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About the Author

David Hays was the set & lighting designer for more than fifty Broadway plays & musicals, thirty ballets for the legendary George Balanchine at the New York City Ballet, & many operas at the Metropolitan Opera. As a second career, he founded & led the National Theatre of the Deaf to appearances on show more seven continents. With his son Daniel, he is the author of "My Old Man & the Sea." Hays lives in Chester, Connecticut. (Bowker Author Biography) show less

Includes the name: David Hays

Works by David Hays

Associated Works

Storm: Stories of Survival from Land and Sea (2000) — Contributor — 50 copies, 2 reviews

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Common Knowledge

Gender
male
Education
Harvard University
Short biography
Founding Artistic Director of the National Theatre of the Deaf.
Nationality
USA
Places of residence
Chester, Connecticut, USA
Associated Place (for map)
Connecticut, USA

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Reviews

12 reviews
A little too insider-y for me. The book was a mix of descriptions of artistic choices, theater anecdotes, and theater-people anecdotes. I enjoyed the parts about designing for the ballet more than for the theater. I would like to read more, though, about the National Theater of the Deaf, which Hays co-founded and helmed for decades.
Very good introduction to the concept of stage lighting. I like that the book relies on anecdotes, quotes and clear, understandable English rather than specialized technical terms.
My Old Man and the Sea by David and Daniel Hays is about a father and son (respectively) and the growth of their love and respect for each other, and perhaps not inconsistently, the flowering of their independence. That in itself is not so unusual, but most fathers and sons don't build 25 ft sailing yachts to sail around Cape Horn.
The tip of South America has probably the worst weather for any kind of sea vessel of any place on earth. It can take months to beat and tack back and forth show more against the howling winds that sweep unhindered by any land mass around the bottom of the globe. They were not so foolish as to sail from east to west, so they took a short cut through the Canal on to Easter Island then back around from the west via the Horn. Their voyage covered 17,000 miles and lasted 317 days.

They had an interesting system of reefing the sails for various kinds of weather. It was color-coded with a mnemonic system that related to fear levels. "Red for the first reef stands for 'mere general fear.' [fifteen knot wind] If it blows over twenty, one turns green with nauseating terror, and secures the green line, which is the second reef. Next if it's blowing over thirty knots and shock has set in (the blood has left your extremities), you pull the blue line for the third reef. If the wind picks up more than that, you're scared to death. White is appropriate. That makes the sail tiny."

The voyage continues as father and son explore their past and prior relationship. David remembers Dan's constant pranks at boarding school that necessitated a plea to the headmaster for reinstatement. Dan fears his father's age and other inadequacies - cooking is a jointly recognized incompetence of his, only half-jokingly referred to as "time spent in the galley area, after which, the food scraped out of the utensils and off the walls is served."

David speculates why small boat voyages became a British specialty after the war: " ... the cold and damp and bad food on a tiny boat were indistinguishable from home; they didn't realize that they weren't in their living rooms."
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Not bad. It's a bit uneven, as the narrator bounces back forth between the father and son. Hasn't aged very well, seems to be a bit "of its time". All in all though, a quick enjoyable read. More of a relationship development story than an exploration, man against nature, kind of thing. Long live Tiger!!

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Works
7
Also by
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Members
613
Popularity
#41,001
Rating
½ 3.6
Reviews
11
ISBNs
29
Languages
7

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