copies
Shock Treatment (1981) 2 copies
Présumé dangereux (1997) 2 copies
Tratamiento de shock (1959) 2 copies
Han ska dö 2 copies
Dead Ringer [and] Maid for Murder (1954) — Author — 2 copies
Jagande skräck 2 copies
Sky inga medel 2 copies
Leda till brott 2 copies
En grav til deling (1985) 2 copies
ROMANZI 2 copies
MUERTE APLAZADA (1956) 2 copies
L' uomo dei tre capestri (2007) 2 copies
La grande fauche (1980) 2 copies
Délit de fuite (1972) 2 copies
Try This One for Size (2013) 2 copies
Officiel ! (1995) 2 copies
Dans le cirage ! (1972) 1 copy
Armoton oikotie (1985) 1 copy
Dobbeltspil (1986) 1 copy
Kauppa tai kuolema (1985) 1 copy
Dinero Facil 1 copy
Comes Easy-go Easy (2012) 1 copy
Dangerous Friday (2020) 1 copy
Délit de fuite (1957) 1 copy
L'homme a l'affut (1968) 1 copy
Toc, toc : quién es? (1991) 1 copy
Prefiero seguir pobre (1990) 1 copy
CONSIDER YOURSELF DEATH 1 copy, 1 review
Rahalõhn 1 copy, 1 review
The Wary Transgressor (1954) 1 copy
SIRENE A LA MANQUE 1 copy, 1 review
blood sucker (2008) 1 copy
Mord eller selvmord? (1983) 1 copy
Belle da morire (1993) 1 copy
L'abominable pardessus (1951) 1 copy
La sangre de la orquídea (1990) 1 copy, 1 review
3x v pasci 1 copy
Kolskoot! 1 copy
Kerran se kirpaisee (1984) 1 copy
Past (1996) 1 copy
Měkký střed (1994) 1 copy
Süßes Parfüm Gold (1970) 1 copy
Ça ira mieux demain (1998) 1 copy
Này cô em 1 copy
ECEL BANKASI 1 copy
Farliga bevis (1980) 1 copy
Miljonkuppen 1 copy
Sluta illa 1 copy
Giftringen 1 copy
Tirez La Chevillette (1960) 1 copy
Blindebuk (1972) 1 copy
Un ingenuo más (1994) 1 copy
Ask ve Olum (2015) 1 copy
Alting har sin pris (1988) 1 copy
Signé la tortue (1956) 1 copy
Die Afperser 1 copy
Les bouchées Doubles (1950) 1 copy
Los muertos no hablan (1992) 1 copy

Associated Works

The Mammoth Book of Twentieth-Century Ghost Stories (1998) — Contributor — 79 copies, 1 review
Pulp Fictions (1996) — Contributor — 74 copies, 3 reviews
Haunters at the Hearth: Eerie Tales for Christmas Nights (2022) — Contributor — 65 copies, 1 review
Club del Misterio, volum 7 (El omnibus del crimen I) (1982) — Contributor — 1 copy

Tagged

Common Knowledge

Canonical name
Chase, James Hadley
Legal name
Raymond, René Lodge Brabazon
Other names
Raymond, R.
Chase, James Hadley
Docherty, James L.
Grant, Ambrose
Marshall, Raymond
Birthdate
1906-12-24
Date of death
1985-02-06
Gender
male
Education
King's School, Rochester, Kent, England, UK
Occupations
broker in a bookshop
encyclopedia salesman
book wholesaler
novelist
Organizations
Royal Air Force
Short biography
James Hadley Chase is a pseudonym for British author Rene Brabazon Raymond (December 24,1906 – February 6, 1985) who also wrote under the names James L. Docherty, Ambrose Grant and Raymond Marshall. Chase, a London-born son of a British colonel serving in the colonial Indian Army who intended his son to have a scientific career, was initially raised at the King's School, Rochester, Kent and later studied in Calcutta. He left home at the age of 18 and became at different times a broker in a bookshop, a children's encyclopedia salesman and book wholesaler before capping it all with a writing career that produced more than 80 mystery books. In 1933, Chase married Sylvia Ray, who gave him a son. Following the US Great Depression (1929-1939), the Prohibition, and the gangster culture during this period, and after reading James M. Cain's novel The Postman Always Rings Twice (1934), he decided to try his own hand as a mystery writer. He had read about the American gangster Ma Barker and her sons, and with the help of maps and a slang dictionary, he composed in six weeks No Orchids for Miss Blandish. The book achieved remarkable popularity and became one of the best-sold books of the decade. It was a stage play in London's West End, was filmed in 1948 and in 1971 was remade by Robert Aldrich as The Grissom Gang. During World War II he served as a pilot in the RAF, eventually achieving the rank of Squadron Leader. In 1946 Graham Greene, who was a very good friend of Chase's, selected a Chase novel, More Deadly Than the Male (written under the pseudonym Ambrose Grant), for publishing under the Bloomsbury logo. Chase wrote most of his books using a dictionary of American slang, detailed maps, encyclopedias and reference books on the American underworld. He was wildly popular in Asia and Africa. He also enjoyed success in France and Italy where more than twenty of his books were made into movies. Joseph Losey's film version of Chase's thriller EVE (1945), made in 1962, was cut by the producers, the Hakim brothers. He was also extremely popular in the Soviet Union during and after the perestroika years around 1990-1993. Chase moved to France in 1956 and over to Switzerland in 1961, living a secluded life in Corseaux-Sur-Vevey, north of Lake Geneva, from 1974. He eventually died there peacefully on February 6, 1985.
Nationality
UK
Birthplace
London, Middlesex, England, UK
Places of residence
London, Middlesex, England, UK (birth)
Rochester, Kent, England, UK
Calcutta, India
France
Corseaux-sur-Vevey, Switzerland (death)
Place of death
Corseaux-sur-Vevey, Switzerland
Burial location
Cimetière des Monts-de-Corsier Corseaux, District de la Riviera-Pays-d’Enhaut, Vaud, Switzerland
Map Location
England, UK
Disambiguation notice
Reference to his work being published by Harlequin can be seen at: http://en.wikipedia.org/wiki/Harlequi...

