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Mary Lavin (1912–1996)

Author of Selected Stories

36+ Works 584 Members 11 Reviews 4 Favorited

About the Author

Includes the name: Mary Lavin

Works by Mary Lavin

Selected Stories (1984) 112 copies, 2 reviews
Mary O'Grady (1950) 102 copies, 3 reviews
The House in Clewe Street (1945) 96 copies
Tales from Bective Bridge (1978) 40 copies
Happiness and Other Stories (1969) 32 copies
Collected stories (1971) 23 copies, 3 reviews
The Second-Best Children in the World (1972) 20 copies, 1 review
A Memory and Other Stories (1972) 13 copies
Story of the Widow's Son (1993) 10 copies, 1 review
A Likely Story (1990) 10 copies

Associated Works

The Oxford Book of Short Stories (1981) — Contributor — 556 copies, 4 reviews
The World of the Short Story: A 20th Century Collection (1986) — Contributor — 510 copies, 4 reviews
Women & Fiction: Short Stories By and About Women (1975) — Contributor — 394 copies, 7 reviews
The Penguin Book of Irish Fiction (1999) — Contributor — 169 copies
Great Irish Short Stories (1964) — Contributor — 159 copies
Short Stories from the Strand (1992) — Contributor — 150 copies, 1 review
The Penguin Book of Irish Short Stories (1981) — Contributor — 150 copies, 1 review
Classic Irish Short Stories (1957) 139 copies, 2 reviews
Great Irish Tales of Fantasy and Myth (1994) — Contributor — 121 copies, 1 review
Great Modern European Short Stories (1980) — Contributor — 120 copies, 1 review
The Treasury of English Short Stories (1985) — Contributor — 91 copies
Stories from The New Yorker, 1950 to 1960 (2018) — Contributor — 84 copies, 2 reviews
The Long Gaze Back: An Anthology of Irish Women Writers (2015) — Contributor — 72 copies, 1 review
Great Irish Stories of the Supernatural (1992) — Contributor — 46 copies
Modern Irish Short Stories (1957) — Contributor — 44 copies
Sail Away: Stories of Escaping to Sea (2001) — Contributor — 28 copies
The Best American Short Stories 1969 (1969) — Contributor — 25 copies
The Lucky Bag: Classic Irish Children's Stories (1984) — Contributor — 22 copies, 1 review
The Best American Short Stories 1966 (1966) — Contributor — 19 copies
The Best American Short Stories 1965 (1965) — Contributor — 19 copies
The Best American Short Stories 1943 (1943) — Contributor — 15 copies
The Best American Short Stories 1974 (1974) — Contributor — 14 copies
Modern Short Stories 2: 1940-1980 (1982) — Contributor — 13 copies
The Best American Short Stories 1962 (1962) — Contributor — 12 copies
Women Writing: An Anthology (1979) — Contributor — 12 copies
The Penguin New Writing No. 36 (1949) — Contributor — 12 copies
The Best American Short Stories 1961 (1961) — Contributor — 11 copies
The Best American Short Stories 1942 (1942) — Contributor — 6 copies
Personal Choice (1977) — Contributor — 2 copies

Tagged

Common Knowledge

Canonical name
Lavin, Mary
Birthdate
1912-06-10
Date of death
1996-03-25
Gender
female
Education
University College Dublin
Loreto College
Occupations
short story writer
novelist
Organizations
Irish Academy of Letters
Awards and honors
Guggenheim Fellowship (1959, 1961)
Relationships
Walsh, Caroline (daughter)
Ryan, James (son-in-law)
Short biography
Mary Josephine Lavin was born in East Walpole, Massachusetts to Irish immigrant parents. Her mother suffered from homesickness and eventually the family went to live in Ireland. Mary attended a convent school in Dublin before going on to study English and French at University College Dublin. In 1938, as a postgraduate student, she published her first short story, "Miss Holland," in the Dublin Magazine. Edward Plunkett, Lord Dunsany, became her literary mentor and wrote the preface to her first book, Tales from Bective Bridge (1943), a collection of 10 short stories. It was a critical success and won the James Tait Black Memorial Prize for fiction. That same year, Mary Lavin married William Walsh, a lawyer with whom she had three daughters and moved to Abbey Farm near Bective House in County Meath. Mary's first novel, The House in Clewe Street, was serialized in The Atlantic Monthly before being published in book form in 1945. After her husband died in 1954, Lavin kept the family farm going as well as literary career, continuing to publish and win awards for her work, including the Katherine Mansfield Prize (1961) and Guggenheim Fellowships in 1959 and 1961. She became a pioneering female author in the traditionally male-dominated world of Irish letters, and her work often addressed feminist issues. She became the first writer-in-residence at the University of Connecticut in the late 1960s. In 1969, she remarried to Michael Scott, an old college friend and a former priest. In 1992, Mary Lavin was elected Saoi by the members of Aosdána, one of the highest honors in Irish culture. Her daughter Caroline Walsh became a writer and the literary editor of the Irish Times.
Nationality
USA (birth)
Ireland
Birthplace
East Walpole, Massachusetts, USA
Places of residence
East Walpole, Massachusetts, USA
Athenry, Ireland
Dublin, Ireland
Bective, County Meath, Ireland
Place of death
Dublin, Ireland
Associated Place (for map)
Ireland

