Achy Obejas
Author of Memory Mambo
About the Author
Image credit: Photo by Lilithcat, taken at Printers Row Book Fair, 7 June 2008
Works by Achy Obejas
Associated Works
We Wear the Mask: 15 True Stories of Passing in America (2017) — Contributor — 92 copies, 23 reviews
Our Caribbean: A Gathering of Lesbian and Gay Writing from the Antilles (2008) — Contributor — 57 copies, 1 review
Daughters of Latin America: An International Anthology of Writing by Latine Women (2023) — Contributor — 38 copies, 1 review
Tagged
Common Knowledge
- Canonical name
- Obejas, Achy
- Birthdate
- 1956-06-28
- Gender
- female
- Education
- Indiana University
Warren Wilson College (MFA|Creative Writing - Occupations
- journalist
poet
freelance writer
novelist
newspaper columnist
short story writer (show all 7)
blogger - Awards and honors
- National Endowment for the Arts Fellowship (1986)
- Short biography
- Achy Obejas was born in Havana, Cuba, and emigrated with her parents to the USA at age six, after after the Cuban revolution. She grew up in Michigan City, Indiana, and attended Indiana University. In 1979, she moved to Chicago, where she worked for the Chicago Sun-Times and the Chicago Reader. She has also written for The Windy City Times, The Advocate, High Performance, and The Village Voice. She became a cultural writer for the Chicago Tribune in 1991. She has also been a freelance entertainment writer. Her poetry has appeared in a number of journals, including Conditions, Revista Chicano-Rique, and The Beloit Poetry Journal. Her short stories have also been widely published in journals and anthologies. Her novels include We Came All the Way from Cuba So You Could Dress Like This? (1994) and Memory Mambo (1996). The Cuba of her imagination has appeared throughout her works, and she revisited Cuba at age 39. She has served as a writer-in-residence at Yaddo, Ragdale, the Virginia Center for the Arts, and the University of Hawaii. She is the Sor Juana visiting writer at DePaul University, a position she has held since 2006. She also writes a blog called Citylife: Adventures in Urban Living for Chicago Public Media.
- Nationality
- Cuba (birth)
USA - Birthplace
- Havana, Cuba
- Places of residence
- Chicago, Illinois, USA
Michigan City, Indiana, USA - Associated Place (for map)
- USA
Members
Reviews
Ruins by Achy Obejas
In Cuba's "Special period in peacetime" following the collapse of the Soviet bloc, which had been the economic support for Cuba, Usnavy Martín-Leyva, is still a true believer, an outsider, almost an exile, in his own country, while others choose exile outside of it. His neighbors and friends have their cheats around the black market, their ways to get around the dismal economy, but Usnavy is still too much of a Revolutionary to follow suit. Everything bad seems to happen to Usnavy. His show more fellow domino players call him "salao", bad luck. His one room home is crumbling under the weight of his upstairs neighbor's illegal construction. His fourteen-year-old daughter goes off doing who knows what.
Then one day he takes some powdered milk from the bodega where he works to provide a baby with sustenance when a friend flees the country with his family. This act triggers something in him, and though his heart still with the Revolution, he nevertheless begins the chase for the almighty dollar. The glass from two lamps, both perhaps Tiffanys, one dug out of the ruins of a neighborhood building, the other an inheritance from his mother, provide him, literally piece by piece, with the currency that allows him to buy a bicycle, to buy new shoes, ultimately a car. But what, really, is the price?
I think that too often writers about Cuba, both of fiction and non-fiction, see the country in black-and-white. The Revolution is all good or all bad. Exiles are gusanos or heroes. But life and the world aren't like that. Neither are Obejas' Cubans. They are people struggling to make decent lives for themselves and their families, and who make hard choices in that struggle. show less
Then one day he takes some powdered milk from the bodega where he works to provide a baby with sustenance when a friend flees the country with his family. This act triggers something in him, and though his heart still with the Revolution, he nevertheless begins the chase for the almighty dollar. The glass from two lamps, both perhaps Tiffanys, one dug out of the ruins of a neighborhood building, the other an inheritance from his mother, provide him, literally piece by piece, with the currency that allows him to buy a bicycle, to buy new shoes, ultimately a car. But what, really, is the price?