Members

Reviews

103 reviews
This was a delightful experience of a Briton writing as a hard-boiled American with all the misconceptions of mid-century drugs and thugs. A billionaire keeps his daughter securely imprisoned and under guard in Paradise City, Florida to protect her from kidnappers. Mike Frost, an ex-cop, ex-FBI, and Vietnam jungle fighter is hired as one of her guards. I got a kick out of the American slang that aimed to sound like Cagney but didn't quite manage it. The author was obviously not American, I show more mean what American thug would eat a hamburger with a knife and fork? But that made it all the more entertaining. Terrific ending. show less
Another solidly entertaining book by Chase, although it definitely takes a little too long to reach its conclusion. A newspaper photographer, who just lost his job, is offered a lot of money to take some photos of someone's ex-wife and the man who is blackmailing her - or at least that's the story he is told. As is usual in Chase, things are much more complicated than that. The next thing he knows, he's helping her hide a body (they take it to a "burial ground" on the other side of Greenwich show more Village and put it in a crypt). This book is full of Britishisms such as "burial ground" and "shan't" that throw off the mood every few pages - not sure if there is an American edition where these were changed. In any case, things keep moving so fast that you don't have that much time to think about it. This is a book with only a few ounces of compassion for anybody - and certainly not for our ex-photographer as he makes the acquaintance of numerous stereotyped but nevertheless interesting gangland characters. You can almost pick out the 1940s actors who could have played them.

So, bottom line, this is recommended, but read "No Orchids for Miss Blandish" first. If you can stomach that, you will probably like whatever else by Chase you can get your hands on.
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‘The Flesh of the Orchid’ is one of the best books I’ve ever read. It’s compelling from start to finish. Drama, tension, suspense, action, violence, romance, nudity – it’s got all the ingredients that make one heck of a good story.

In Carol Blandish we have a beautiful protagonist and antagonist rolled into one because she has a split personality. The story opens at the mental institution where she’s preparing to escape.

Before meeting Carol, we’re introduced to some minor show more characters who work at the hospital. The author does a great job at setting the scene, creating an eerie atmosphere and a vivid picture in the mind.

The book starts with Carol’s volatile personality. It later switches to the good side before flipping back again.

News of her escape reaches the ears of several folks, including the frightening Sullivans, who aren’t brothers but used to perform a knife-throwing act at a circus as the Sullivan Brothers. These two are among several stand-out characters. They want to get hold of Carol because the law in this state permits an asylum escapee their freedom if they're not caught after a specific length of time. If she stays free, Carol will inherit millions.

Apart from the Sullivans, others want to befriend Carol in hope of benefiting from her fortune.

This is a gritty crime thriller with many thrills and chills along the way. I could go on praising it but not without the risk of revealing spoilers.

I read this twelve years after reading ‘No Orchids for Miss Blandish’, a book I had great hopes for but was ultimately disappointed in. Therefore, I started this sequel with low expectations, only to be blown away by it’s brilliance. I won’t be waiting another dozen years before reading another novel by this gifted author.

The info on Goodreads states that the publication date was 1940; however, the book itself states that it was first published in 1948. Another online source also lists it as a 1948 publication. Somehow, it feels more modern.

Superb novel. At the time of writing, I’d go as far as stating it’s the second best book I’ve ever read (after Norah Lofts’s ‘Jassy’).
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12 Chinks and a Woman by James Hadley Chase

Hardboiled fiction?

This fiction is so hard that it is fossilised.

This guy's speech is so clipped and to the point that he doesn't use adverbs, adjectives, nouns or verbs.

He shoots prepositions on sight.

This guy is so tough that he irons his shirts by laying in the road and getting run over by trucks, big trucks.

But it is a ripping good yarn with morals. The bad guys all die and in the end the whole story is unfolded so we are not left in the dark. show more Some poor lunks get it before their time and some dames are just too hot for their own good.

Yes, it really was like that in 1941 when this was written. Now it seems cliched and tired but it makes me wonder how much of our current crop will also seem cliched in 75 years time. Jo Nesbo? Ian Rankin? How will they fare?

This is how it starts:
"Only one man could satisfy Glorie Leadler's craving for love and affection. And though this golden-haired bit of feminine dynamite could have had a dozen men at her feet for the asking, it was a solitary Oriental who made her heart beat fast. When jealous rivals tore that midnight love from Glorie's arms, her over-heated emotions burst forth in a volcano of love-stricken vengeance that rocked Florida and left a mark on many men's souls"

Could you beat that?
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Statistics

Works
343
Also by
4
Members
5,502
Popularity
#4,530
Rating
½ 3.5
Reviews
101
ISBNs
1,041
Languages
23
Favorited
6

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