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14+ Works 587 Members 25 Reviews 1 Favorited

About the Author

Jim Fusilli is a music critic for The Wall Street Journal, National Public Radio's "All Things Considered," and a book critic for The Boston Globe.

Includes the name: Jim Fusilli

Series

Works by Jim Fusilli

The Beach Boys' Pet Sounds (33 1/3) (2005) 137 copies, 7 reviews
Closing Time (2001) 115 copies
A Well-Known Secret (2002) 77 copies
Tribeca Blues (2003) 71 copies, 1 review
Hard Hard City (2004) 60 copies, 2 reviews
Narrows Gate (2011) 30 copies, 3 reviews
Crime Plus Music: Twenty Stories of Music-Themed Noir (2016) — Editor — 28 copies, 3 reviews
Marley Z and the Bloodstained Violin (2008) 26 copies, 3 reviews
Road to Nowhere (2012) 26 copies, 2 reviews
Billboard Man (2013) 9 copies, 4 reviews
The mayor of polk street (2022) 2 copies
The Price You Pay (2024) 1 copy

Associated Works

Watchlist: Two Serial Thrillers in One Killer Book (2010) — Contributor — 365 copies, 12 reviews
Boston Noir (2009) — Contributor — 326 copies, 11 reviews
The Chopin Manuscript: A Serial Thriller (2007) — Contributor — 251 copies, 20 reviews
D.C. Noir (2006) — Contributor — 208 copies, 3 reviews
The Best American Mystery Stories : 2007 (2007) — Contributor — 205 copies, 5 reviews
Vengeance (2012) — Contributor — 191 copies, 17 reviews
Death Do Us Part: New Stories about Love, Lust, and Murder (2006) — Contributor — 136 copies, 2 reviews
Baltimore Noir (2006) — Contributor — 134 copies, 2 reviews
Manhattan Noir (2006) — Contributor — 118 copies, 3 reviews
The Copper Bracelet: A Serial Thriller (2010) — Contributor — 108 copies, 3 reviews
Dublin Noir : The Celtic Tiger vs. The Ugly American (2003) — Contributor — 100 copies, 3 reviews
Wall Street Noir (2007) — Contributor — 70 copies
Dark City Lights: New York Stories (2015) — Contributor — 23 copies, 1 review
A Merry Band of Murderers (2006) — Contributor — 22 copies, 1 review
Hardboiled Brooklyn (2006) — Contributor — 18 copies
Land of 10,000 Thrills: Bouchercon Anthology 2022 (2022) — Contributor — 6 copies

Tagged

Common Knowledge

Legal name
Fusilli, Vincent James
Birthdate
1953-07-17
Gender
male
Occupations
music critic
Organizations
The Wall Street Journal
Nationality
USA
Birthplace
Hoboken, New Jersey, USA
Places of residence
New York, New York, USA
Associated Place (for map)
USA

Members

Reviews

25 reviews
I'm not a fan of the band or the album, I picked this up on the strength of other entries in the series, and with some curiosity as to the iconic status of the Beach Boys and Pet Sounds specifically. Was there anything more to surf music than layered vocal harmonies and catchy melodies? Was there anything to the Beach Boys beyond a string of singles about girls, cars, and upbeat Americana?

I finished with a sense that Brian Wilson was as much an innovator in pop arrangements and studio show more recordings as he was a pop songwriter. Fusilli emphasises Brian's role over those of the rest of the band, who seem to have been traveling session musicians for Brian's muse. I wonder if that view is generally shared.

The Wilson family's father turned out to be as manipulative and perhaps self-serving as Sharon Osborn's father. Another recurrent theme to rock'n'roll, to be sure.
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If you are an ardent fan of "Pet Sounds", I suspect it is the same for you. What a remarkable thing it is to know that there's someone out there who understands how you feel and feels the same way—and who not only feels as you do, but can articulate your feelings better than you can.


This is a very loving tome on the creation process of "Pet Sounds", which is by many not hailed as The Beach Boys' masterpiece, but one of the best albums of the 1960s, and by others as the best pop album ever show more made.

It also delves into the sanities and insanities regarding Brian Wilson, the "Pet Sounds" mastermind and main creator.

The music is a world in itself, and this book complements it well. The author has taken in how lonely and worthless Brian Wilson felt, before, during and slightly after having finished the album. His manager father, his fears, his marriage, the competition from The Beatles...

To end - a few lines from the book on the song "God Only Knows":

The song opens with the line "I may not always love you."

Forget for a moment the audacity of beginning a love song with that phrase. Consider what it means when hitched to what follows:

I may not always love you,
But long as there are stars above you,
You'll never need to doubt it.
I'll make you so sure about it.


We see two people here, together, at this moment and what they have is profound, and as long as the universe exists, whether or not they remain together, she will know the depth and strength of his love.

Why? Because he needs her.

The next line: "God only knows what I'd be without you." If I don't have you, he's saying, and that profound love, I cannot fathom what I would be. This sentiment is confirmed, and expanded, in the next verse:

If you should ever leave me,
Though life would still go on, believe me,
The world could show nothing to me,
So what good would living do me?


Without her, he has no reason to live.

"God Only Knows" is, at the same time, a mature proclamation of love and another desperate plea. And it's a distillation of what much of "Pet Sounds" is about: the sense that if we surrender to an all-consuming love, we will never be able to live without it. And, though we're uncertain that the reward is worth the risk, we yearn to surrender.

The love Brian envisioned was worth more than life.

In 1964, while the Beach Boys were on tour, Brian wrote to Marilyn [his wife, Niklas' edit] each and every day. He ended one lovely letter with this phrase: "Yours 'til God wants us apart."
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Another enjoyable entry in the 33 1/3 series. Pet Sounds has always been one of those albums I wished I'd liked more. Oh, there's definitely standout tracks, such as Wouldn't It Be Nice, Sloop John B and God Only Knows, but overall, I've never found the album particularly compelling.

Yet, this account of The Beach Boys in general, and Brian Wilson in particular, as they led up to the making of their seminal album, where Brian's head was at at the time, some of the influences, helps me to show more appreciate it more.

It'll never be a top ten listen for me, but this account did definitely make me look at it in a different light.

Well done.
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Started by liking the spare language and almost Jack Reacher-like protagonist, in witness protection and roaming the country in anonymity. Then he became entangled through witnessing and intervening in an assault and the chase was on. In the end, too many unlikable and over-the-top characters, too many brutal, physical attacks, all of which would normally put one in intensive care, but merely resulted in minor injuries to all, and too many confusing scene changes, after which I stopped show more caring. It really became a road to nowhere. Scanned the last 20 pages. Meh. show less

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Statistics

Works
14
Also by
17
Members
587
Popularity
#42,722
Rating
½ 3.4
Reviews
25
ISBNs
44
Languages
2
Favorited
1

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