Amy Liptrot
Author of The Outrun
About the Author
Works by Amy Liptrot
Associated Works
Smoke 14 — Contributor — 1 copy
Tagged
Common Knowledge
- Legal name
- Liptrot, Amy
- Birthdate
- 1981
- Gender
- female
- Education
- University of Edinburgh
- Awards and honors
- PEN Ackerley Prize (2017)
Wainwright Prize (2016) - Nationality
- Scotland
- Birthplace
- Orkney, Scotland, UK
- Places of residence
- London, England, UK
Papa Westray, Orkney, Scotland
Hebden Bridge, West Yorkshire, England, UK - Map Location
- Scotland, UK
Members
Reviews
This is a moving and brilliantly written memoir that is honest and heartbreaking. Amy Liptrot is an alcoholic that has reached the bottom of the heap before she finds treatment and support and starts the process of not drinking. Eventually she returns to her Orkney home and the place and the wildlife give her a chance to explore her feelings, her relationship with alcohol and addiction and write a new future for herself. Many of the chapters read as self-contained short stories as she show more explores different aspects of Orkney and her life. She is painfully honest about her addiction and the pain that she goes through is heartbreaking. She is also honest about life on a remote Scottish island and doesn't dress it up as romantic but does find something in the wildness that helps her. She becomes an alcoholic in London and it could be read as a book about the bad big city and the good rural haven but I think she avoids this obvious narrative and looks inside herself for reasons for her addiction to alcohol. show less
Thoreau’s classical rationale for his retreat to Walden Pond following a time in jail for an act of social disobedience (i.e., non-payment of taxes) reminds one of Amy Liptrot’s return to Orkney from London during her recovery from alcoholism. “I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.” Indeed, the appeal of show more Liptrot’s narrative is not only her struggle with alcoholism but also her meditation on the power of Nature and a simple life to heal the injured mind and body.
Liptrot takes the “outrun” as the central metaphor for her own retreat to the edge. The outrun was a useless piece of her parents’ farm “where domestic and wild animals coexist and humans don’t often visit so spirit people are free to roam…nothing but cliffs and ocean between it and Canada.” This image powerfully evokes her situation of having outrun her equanimity by excesses of drink, partying, violence and abusive sex.
Liptrot seems to have come by her pathology honestly. Her mother was a born-again Christian zealot and her father, a man suffering from a particularly intense case of bipolar schizophrenia. As a young woman, she sought escape from family and the isolation of Orkney by moving to London where she immersed herself in the bar scene. Following a decade away and a beginning toward sobriety, Liptrot decided to return to Orkney with the idea that the move might be useful in her recovery. “My life was rough and windy and tangled. Growing up in the wind leaves you strong, sloped and adept at seeking shelter.”
This is not your typical addiction recovery memoir, however. Instead, it ranges over a wide terrain of themes, including urban vs. rural settings (island vs. city), the power of Nature to provide solace, and the extreme relapse challenges common to all recovering addicts. In her telling, Liptrot skillfully balances two competing voices: a jaded observer of the underbelly of London nightlife and a knowledgeable resident of the Orkney Islands. She is unblinking in her telling of the degradations and chaos of her life in Hackney while also lovingly portraying the unique history, geology, agriculture and fauna of Orkney. Both settings represent edges much like the outrun: the former is societal while the latter is more geographic.
This is a powerful examination of how things can fall apart in the modern world and how a return to living deliberately and simply, as Thoreau advocated, can be a valuable adjunct to recovery. show less
Liptrot takes the “outrun” as the central metaphor for her own retreat to the edge. The outrun was a useless piece of her parents’ farm “where domestic and wild animals coexist and humans don’t often visit so spirit people are free to roam…nothing but cliffs and ocean between it and Canada.” This image powerfully evokes her situation of having outrun her equanimity by excesses of drink, partying, violence and abusive sex.
Liptrot seems to have come by her pathology honestly. Her mother was a born-again Christian zealot and her father, a man suffering from a particularly intense case of bipolar schizophrenia. As a young woman, she sought escape from family and the isolation of Orkney by moving to London where she immersed herself in the bar scene. Following a decade away and a beginning toward sobriety, Liptrot decided to return to Orkney with the idea that the move might be useful in her recovery. “My life was rough and windy and tangled. Growing up in the wind leaves you strong, sloped and adept at seeking shelter.”
