James Laver (1899–1975)

I've definitely read this book in a previous edition, many years ago. My Mum must have had a copy. This later edition was a present from a friend and proved a lovely reminder of Western European fashion history, a subject I find fascinating. There were some great tidbits that I’d forgotten, for example the original rise of handbags when women’s dresses briefly became so flimsy in the first decade of the 19th century that they could no longer support pockets. The illustrations are show more excellent - I remembered encountering the book before thanks to the pictures rather than the narrative. The account of evolving styles of clothing is clear and involving. Tonal shifts are obvious in the final chapters, as the 1969 first edition has seen additions in 1982, 1995, 2002, and 2012 by two other authors. The whole nonetheless coheres nicely, providing an enjoyable synthesis.

Two things occurred to me while reading. Firstly, that using newspaper accounts that mock outrageous new trends as evidence of what women wore daily seems dangerously like deducing today’s fashion from the Daily Mail’s relentless critique of female celebrities. There must inevitably be a somewhat skewed focus based on such sources. I wonder what the equivalent of today’s ‘shapeless viscose t-shirt and skinny jeans’ default outfit was two hundred years ago? Linen blouse, shawl, and ill-fitting wool skirt perhaps? Secondly, it was chastening to realise from the final chapters that I’m now old enough to have experienced ‘fashion history’ first hand. The rise of combat trousers and branded sportswear in the late 1990s coincided with my teenage years; they looked terrible on me and basically everyone. (I soon moved onto wearing much more flattering vintage styles.) This was followed by the so-called boho trend of long tiered skirts, embroidered blouse-ish things, and those low-slung woven belts. That look outstayed its welcome too. The 1990s really were a particularly dark time for clothing. Attempts to bring 90s styles back are deeply alarming.

‘Costume and Fashion: A Concise History’ concludes with a reference to fast fashion’s inherent wastefulness, which I appreciated. Even though it’s definitely not a theme of the book, the social and environmental impact of fashion has rightly become a defining issue for the sector. That’s something I intend to read around further. show less

This Dover book shows sketches of clothing reproduced from paintings, statues, printings, etc. from between 0 and 1930 AD. Partly due to the nature of the sources, many of the sketches are of elite, royal, or upper-class individuals, with some armor during certain periods and earlier periods dominated by men whereas later fashions emphasize women. Coverage of the late-classical and medieval periods is thin; there is a page or two per century, just a taste, and individual sketches are not show more dated more closely or given locations. There are also not many pictures of undergarments, constructions, children's clothes, and the book is black and white line art rather than anything indicating colors. All of this is to say that a serious reconstructionist is going to have limited use for this book, but it is a great sourcebook for those who want to dress up for Halloween, theatre, or other fun events. show less

Good historical fashion overview. The author has a pretty funny, dry style. Much of the book covers the time before photography and they use period sculpture and painting to illustrate the clothing and concepts (as that is the source of nearly all of the information). I could have used a few simple drawings to illustrate specific styles and pieces of clothing though, sometimes I had a hard time knowing exactly what was being referred to.

This older edition I read covers from the earliest show more times to just before WWII, with only a chapter by another author at the end covering from the 40’s to the early 80’s. It may be quite different from the later editions.

I love these World of Art books, the paper, pictures and quality of the printing is great. show less

For a trade paperback of 288 pages to cover human costume from paleolithic times to the mini-skirt would be something of a miracle. Alas, Mr Laver does it by leaving out the 13th century (except for a picture of Uta, who covers herself up with her cloak). Still, the book is an enjoyable read. The wonderful illustrations provide proof that our own time is not the silliest in history.