Ernest Raymond (1888–1974)
Author of We, the Accused
About the Author
Image credit: Date: 1920 From: The Bookman, Volume 63 (1922) Hodder and Stoughton, New York
Works by Ernest Raymond
LATE IN THE DAY. 4 copies
Damascus Gate 3 copies
Child of Norman's End 2 copies
The Miracle of Brean 2 copies
The Corporal of the Guard 2 copies
Back to humanity 1 copy
Readers Digest Auswahlbücher: Piratenkurs / Die Farm in den Bergen / Dr. Castell / Der Salamander (1975) 1 copy
Don John's mountain home, 1 copy
Newtimber lane 1 copy
Once in England : a novel 1 copy
Morris in the dance 1 copy
Daphne Bruno 1 copy
Wanderlight 1 copy
The Chatelaine 1 copy
The Bethany Road 1 copy
Associated Works
Tagged
Common Knowledge
- Birthdate
- 1888-12-31
- Date of death
- 1974-05-14
- Gender
- male
- Education
- Chichester Theological College
Durham University (theology) (1914) - Occupations
- Anglican priest (resigned Holy Orders ∙ 1923)
military chaplain
writer
Liberal councillor - Organizations
- Church of England
Manchester Regiment
Worcestershire Regiment
East Lancashire Territorials
Hampstead County Council
International PEN Club (show all 7)
Dickens Fellowship - Awards and honors
- Order of the British Empire (Officer, 1972)
- Relationships
- Raymond, Diana (wife)
- Nationality
- UK
- Birthplace
- Argentières, France
- Places of residence
- London, England, UK
Gallipoli, Ottoman Empire
Sinai Peninsula, British Protectorate of Egypt
France
Belgium
Mesopotamia (show all 10)
Persia
Russian Empire
Brighton, Sussex, England, UK
Hampstead, London, England, UK - Place of death
- Hampstead, London, England, UK
- Associated Place (for map)
- Hampstead, London, England, UK
Members
Reviews
I was given this, along with CS Forester’s early novel Payment Deferred, by Kate McCallum, author of checklists of mystery fiction, published by Copperfield Press. I’ve had my periods of reading vast amounts of the stuff, but not for years of late. Nonetheless, with such a well-informed recommendation, and the books handed to me, I was not going to say no!
Neither of these is a mystery. They are both early examples of sitting behind the shoulder of the murderer, following developments as show more he does. And partly because of the books’ titles, but also because of the period in which they were written, one knows in broad terms, how they will end. No murderer would have escaped his fate back then. A price had to be paid.
In fact, in the case of We, the Accused, we watch everything, it’s something of a police procedural. It’s incredibly detailed with striking and awful descriptions of what happens after the police get onto it. The chase, the trial, the period of three weeks before he hangs. But it is equally detailed in its description of scenery, neighbours, childhood – the lot. Overall I don’t think Raymond is a good enough writer to do this justice, but, he does it well enough. After a slight irritation early on as yet another tangent started, I got into the zone and found it hard to put down. He’s at his weakest when he is in the shoes of the female and as these are critical points – her agreeing to sex, her deciding to accept that he has murdered and still love him, her salvation at the end – I find none of these convincing. Indeed, the ending involving the stranger who saves her is plain silly.
rest here: https://alittleteaalittlechat.wordpress.com/2018/05/16/we-the-accused-by-ernest-... show less
Neither of these is a mystery. They are both early examples of sitting behind the shoulder of the murderer, following developments as show more he does. And partly because of the books’ titles, but also because of the period in which they were written, one knows in broad terms, how they will end. No murderer would have escaped his fate back then. A price had to be paid.
In fact, in the case of We, the Accused, we watch everything, it’s something of a police procedural. It’s incredibly detailed with striking and awful descriptions of what happens after the police get onto it. The chase, the trial, the period of three weeks before he hangs. But it is equally detailed in its description of scenery, neighbours, childhood – the lot. Overall I don’t think Raymond is a good enough writer to do this justice, but, he does it well enough. After a slight irritation early on as yet another tangent started, I got into the zone and found it hard to put down. He’s at his weakest when he is in the shoes of the female and as these are critical points – her agreeing to sex, her deciding to accept that he has murdered and still love him, her salvation at the end – I find none of these convincing. Indeed, the ending involving the stranger who saves her is plain silly.
rest here: https://alittleteaalittlechat.wordpress.com/2018/05/16/we-the-accused-by-ernest-... show less
I was given this, along with CS Forester’s early novel Payment Deferred, by Kate McCallum, author of checklists of mystery fiction, published by Copperfield Press. I’ve had my periods of reading vast amounts of the stuff, but not for years of late. Nonetheless, with such a well-informed recommendation, and the books handed to me, I was not going to say no!
