Author picture

Allan Vaughn Elston (1887–1976)

Author of Hit the Saddle

32+ Works 77 Members 3 Reviews

About the Author

Includes the name: Allan V. Elston

Works by Allan Vaughn Elston

Hit the Saddle (2012) 8 copies
Last Stage To Aspen (2019) 5 copies, 1 review
Roundup on the Picketwire (2011) 5 copies
Deadline at Durango (2010) 4 copies
The landseekers (2018) 4 copies
Wagon Wheel Gap (2023) 4 copies
Saddle Up for Steamboat (2014) 3 copies
Montana masquerade (2021) 3 copies
Arizona Skyline (1971) 3 copies
Timberline Bonanza (2016) 2 copies
The Wyoming bubble (2025) 2 copies, 2 reviews
Guns on the Cimarron (2011) 2 copies
Paradise Prairie (2024) 2 copies
Gun Law At Laramie (2022) 2 copies
Grand Mesa (2020) 2 copies
The Sheriff of San Miguel (2020) 2 copies
Rio Grande Deadline (2025) 2 copies
Wyoming Manhunt (2021) 2 copies
The Lawless Border (2021) 1 copy
The Big Pasture (1970) 1 copy
Forbidden Valley (2019) 1 copy
Big Pasture (1972) 1 copy

Associated Works

Murder for the Millions (1946) — Contributor — 8 copies
Alfred Hitchcock's Fireside Book of Suspense (1947) — Contributor — 6 copies
Adventure, December 15, 1934 (1934) — Contributor — 2 copies
ARGOSY OCTOBER 22, 1938 VOLUME 285 NUMBER 4 (1938) — Contributor — 2 copies
ARGOSY MARCH 5, 1938 VOLUME 280 NUMBER 1 (1938) — Contributor — 2 copies
ARGOSY DECEMBER 10, 1938 VOLUME 286 NUMBER 5 (1938) — Contributor — 2 copies
Argosy, March 19, 1938 — Contributor — 1 copy

Tagged

Common Knowledge

Canonical name
Elston, Allan Vaughn
Birthdate
1887
Date of death
1976
Gender
male
Nationality
USA
Birthplace
Kansas City, Missouri, USA
Places of residence
South Pass, Wyoming, USA
Place of death
Santa Ana, California, USA
Associated Place (for map)
USA

Members

Reviews

3 reviews
Four years later, and this book turned out to be surprisingly memorable. I picked it up from the house where I was staying on a complete whim, and when I tweeted about liking it, one of the author’s descendants thanked me for reading and enjoying it! How cool is that?

I think part of my great enjoyment of this was not being familiar with conventions of this genre, but honestly, pulp fiction was meant to be really readable, right? The pacing was perfect, like you could read it slow or put it show more down for a while and not fall out of it at all.

I loved that the dame the main character was into was interesting and not just a pretty face, even if she didn’t do much for herself. I liked that stage-coaches had a bigger presence than trains. I really liked that I didn’t know what would happen, or how large the scope of the adventure would be. Mercenaries, corporate scheming, camping, gambling… all your wild-west staples, and thankfully lacking in racism and aggression against indigenous peoples. Well, they weren’t in the book at all, but that’s a different problem.

I think one of my issues with it though is that it didn't feel like a book set in the 1880s, it felt like the era it was written in. Which is a shame, I suppose. But it had such a neat ending.
show less
½
Four years later, and this book turned out to be surprisingly memorable. I picked it up from the house where I was staying on a complete whim, and when I tweeted about liking it, one of the author’s descendants thanked me for reading and enjoying it! How cool is that?

I think part of my great enjoyment of this was not being familiar with conventions of this genre, but honestly, pulp fiction was meant to be really readable, right? The pacing was perfect, like you could read it slow or put it show more down for a while and not fall out of it at all.

I loved that the dame the main character was into was interesting and not just a pretty face, even if she didn’t do much for herself. I liked that stage-coaches had a bigger presence than trains. I really liked that I didn’t know what would happen, or how large the scope of the adventure would be. Mercenaries, corporate scheming, camping, gambling… all your wild-west staples, and thankfully lacking in racism and aggression against indigenous peoples. Well, they weren’t in the book at all, but that’s a different problem.

I think one of my issues with it though is that it didn't feel like a book set in the 1880s, it felt like the era it was written in. Which is a shame, I suppose. But it had such a neat ending.
show less
When Wes Brian, a stage coach driver, is nearly killed during a robbery, he decides to invest his savings in a silver mine through broker, Frank Bayard. What he doesn't know is that Bayard is a swindler who will stoop to anything to make money including changing Wes' name on the mine certificate to his. Soon Wes is dodging bullets, dynamite and thugs trying to beat him to death.

Gripping fast moving story that is difficult to put down.

You May Also Like

Associated Authors

Statistics

Works
32
Also by
8
Members
77
Popularity
#231,245
Rating
3.1
Reviews
3
ISBNs
50

Charts & Graphs