Dean Motter
Author of The Prisoner: Shattered Visage
About the Author
Image credit: Self portrait for promotional purposes taken at San Diego ComiCon 2008.
Series
Works by Dean Motter
Mister X #3 (v1) 3 copies
Through A Glass Darkly 2 copies
Star Wars: Aurra's Song 2 copies
Terminal City #9 — Author — 2 copies
Mister X #s 1,5-6 1 copy
Electropolis #s 1-4 1 copy
Prisioneiro, O 1 copy
Andromeda (#2) 1 copy
Andromeda (#1) 1 copy
TERMINAL CITY AERIAL GRAFFITI #1-5 by DEAN MOTTER complete story (TERMINAL CITY AERIAL GRAFFITI (1997 VERTIGO)) (1997) 1 copy
Andromeda (#5) 1 copy
The Spirit #29 1 copy
Andromeda (#3) 1 copy
Terminal City #1 1 copy
Mister X #9 (V.1) 1 copy
Mister X: Eviction #2 1 copy
Andromeda (#4) 1 copy
Associated Works
John Constantine, Hellblazer Vol. 02: The Devil You Know (2007) — Illustrator — 508 copies, 8 reviews
Isaac Asimov's Robots in Time : Predator (1993) — Cover designer, some editions — 174 copies, 2 reviews
Beautiful Stories for Ugly Children, issue 02: The Deadjohnson's Big Incredible Day (1989) — Cover designer, some editions — 7 copies
Tagged
Common Knowledge
- Canonical name
- Motter, Dean
- Birthdate
- 20th Century
- Gender
- male
- Occupations
- illustrator
designer
art director
writer - Nationality
- USA
Canada (birth) - Birthplace
- Toronto, Ontario, Canada
- Places of residence
- Atlanta, Georgia, USA
New York, New York, USA - Associated Place (for map)
- USA
Members
Reviews
http://nwhyte.livejournal.com/1275371.html
A graphic novel sequel to The Prisoner, published 20 years later. The Village has been closed for years, but a former Number Two exposes many of its secrets in a Spycatcher-like memoir. Meanwhile Alice Drake, an agent on a sailing holiday from a failing marriage, gets shipwrecked in this place with very weird architecture....
I generally liked Shattered Visage. It is very true to the original TV series visually and psychologically; the characters are show more beautifully drawn and entirely recognisable. I was a bit disappointed with the ending which felt both rushed and inconclusive. But basically this is a worthy addition to Prisoner canon. show less
A graphic novel sequel to The Prisoner, published 20 years later. The Village has been closed for years, but a former Number Two exposes many of its secrets in a Spycatcher-like memoir. Meanwhile Alice Drake, an agent on a sailing holiday from a failing marriage, gets shipwrecked in this place with very weird architecture....
I generally liked Shattered Visage. It is very true to the original TV series visually and psychologically; the characters are show more beautifully drawn and entirely recognisable. I was a bit disappointed with the ending which felt both rushed and inconclusive. But basically this is a worthy addition to Prisoner canon. show less
I really really really wanted to like this book. I mean, come on. The basic premise is that one of the architects of a Metropolis-style city has returned to find it's driving its inhabitants mad. And that architect is mostly mad himself, reduced to taking drugs to never sleep and constantly saying, "So much work to do...so little time to do it..."
How do you fuck that up?
Well, you fuck it up by devoting something like two or three panels on a single page in an almost 350 page book to that show more architect actually attacking the problem, but you spend the bulk of the time having people run around trying to solve one boring mystery after another, including whether the architect, known as Mr. X, is really Santos, or Walter, or Eichmann, or... yeah, don't care. So, the writing, while having the odd flash of brilliance, was mostly banal.
And then there's the art. It started off extremely strong with the talented Hernandez brothers, then got progressively worse until it hit rock bottom with artist Seth.
There was a constant thought going through my head as I struggled through two-thirds of the book before the apathy came to stay. And that thought was...
Mister X.
Misdirects.
I think that's the more accurate title. Don't call it Mister X. Call the the phonetically similar Misdirects. Because that's all this book seemed to do. It misdirected you from the main story of what Mr. X could have done to save the people of Radiant City, and instead involved you in the small, boring stories of some of the city's most boring leaders.
Not worth the time. show less
How do you fuck that up?
Well, you fuck it up by devoting something like two or three panels on a single page in an almost 350 page book to that show more architect actually attacking the problem, but you spend the bulk of the time having people run around trying to solve one boring mystery after another, including whether the architect, known as Mr. X, is really Santos, or Walter, or Eichmann, or... yeah, don't care. So, the writing, while having the odd flash of brilliance, was mostly banal.
And then there's the art. It started off extremely strong with the talented Hernandez brothers, then got progressively worse until it hit rock bottom with artist Seth.
There was a constant thought going through my head as I struggled through two-thirds of the book before the apathy came to stay. And that thought was...
Mister X.
Misdirects.
I think that's the more accurate title. Don't call it Mister X. Call the the phonetically similar Misdirects. Because that's all this book seemed to do. It misdirected you from the main story of what Mr. X could have done to save the people of Radiant City, and instead involved you in the small, boring stories of some of the city's most boring leaders.
Not worth the time. show less
Half are great and half are weak with obvious plots, tissue thin characters, and passable artwork. It seemed like a lot of the writers thought it was noir just to write about crime and put in a twist, but noir is really a mood and an evocation, not just shadowy panels and dames with obscure motives. Many feel like snippets of a bigger whole but the few pieces that sing really go to town. Lime I said about six or so on here that really get what noir means.
John Constantine unwittingly causes the death of a whole family at the hands of "The Family Man" serial killer and then becomes both hunter and prey when he tries to make amends. This volume also includes a few stand-alones, including "Hold Me," a surprisingly tender albeit creepy story written by Neil Gaiman. "The Family Man' story line is one of the really great ones in this series (although the art isn't my favorite) even if it has none of the "regular" occult contents - this one deals show more with a real world threat and Constantine does very well at holding his own without magic powers or spells. I am a whole-hearted Constantine fan, so it's hard for me to not love even the less good story lines, but this one is a great one for any reader. show less
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