Fred Moten
Author of The Undercommons: Fugitive Planning & Black Study
About the Author
Fred Moten is Professor of Performance Studies at New York University and the author of Black and Blur and Stolen Life, both also published by Duke University Press, and In the Break: The Aesthetics of the Black Radical Tradition.
Image credit: © John D. and Catherine T. MacArthur Foundation- used with permission. (CC BY 4.0)
Series
Works by Fred Moten
Revision 1 copy
Associated Works
African American Poetry: 250 Years of Struggle and Song (2020) — Contributor — 232 copies, 4 reviews
Trap Door: Trans Cultural Production and the Politics of Visibility (2017) — Contributor — 112 copies
Tagged
Common Knowledge
- Birthdate
- 1962
- Gender
- male
- Education
- Harvard University (AB)
University of California, Berkeley (PhD) - Occupations
- cultural theorist
poet
professor - Organizations
- Department of Performance Studies, New York University
University of California, Riverside
Duke University - Awards and honors
- Guggenheim Fellowship (2016)
MacArthur Fellowship (2020) - Nationality
- USA
- Birthplace
- Las Vegas, Nevada, USA
- Associated Place (for map)
- Nevada, USA
Members
Reviews
Fred Moten writes:
I’m in a bad mood about
everybody’s bad mood, their
political depression, whatever.
and they’re so god damn
squeamish about it—they
can’t even come close to
saying how fucked up it is,
with their anempathic
numbers, but they can say
that. they so attached
to it but they can say that.
o, say what they cannot can!
to say there’s no exit from
compromised ordinariness
is an ordinary compromise,
as if there’s more danger in the
idea of flight than in staying
home, show more as if laying back where
you stay precludes flying, as if
the symposium was theirs alone. show less
I’m in a bad mood about
everybody’s bad mood, their
political depression, whatever.
and they’re so god damn
squeamish about it—they
can’t even come close to
saying how fucked up it is,
with their anempathic
numbers, but they can say
that. they so attached
to it but they can say that.
o, say what they cannot can!
to say there’s no exit from
compromised ordinariness
is an ordinary compromise,
as if there’s more danger in the
idea of flight than in staying
home, show more as if laying back where
you stay precludes flying, as if
the symposium was theirs alone. show less
This is one I'll hold close and keep going back to for, well, study—and also and especially when I need to be reminded there's space and maybe even welcome out there for my malcontented striving.
Either the best or worst thing for me to have read just now, on the edge of returning to the university in Fall 2020. More complicated than that, of course. I will be processing many of these ideas for a long time, I think. Policy & study & planning in particular -- though all of the ideas here are tied up in one another.
A few lines from The Undercommons:
Critique lets us know that politics is radioactive, but politics is the radiation of critique.
We run looking for a weapon and keep running looking to drop it.
What are the politics of being ready to die and what have they to do with the scandal of enjoyment?
Can't you hear them whisper one another's touch.
Form is not the eradication of the informal. Form is what emerges from the informal.
I think you can make a good case that human being in the world is, and show more should be, sheer criminality. Which also, first and foremost, implies that making laws is a criminal activity.
. show less
Critique lets us know that politics is radioactive, but politics is the radiation of critique.
We run looking for a weapon and keep running looking to drop it.
What are the politics of being ready to die and what have they to do with the scandal of enjoyment?
Can't you hear them whisper one another's touch.
Form is not the eradication of the informal. Form is what emerges from the informal.
I think you can make a good case that human being in the world is, and show more should be, sheer criminality. Which also, first and foremost, implies that making laws is a criminal activity.
. show less
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Statistics
- Works
- 22
- Also by
- 6
- Members
- 924
- Popularity
- #27,776
- Rating
- 4.3
- Reviews
- 6
- ISBNs
- 35
- Languages
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- Favorited
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