Neither of these is a mystery. They are both early examples of sitting behind the shoulder of the murderer, following developments as show more he does. And partly because of the books’ titles, but also because of the period in which they were written, one knows in broad terms, how they will end. No murderer would have escaped his fate back then. A price had to be paid.
In fact, in the case of We, the Accused, we watch everything, it’s something of a police procedural. It’s incredibly detailed with striking and awful descriptions of what happens after the police get onto it. The chase, the trial, the period of three weeks before he hangs. But it is equally detailed in its description of scenery, neighbours, childhood – the lot. Overall I don’t think Raymond is a good enough writer to do this justice, but, he does it well enough. After a slight irritation early on as yet another tangent started, I got into the zone and found it hard to put down. He’s at his weakest when he is in the shoes of the female and as these are critical points – her agreeing to sex, her deciding to accept that he has murdered and still love him, her salvation at the end – I find none of these convincing. Indeed, the ending involving the stranger who saves her is plain silly.
rest here: https://alittleteaalittlechat.wordpress.com/2018/05/16/we-the-accused-by-ernest-... show less
Neither of these is a mystery. They are both early examples of sitting behind the shoulder of the murderer, following developments as show more he does. And partly because of the books’ titles, but also because of the period in which they were written, one knows in broad terms, how they will end. No murderer would have escaped his fate back then. A price had to be paid.
In fact, in the case of We, the Accused, we watch everything, it’s something of a police procedural. It’s incredibly detailed with striking and awful descriptions of what happens after the police get onto it. The chase, the trial, the period of three weeks before he hangs. But it is equally detailed in its description of scenery, neighbours, childhood – the lot. Overall I don’t think Raymond is a good enough writer to do this justice, but, he does it well enough. After a slight irritation early on as yet another tangent started, I got into the zone and found it hard to put down. He’s at his weakest when he is in the shoes of the female and as these are critical points – her agreeing to sex, her deciding to accept that he has murdered and still love him, her salvation at the end – I find none of these convincing. Indeed, the ending involving the stranger who saves her is plain silly.
rest here: https://alittleteaalittlechat.wordpress.com/2018/05/16/we-the-accused-by-ernest-... show less
I was given this, along with CS Forester’s early novel Payment Deferred, by Kate McCallum, author of checklists of mystery fiction, published by Copperfield Press. I’ve had my periods of reading vast amounts of the stuff, but not for years of late. Nonetheless, with such a well-informed recommendation, and the books handed to me, I was not going to say no!
Neither of these is a mystery. They are both early examples of sitting behind the shoulder of the murderer, following developments as show more he does. And partly because of the books’ titles, but also because of the period in which they were written, one knows in broad terms, how they will end. No murderer would have escaped his fate back then. A price had to be paid.
In fact, in the case of We, the Accused, we watch everything, it’s something of a police procedural. It’s incredibly detailed with striking and awful descriptions of what happens after the police get onto it. The chase, the trial, the period of three weeks before he hangs. But it is equally detailed in its description of scenery, neighbours, childhood – the lot. Overall I don’t think Raymond is a good enough writer to do this justice, but, he does it well enough. After a slight irritation early on as yet another tangent started, I got into the zone and found it hard to put down. He’s at his weakest when he is in the shoes of the female and as these are critical points – her agreeing to sex, her deciding to accept that he has murdered and still love him, her salvation at the end – I find none of these convincing. Indeed, the ending involving the stranger who saves her is plain silly.
rest here: https://alittleteaalittlechat.wordpress.com/2018/05/16/we-the-accused-by-ernest-... show less
Neither of these is a mystery. They are both early examples of sitting behind the shoulder of the murderer, following developments as show more he does. And partly because of the books’ titles, but also because of the period in which they were written, one knows in broad terms, how they will end. No murderer would have escaped his fate back then. A price had to be paid.
In fact, in the case of We, the Accused, we watch everything, it’s something of a police procedural. It’s incredibly detailed with striking and awful descriptions of what happens after the police get onto it. The chase, the trial, the period of three weeks before he hangs. But it is equally detailed in its description of scenery, neighbours, childhood – the lot. Overall I don’t think Raymond is a good enough writer to do this justice, but, he does it well enough. After a slight irritation early on as yet another tangent started, I got into the zone and found it hard to put down. He’s at his weakest when he is in the shoes of the female and as these are critical points – her agreeing to sex, her deciding to accept that he has murdered and still love him, her salvation at the end – I find none of these convincing. Indeed, the ending involving the stranger who saves her is plain silly.
rest here: https://alittleteaalittlechat.wordpress.com/2018/05/16/we-the-accused-by-ernest-... show less
I wasn't really able to get into this book. It was a bit boring. Perhaps someone else might enjoy it.
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Statistics
- Works
- 57
- Also by
- 4
- Members
- 343
- Popularity
- #69,542
- Rating
- 3.3
- Reviews
- 7
- ISBNs
- 58
- Languages
- 2













