John L. Balderston (1889–1954)
Author of Dracula: The Vampire Play
About the Author
Image credit: John L. Balderston
Works by John L. Balderston
A Goddess to a God 2 copies
Associated Works
25 best plays of the Modern American Theatre : Early Series : 1916-1929 (1949) — Contributor — 32 copies
Tagged
Common Knowledge
- Canonical name
- Balderston, John L.
- Legal name
- Balderston, John Lloyd
- Birthdate
- 1889-10-22
- Date of death
- 1954-03-08
- Gender
- male
- Occupations
- journalist
war correspondent
editor
screenwriter - Short biography
- John L. Balderston (October 22, 1889 in Philadelphia, Pennsylvania - March 8, 1954 Los Angeles, California) was an American playwright and screenwriter best known for his horror and fantasy scripts.
Balderston began his career as a journalist. He worked as European war correspondent during World War I. He was the editor of Outlook magazine and a correspondent for the New York World.
In 1927, he was retained by Horace Liveright to revise Hamilton Deane's stage adaptation of Dracula for its American production. His 1929 play Berkeley Square later formed the basis of the musical On a Clear Day You Can See Forever. His Dracula subsequently formed the basis of the 1931 film version, leading Balderston into a screenwriting career, initially for Universal Pictures horror films: in addition to Dracula, he contributed to Frankenstein, Bride of Frankenstein, The Mummy, and Dracula's Daughter. He spent much of his career adapting novels for the screen, including The Prisoner of Zenda in 1937 and 1944's Gaslight, which earned him his second Academy Award nomination (the first was for 1935's The Lives of a Bengal Lancer). He was also one of the team of writers who collaborated on the 1939 film adaptation of Gone with the Wind. - Nationality
- USA
- Birthplace
- Philadelphia, Pennsylvania, USA
- Places of residence
- Philadelphia, Pennsylvania, USA
Los Angeles, California, USA - Place of death
- Los Angeles, Kalifornien, USA
- Associated Place (for map)
- USA
Members
Reviews
An interesting Gainsborough Picture that sees the once notable scientist Dr Laurence (Boris Karloff) becoming consumed by controversial research into mind transference. He is joined in his research by the brilliant young doctor Clare Wyatt (Anna Lee) but when his funding is withdrawn he resorts to criminality and murder to keep his pseudo-science project alive. "The Man Who Changed His Mind" is a short (66 minutes) but effectively atmospheric and moody piece by director Robert Stevenson. show more There are great gothic sets and plenty of great electrical driven quack-science machines in Laurence's laboratory which contain more than a hint of Frankenstein's lair. Scriptwriters John L. Balderston, Sidney Gilliat and L. du Garde Peach pile on the weird science in between philosophical interludes about the mind, consciousness and the nature of reality. The acting is good, with Boris Karloff bringing a level of complexity and appropriate obsessiveness to the role of the mad scientist. Anna Lee has the more interesting role, however, playing Dr Wyatt as a liberated, intelligent headstrong woman who is very much the equal (if not the better) of the men in the film. This is a powerful role and all the more surprising for being in a genre film of this vintage. Overall this is a classy and intelligent little picture that is skilfully presented by director Robert Stevenson and delivers a couple of outstanding central performances. show less
A mad surgeon gives an actress's husband the hands of a knife thrower.
2.5/4 (Okay).
It has the rambling melodrama-type story I expect from silent films. (This is a remake.) There's a lot of weird, creepy material, but it never drew me in.
2.5/4 (Okay).
It has the rambling melodrama-type story I expect from silent films. (This is a remake.) There's a lot of weird, creepy material, but it never drew me in.
2025 movie #17. 1952. An Englishman, who is a dead ringer for a Balkan prince, and can apparently speak the language, agrees to impersonate the kidnapped prince for his inauguration as king. Pretty improbable but there was a good sword fight between Granger and Mason at the end.
2022 movie #194. 1944. A man (Boyer), 'gaslights' his wife (Bergman) into believing she's crazy in order to steal her mother's jewels. Oscar winning performance by Bergman. She was amazing to watch. Boyer's actions were very disturbing. Debut of 17-yo Angela Lansbury.
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Statistics
- Works
- 17
- Also by
- 10
- Members
- 412
- Popularity
- #59,115
- Rating
- 3.8
- Reviews
- 8
- ISBNs
- 21
- Languages
- 2















