Amanda Vickery
Author of The Gentleman's Daughter: Women's Lives in Georgian England
About the Author
Amanda Vickery is Professor of Early Modern History, Queen Mary, University of London, and the author of the Gentleman's Daughter: Women's Lives in Georgian England (Yale University Press, 1998; Winner of the Whitfield prize, the Wolfson prize and the Longman-History Today prize) and the editor of show more Women, Privilege and Power: British Politics, 1750 to the Present (Stanford University Press, 2001). show less
Works by Amanda Vickery
Gender, Taste, and Material Culture in Britain and North America, 1700-1830 (2007) — Editor — 24 copies
Women, Privilege, and Power: British Politics, 1750 to the Present (The Making of Modern Freedom) (2002) — Editor — 11 copies
Women and the world of goods 1 copy
Associated Works
In Pursuit of Pleasure [2001 film] — Narrator — 2 copies
The Story of Women and Art [2014 film] — Narrator — 1 copy
Tagged
Common Knowledge
- Canonical name
- Vickery, Amanda
- Legal name
- Vickery, Amanda Jane
- Birthdate
- 1962-12-08
- Gender
- female
- Education
- Bedford College, University of London (Ph.D)
- Occupations
- historian
Professor of Early Modern History - Organizations
- University of London, Queen Mary College
- Awards and honors
- Fellow, British Academy (2021)
Whitfield Prize
Wolfson History Prize
Longman History Today Prize - Relationships
- Styles, John (husband)
- Short biography
- Amanda Vickery is the prize-winning author of The Gentleman's Daughter (Yale University Press, 1998) and Behind Closed Doors: At Home in Georgian England (Yale University Press, 2009), now a 3 part TV series for BBC2 called 'At Home with the Georgians'.
She is Professor of Early Modern History at Queen Mary, University of London.
Amanda reviews for The Times Literary Supplement, The London Review of Books, The Guardian and BBC Radio 4's Saturday Review, Front Row and Woman's Hour. Her thirty part History of Private Life for BBC Radio 4 is now available on CD. [from Amazon.com, 6/5/2013] - Nationality
- UK
- Birthplace
- Preston, Lancashire, England, UK
- Associated Place (for map)
- England, UK
Members
Reviews
An Englishman's home, as the saying goes, may be his castle, but three hundred years ago it was becoming so much more. In the 18th century, the English home served as a place in which its inhabitants sought to define themselves through the use of décor. As more people socialized in their homes, their living spaces became venues in which their identity could be displayed for others to see for themselves. The emergence and development of this trend is the subject of Amanda Vickery's book, show more which analyzes the lives of the men and women of Georgian England by examining the homes in which they lived.
In studying Georgian homes, Vickery uses a number of different perspectives. Among her goals is the reintroduction of men into the picture, which she does most notably in her chapter on the homes of bachelors. Yet as she demonstrates, the furnishing and decoration of homes was predominantly a female concern, albeit one often handled in consultation with the men of the household. Such decisions were often mundane, and focused more on simple maintenance rather than grand refurbishment, but all of them reflected the interests of the participants and were shaped by the concept of "taste" that emerged during this period, which charted a path that increasing numbers were compelled to take.
Detailed, insightful, and well-written, Vickery's book offers a fascinating examination of life in Georgian England. Because of the limitations of her sources, it is by necessity an examination focused primarily on the upper classes, yet she succeeds in taking account books, ledgers, and other mundane sources to reconstruct their lives, showing the growing importance of home life and the weight contemporaries placed on defining their domestic environment. Her success in unearthing these details and bringing the Georgian world back to life makes this book a necessary read for anyone interested in 18th century England, one that will likely serve as an indispensable study of the subject for decades to come. show less
In studying Georgian homes, Vickery uses a number of different perspectives. Among her goals is the reintroduction of men into the picture, which she does most notably in her chapter on the homes of bachelors. Yet as she demonstrates, the furnishing and decoration of homes was predominantly a female concern, albeit one often handled in consultation with the men of the household. Such decisions were often mundane, and focused more on simple maintenance rather than grand refurbishment, but all of them reflected the interests of the participants and were shaped by the concept of "taste" that emerged during this period, which charted a path that increasing numbers were compelled to take.