Members

Reviews

12 reviews
Mary Lavin’s stories represent a quiet but attentive exploration of ordinary life in mid-20th century Ireland, where the smallest domestic moments carry emotional and moral weight. She returns again and again to the textures of family life—conversations in kitchens, unspoken resentments, fleeting gestures of care—capturing a world that feels both intimate and socially constrained.

Many of the stories unfold against the subtle tension between rural life and the pull of Dublin, a divide show more that mirrors larger questions about tradition, independence, and change. Within this setting, Lavin’s protagonists are often women—navigating loss, autonomy, and social expectation. Despite many being widows, Lavin avoids reducing them to a single type. Instead, these women emerge as complex figures, sometimes resilient, sometimes uncertain, always shaped by the quiet pressures of their circumstances.

The collection’s title, “An Arrow in Flight,” offers a useful lens for understanding Lavin’s approach. An arrow, once released, cannot be recalled; it exists in a state of motion, its destination is determined but not yet realized. Her stories often capture lives in similar moments—mid-transition, suspended between past and future, without a clear resolution.

This helps explain the collection’s resistance to neat endings. Many of the stories close without clear lessons or dramatic conclusions, which can feel disorienting at first. But this lack of resolution seems central to Lavin’s vision: life, as she renders it, rarely provides tidy meanings. Instead, she leaves us with partial insights, emotional undercurrents, and the sense that something significant has occurred, even if it cannot be easily named.

This collection accumulates power gradually. Rather than delivering decisive statements, Lavin offers glimpses—precise, humane, and often haunting—into the inner lives of ordinary people. She trusts her readers to follow the arrow’s flight.
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½
"If I am to see the children again..let them be as they were when they were small"
By sally tarbox on 23 June 2018
Format: Paperback
This is going to be one of my top reads of 2018!
Published in 1950 but set earlier in the century in Dublin, this is the story of the eponymous materfamilias, wife of a working class man and mother of five. And it's utterly unputdownable, an absolute blockbuster of a family saga, in the best Victorian tradition, with brilliant characterization and rending show more tragedy.
It's not a typical tale: there's no alcoholism, they seem to have enough money to manage, Mary's husband is a decent chap, the children are loved and healthy. But as Mary reaches middle age, things are about to change, with children seeking to fly the nest, and a tough world out there... The pretty selfless and religiously inclined (but only human) Mary has to contend with no longer being the focus of her offspring's lives and much more.
I've had this sitting on my TBR shelf for some years, never realised what a fabulous writer Mary Lavin is!!
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What's in those Irish waters that produces such marvelous creativity? I've only previously read Lavin's In a Cafe, so I was particularly excited to find and dig in to this collection.

These stories are remarkable because of how essentially centred on the experiences of womenhood they are. And that's not to say the people featured were epitomes of moral perfection. Petty and awful, the characters themselves are unforgettable. They're a study in contradictions in how they perceive themselves, show more and how others (other characters and the reader) perceive them. They are also often Irish ideas personified. I just love them!

For a prolific writer who had won "three Guggenheim Fellowships and a number of literary awards, including the Katherine Mansfield Prize, in 1961", and published regularly in The New Yorker, Lavin seems to have (unfairly) fallen out of favour with modern readers.. However, if you, a modern readers, are looking for a great short story writer, I highly recommend picking up a Lavin.

Extras: listen to Colm Toibin read and discuss In the Middle of the Fields on The New Yorker. Read Lavin's obituary in The New York Times. Read this fascinating paper analysing the essential Irishness of The Becker Wives.
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½
Some entertaining stories but all read like parables without resolution. Examples like Lemonmade begin strong but peter out by the end. Moreover, the edition I read was so riddled with typos (one characters name abruptly changed from "Purdy" to "Portly" rndomly throughout the text) it was badly marred.

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Statistics

Works
36
Also by
32
Members
584
Popularity
#42,937
Rating
½ 3.6
Reviews
11
ISBNs
52
Languages
4
Favorited
4

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