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Morton Feldman (1926–1987)

Author of Give My Regards to Eighth Street

117 Works 381 Members 16 Reviews

About the Author

Image credit: Zeitgenössische Oper Berlin

Works by Morton Feldman

Give My Regards to Eighth Street (2000) 193 copies, 2 reviews
Ecrits et paroles (1998) 12 copies
Essays (1985) 8 copies
Rothko Chapel (1973) 8 copies, 1 review
Piano and String Quartet (1985) 8 copies, 1 review
Pensamientos Verticales (2012) 6 copies
Morton Feldman (1986) 5 copies
For Bunita Marcus (2012) 4 copies
The Viola In My Life (2008) 4 copies
Triadic Memories 4 copies, 1 review
For Samuel Beckett (1987) 4 copies
The Viola in My Life (2008) 3 copies, 2 reviews
Coptic Light (1986) 3 copies, 1 review
Neither (2008) 2 copies
Three Voices 1 copy, 1 review
Piano and Orchestra 1 copy, 1 review
Routine Investigations 1 copy, 1 review
Vertical Thoughts II 1 copy, 1 review
Cello and Orchestra 1 copy, 1 review
The Viola in My Life IV 1 copy, 1 review
Instruments II (2012) 1 copy, 1 review
Piano works 1 copy
Trio for flutes, 1972 (2007) 1 copy
String Quartet (2006) 1 copy
Trio 1 copy
Piano (1977) (1981) 1 copy
Neither 1 copy
Last pieces 1 copy

Tagged

Common Knowledge

Birthdate
1926-01-12
Date of death
1987-09-03
Gender
male
Occupations
composer
Awards and honors
American Academy of Arts and Letters Academy Award (Music, 1970)
Nationality
USA
Birthplace
Brooklyn, New York, USA
Place of death
Buffalo, New York, USA
Associated Place (for map)
New York, USA

Members

Reviews

16 reviews
There's a widely-quoted anecdote near the start of this book where Morton Feldman shows John Cage a string quartet he has written. Cage looked at it a long time and then said, "How did you make this?" In a very weak voice Feldman answers, "I don't know how I made it." Cage is excited and delighted by this response. I confess I haven't read all the essays in this book, but have put them aside. After reading a third or a half, I came to the conclusion that Feldman really didn't know how he show more made his compositions, and I felt some sympathy for his old teacher who replied to his explanations with "Morton, I don't understand a word you're saying." That's not to say his essays are uninteresting, but they are frequently opaque and their relation to either his music or to familiar (to me) cultural reference points is often oblique. I shall marinate myself in more of his music and then see if I feel moved to dip into more of the essays. show less
½
Great read and essential for understanding modern art and modern music.
Some of these pieces are difficult but will repay attention.

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Statistics

Works
117
Members
381
Popularity
#63,386
Rating
3.9
Reviews
16
ISBNs
36
Languages
9

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