Detailed, insightful, and well-written, Vickery's book offers a fascinating examination of life in Georgian England. Because of the limitations of her sources, it is by necessity an examination focused primarily on the upper classes, yet she succeeds in taking account books, ledgers, and other mundane sources to reconstruct their lives, showing the growing importance of home life and the weight contemporaries placed on defining their domestic environment. Her success in unearthing these details and bringing the Georgian world back to life makes this book a necessary read for anyone interested in 18th century England, one that will likely serve as an indispensable study of the subject for decades to come. show less
One of the reasons that I like history so much is learning that people are the same no matter when they lived. They have the same hopes and dreams. They love their children and hate their in-laws. They have good bosses and bad bosses, and bouts of unemployment. They feud with their neighbors and their extended families. They are just like us but without indoor plumbing and cable.
Amanda Vickery has delved into the treasury trove of diaries, retail records, probate records and household show more account books to provide us with a detailed and intimate look at life during the Georgian period which she defines as 1660 to 1850. We catch glimpses into the lives of bachelors, spinsters, tradespeople and the wealthy. Changing tastes and habits are traced through styles of furniture and wallpaper. Most surprising to me were the number of “lodgers”, people renting one or two rooms in a house, in cities during this period.
As fascinating as the details in this book are, I found myself vaguely disappointed. I realized that I already knew most of the information presented by Ms. Vickery through my reading of Jane Austen. In fact, Ms. Vickery quotes Jane Austen frequently in support for her conclusions. Jane Austen’s vivid descriptions of the homes and lives of her characters are perfect illustrations of the very people that Ms. Vickery is trying to bring to life for us.
Which leads me to wonder, do we really need this book? Are Jane Austen’s books not "history" because they are fiction? Perhaps "Behind Closed Doors" would better be described as finding the factual basis for Jane Austen’s fictional world. Budding novelists are always advised to write what they know which is exactly what Jane Austen did. How well she wrote about the world she knew, is shown by Ms. Vickery’s extensive research into the life and times of the people of Georgian England. show less
Amanda Vickery has delved into the treasury trove of diaries, retail records, probate records and household show more account books to provide us with a detailed and intimate look at life during the Georgian period which she defines as 1660 to 1850. We catch glimpses into the lives of bachelors, spinsters, tradespeople and the wealthy. Changing tastes and habits are traced through styles of furniture and wallpaper. Most surprising to me were the number of “lodgers”, people renting one or two rooms in a house, in cities during this period.
As fascinating as the details in this book are, I found myself vaguely disappointed. I realized that I already knew most of the information presented by Ms. Vickery through my reading of Jane Austen. In fact, Ms. Vickery quotes Jane Austen frequently in support for her conclusions. Jane Austen’s vivid descriptions of the homes and lives of her characters are perfect illustrations of the very people that Ms. Vickery is trying to bring to life for us.
Which leads me to wonder, do we really need this book? Are Jane Austen’s books not "history" because they are fiction? Perhaps "Behind Closed Doors" would better be described as finding the factual basis for Jane Austen’s fictional world. Budding novelists are always advised to write what they know which is exactly what Jane Austen did. How well she wrote about the world she knew, is shown by Ms. Vickery’s extensive research into the life and times of the people of Georgian England. show less
I can't claim to love this social history of Georgian England, as I found it a bit dry and very academic in its style and approach. However, I did appreciate the anecdotes used throughout the book to illustrate how a sometimes abstract social perception actually played out in people's lives. I do think the author could have discussed the differences between the social classes in this era more, which would provide a more complete picture of society.
This book has had considerable good reviews - some of them reproduced selectively in my paperback copy; but after reading most of the book I found myself wondering whether the praise was quite accurate. The book is undoubtedly interesting, and encapsulates a good deal of original research into sources on domesticity in the Georgian period (though this period is conveniently stretched to get a wider range of sources included). An example of this is the chapter which uses the records of a show more wallpaper company to draw conclusions about the class and gender characteristics of taste in decoration. And there are many original diaries etc used which reveal the domestic aspects of a wide range of lives. What this book does not do is 'read like a novel' as one review claims. It is more like a monograph masquerading as popular history. show less
Lists
Awards
You May Also Like
Associated Authors
Statistics
- Works
- 8
- Also by
- 4
- Members
- 1,027
- Popularity
- #25,074
- Rating
- 3.8
- Reviews
- 12
- ISBNs
- 16
- Favorited
- 2