I think that too often writers about Cuba, both of fiction and non-fiction, see the country in black-and-white. The Revolution is all good or all bad. Exiles are gusanos or heroes. But life and the world aren't like that. Neither are Obejas' Cubans. They are people struggling to make decent lives for themselves and their families, and who make hard choices in that struggle. show less
In these dreamlike stories of life in Cuba and America the sea always feels like it's within hearing distance. Or if it's not, as in landlocked, wintery stories like "Kimberle," then the atmosphere is almost something you can swim in: its air, light, claustrophobia. Thus, these stories constantly remind you of the physical, the way the body feels as it experiences the world. Wrapped within that miasmic cloud of human-ness, Obejas' characters, some in Cuba, some in America, others shuttling show more between, try to anchor themselves through books, through history, through human contact. I'm a fan of her work and she did not let me down here. show less
This review was written for LibraryThing Early Reviewers.Achy Obejas' slim volume of short stories is a mammoth gift of just 158 pages. Magical, provoking, and different, THE TOWER OF THE ANTILLES is bookended by two stories that both introduce and end the author's tales in a kind of mind-boggling and sly way. And, what lies between that first and last story!
Obejas writes about the immigrant experience, gay and lesbian life, the Cuban revolution, reality and speculation - all through truly enchanting short stories that twist and turn and surprise. show more Obejas starts a most traditional sounding tale of a relationship and ends up writing a magnificent piece of noir (not really surprising considering that she was the editor of HAVANA NOIR.) She begins another tale with heavily erotic overtones only to end up writing history.
The best part about reading this book is discovering Obejas. She has written other books of short stories as well as novels. One can't help but finish THE TOWER OF THE ANTILLES without wanting to order more of her books or requesting that the local library stock them. She also has the power to inspire. A creative individual cannot finish her book without feeling inspired to write one; a visual artist will want to paint her words; a dancer may want to choreograph them for the stage.
Although Obejas' work may appeal most to lovers of immigrant literature or works by Latin Americans, she will also appeal to the LGBTQ community, and, it is hoped, to just about anyone who values what it is like to be slightly on the edge of the establishment of anything. Is her work "outsider art?" Perhaps. But the more one reads of her, the more one realizes how all of us in some way are on the outside of something. A universal sense of belonging is almost impossible to have, but, through her words, Obejas comes painfully - and with incredible talent - as very close as possible. show less
Obejas writes about the immigrant experience, gay and lesbian life, the Cuban revolution, reality and speculation - all through truly enchanting short stories that twist and turn and surprise. show more Obejas starts a most traditional sounding tale of a relationship and ends up writing a magnificent piece of noir (not really surprising considering that she was the editor of HAVANA NOIR.) She begins another tale with heavily erotic overtones only to end up writing history.
The best part about reading this book is discovering Obejas. She has written other books of short stories as well as novels. One can't help but finish THE TOWER OF THE ANTILLES without wanting to order more of her books or requesting that the local library stock them. She also has the power to inspire. A creative individual cannot finish her book without feeling inspired to write one; a visual artist will want to paint her words; a dancer may want to choreograph them for the stage.
Although Obejas' work may appeal most to lovers of immigrant literature or works by Latin Americans, she will also appeal to the LGBTQ community, and, it is hoped, to just about anyone who values what it is like to be slightly on the edge of the establishment of anything. Is her work "outsider art?" Perhaps. But the more one reads of her, the more one realizes how all of us in some way are on the outside of something. A universal sense of belonging is almost impossible to have, but, through her words, Obejas comes painfully - and with incredible talent - as very close as possible. show less
This review was written for LibraryThing Early Reviewers.This is such a strange and fast collection of short stories, I ended up reading it in one sitting. There are flavors of writers like Marquez and Borjes here, as well as contemporaries like Gaiman and Link. And each story, given the depth that it has, could easily be imagined as a far longer tale, complete as it is in the short form. I'm not sure how I feel about the framing stories--the first and the last--but beyond these short ones, each one is a sort of world of its own, and strange show more enough to keep a reader enthralled, entertained, and sometimes shocked or delighted. All told, there are a few stories here I already plan to read again, and a few I feel I need to, but I look forward to reading more of Obejas' work. show less
This review was written for LibraryThing Early Reviewers.Lists
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Statistics
- Works
- 18
- Also by
- 26
- Members
- 760
- Popularity
- #33,469
- Rating
- 3.8
- Reviews
- 25
- ISBNs
- 24
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