Tom Fowler (1) (1974–)

During the past decade, mainstream comics have taken themselves way too seriously. Thankfully, Parker and Fowler put the fun back in funny book. The ageless Mysterius, stage magician/conjurer/sorcerer, recruits a young alt-week newspaper reporter as his new sidekick after things run a muck at séance. The duo journey throughout the planes of existence and the equally strange worlds of modern day New York and Boston. Fowler's Jack Davis-inspired art perfectly complements Parker's goofy, show more societal-mocking tale. Complete with the extant portion of the "lost" 1930s text adventure from Diabolical Tales. show less

The sixth volume of the Green Arrow series is the thickest yet, encompassing a few story arcs. In the first, "New Blood", Oliver Queen has to deal with the aftermath of City Walls in more ways than one-- a new crime lord named Brick has arisen to replace those killed off in that story, and Mia is becoming the new Speedy more and more. The latter of these plot lines is quite good-- and the reveal of Mia's HIV-positive status is handled fantastically well-- but the former I find hard to buy. show more Brick has a tough hide, yeah, but I have hard time seeing why he's so dang hard for two Green Arrows to beat. (Also: Brick keeps on saying he'll do something really awful if GA interferes again, but GA keeps on doing things... and Brick suddenly stops caring.) In "Teamwork", Mia joins the Teen Titans, a story which for some reason has Mia taking the exact opposite stance on being HIV-positive as in the previous story. Okay, then. The final part of the book is taken up by "New Business", where Constantine Drakon and the Riddler take on Team Arrow, and the Outsiders show up. It was fun to see Drakon again (his opening scene was fabulous), but otherwise, this is a bit of an explosion-and-punching fest. Roy "Arsenal" Harper steps into the role of GA-dependent-character-beat-to-within-an-inch-of-his-life-to-prove-the-situation-is-serious in this one, giving Connor Hawke a break for once.

The biggest event of note here is that penciller Phil Hester and inker Ande Parks leave the title for good after "New Blood". Sometimes you don't quite realize what you've got 'til it's gone, and though I always sang their praises, their skill was sure made apparent by appearing right alongside their replacements. The sense of mood is all gone, panels are busy, and people are impossible to tell apart. Worst of all are the facial expressions; everyone here looks angry and ugly.

Green Arrow: « Previous in sequence | Next in sequence » show less

A cheesy but stupidly fun sequel gets farmed out to a new creative team that expands the mythology and amps up the gore. You can't jump the shark if you bring it along for the ride . . .

In this reboot from Valiant, Eric and Woody Henderson are adopted brothers whose relationship has always been tense. Polar opposites in every sense, Eric is the reliable, straight-arrow, while Woody is your typical case of reckless arrested development. Raised by Eric's biological father, both competed for his attention and felt unfairly judged against the strengths of the other. This rift only grows over the years to the point where the adult Eric and Woody have nothing to do with one show more another.

When their father is killed for one of his scientific experiments, Woody and Eric are reluctantly reunited and, in the course of investigating his murder, stumble into one of his experiments--changing the course of their lives forever. Now imbued with superpowers they neither want nor understand, they become the world's worst superhero team: Quantum and . . . well, Woody, because superhero names are stupid, right? In too deep to back out, they continue to pursue their father's killers and, during the course of the adventure, there will be sibling rivalry, crude humor, clones, spider-clown hybrid assassins, and, by God, there will be a goat.

On the surface, Quantum and Woody is nothing new. This is the formulaic buddy-cop movie setup, but with one clever twist. In making Eric and Woody brothers, the conflicts between them go well beyond personality and race. Giving them a shared history and childhood means that they're easy to relate to as it all boils down to good ol' sibling rivalry, which Asmus plays for laughs that hit close to home for anyone who knows the joys of loving--and hating to the depths of your very soul--the people who know you better than anyone else in the world.

Because I never read the original, I have no idea how this reboot matches up. But it is a comic that knows how to laugh at itself and its genre and in the grim age of nihilistic anti-heroes always teetering on the precipice of some existential crisis, it's nice to be reminded that comics can also be plain silly fun.

Cross posted at This Insignificant Cinder show less