This is not your typical addiction recovery memoir, however. Instead, it ranges over a wide terrain of themes, including urban vs. rural settings (island vs. city), the power of Nature to provide solace, and the extreme relapse challenges common to all recovering addicts. In her telling, Liptrot skillfully balances two competing voices: a jaded observer of the underbelly of London nightlife and a knowledgeable resident of the Orkney Islands. She is unblinking in her telling of the degradations and chaos of her life in Hackney while also lovingly portraying the unique history, geology, agriculture and fauna of Orkney. Both settings represent edges much like the outrun: the former is societal while the latter is more geographic.
This is a powerful examination of how things can fall apart in the modern world and how a return to living deliberately and simply, as Thoreau advocated, can be a valuable adjunct to recovery. show less
‘The Outrun’ proved to be that excellent thing: a book recommendation from a friend that you’d probably have never read otherwise, but that turns out to be extremely rewarding. It is a memoir, recounting the Liptrot’s childhood in Orkney, subsequent move to London, struggle with alcoholism, and return to the isolated Scottish islands from whence she came. It is a written in vivid, lyrical style, bringing the wildness of Orkney to life. Although I’m not that keen on travelling in show more real life, I love it when books take me on a journey as well as this one does. The stories of island life and descriptions of flora, fauna, and other phenomena are enchanting. I especially liked Liptrot’s accounts of stargazing and seeing the Northern Lights. Interwoven with this travelogue is a brave and honest description of recovery from addiction, written in equally powerful, distinctive terms. Liptrot goes to stay on Papay, population 70, in order to try and establish an equilibrium without alcohol. She takes a nuanced, critical view of her recovery and the benefits of seclusion. For instance, she notes that living in such an isolated fashion led her to spend a lot of time online and that her interest in the island’s weather and wildlife was enabled and encouraged by smartphone apps. (It’s very interesting to see the effect that the internet has had on a small, isolated community.) Above all, this is a keenly observant book. I will definitely pass on the recommendation to others. show less
This book grew on me slowly. It is told as a monologue & I missed conversations/interactions. Amy kept mentioning friends, but we never got to hear them, and even the boyfriend she lived with for two years wasn’t given a name. So this disturbed me, then it gradually became clear that the blurry, dream-like fog she lives in in London is because of her out-of-control drinking.
The story moves between London and her childhood & return to the Orkneys. For a time I felt these were two different show more stories uncomfortably stitched together.
I wasn’t aware at first this was a memoir, but it felt so painfully true: her loneliness, isolation, odd preoccupations, that I ended up googling her & seeing a talk she gave on YouTube, and yes, this was her life. “I seek sensation, balance seems pale” she explains.
It has given me an insight into a life where being trashed becomes all-important so that everything else gets lost, and it’s also begun for me a fascination with the Orkneys, such a harsh, remote and beautiful place, that I have never thought about before. A place where the winds can get so violent that tethered cows can become balloons. A place I can now explore without the tough elements with Google!
Such a haunting, authentic read. show less
The story moves between London and her childhood & return to the Orkneys. For a time I felt these were two different show more stories uncomfortably stitched together.
I wasn’t aware at first this was a memoir, but it felt so painfully true: her loneliness, isolation, odd preoccupations, that I ended up googling her & seeing a talk she gave on YouTube, and yes, this was her life. “I seek sensation, balance seems pale” she explains.
It has given me an insight into a life where being trashed becomes all-important so that everything else gets lost, and it’s also begun for me a fascination with the Orkneys, such a harsh, remote and beautiful place, that I have never thought about before. A place where the winds can get so violent that tethered cows can become balloons. A place I can now explore without the tough elements with Google!
Such a haunting, authentic read. show less
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Statistics
- Works
- 3
- Also by
- 7
- Members
- 691
- Popularity
- #36,610
- Rating
- 3.9
- Reviews
- 28
- ISBNs
- 43
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- 6
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