Morton Feldman (1926–1987)
Author of Give My Regards to Eighth Street
About the Author
Image credit: Zeitgenössische Oper Berlin
Works by Morton Feldman
"For Christian Wolff". 3 CD 3 copies
Au-delà du style. Conférences, masterclasses, conversations à Middelbourg, 1985, 1986, 1987 (2021) 2 copies
Feldman: Coptic Light 2 copies
The viola in my life (1) [score] 2 copies
For John Cage, Vol. 6 1 copy
The King of Denmark 1 copy
Piano & String Quartet 1 copy
Piano works 1 copy
Vertical thoughts 3 1 copy
Solo Piano Works 1950-64 1 copy
M Feldman - Clarinet and String Quartet (A Burr, G Jennings, G Ouzounian, CY Chen, C Curtis) [2015] 1 copy
M Feldman - Piano, Violin, Viola, Cello (M Knoop, A Orazbayeva, B Carey, A Lukoszevieze) (2017) 1 copy
New Directions in Music 1 copy
Trio 1 copy
Oboe and orchestra (1976) / Piano and orchestra (1975) // Aussem, Woodward, RSO Saarbr., Zender 1 copy
Flute and Orchestra (1977/78) / Cello and Orchestra (1972) // Staege, Palm, RSO Saarbr., Zender 1 copy
Two pieces : for two pianos 1 copy
Instruments II [score] 1 copy
Instruments III [score] 1 copy
The viola in my life (2) 1 copy
Neither 1 copy
Feldman: Piano and Orchestra / Flute and Orchestra / Oboe and Orchestra / Cello and Orchestra (2000) 1 copy
The viola in my life (IV) 1 copy
Last pieces 1 copy
Tagged
Common Knowledge
- Birthdate
- 1926-01-12
- Date of death
- 1987-09-03
- Gender
- male
- Occupations
- composer
- Awards and honors
- American Academy of Arts and Letters Academy Award (Music, 1970)
- Nationality
- USA
- Birthplace
- Brooklyn, New York, USA
- Place of death
- Buffalo, New York, USA
- Associated Place (for map)
- New York, USA
Members
Reviews
There's a widely-quoted anecdote near the start of this book where Morton Feldman shows John Cage a string quartet he has written. Cage looked at it a long time and then said, "How did you make this?" In a very weak voice Feldman answers, "I don't know how I made it." Cage is excited and delighted by this response. I confess I haven't read all the essays in this book, but have put them aside. After reading a third or a half, I came to the conclusion that Feldman really didn't know how he show more made his compositions, and I felt some sympathy for his old teacher who replied to his explanations with "Morton, I don't understand a word you're saying." That's not to say his essays are uninteresting, but they are frequently opaque and their relation to either his music or to familiar (to me) cultural reference points is often oblique. I shall marinate myself in more of his music and then see if I feel moved to dip into more of the essays. show less
Great read and essential for understanding modern art and modern music.
Some of these pieces are difficult but will repay attention.
Some of these pieces are difficult but will repay attention.
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Statistics
- Works
- 117
- Members
- 381
- Popularity
- #63,386
- Rating
- 3.9
- Reviews
- 16
- ISBNs
- 36
- Languages
- 9












