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Barbara Ker Wilson (1929–2020)

Author of Scottish Folk-Tales and Legends

58+ Works 657 Members 9 Reviews

About the Author

Disambiguation Notice:

Secretary and assistant editor at Oxford University Press (1949); children's book editor at Bodley Head (1954); children's editor at Collins publishers (1950s); editor at Angus & Robertson publishers; from 1973 she worked at Hodder & Stoughton, Sydney, and then Reader's Digest Condensed Books. Wilson also kept up her parallel career as an anthologist and writer.

Image credit: Barbara Ker Wilson

Works by Barbara Ker Wilson

Scottish Folk-Tales and Legends (1954) 105 copies, 1 review
The Lost Years of Jane Austen (2008) 52 copies, 1 review
Wishbones (1993) 51 copies, 1 review
Fairy Tales from Scotland (1999) 31 copies
Jane Austen in Australia (1984) 24 copies, 1 review
Animal Folk Tales (1968) 20 copies
The Willow Pattern Story (1978) 20 copies
Max the Magpie (1983) 16 copies
The Day of the Elephant (2005) 16 copies
Path-through-the-woods (2021) 14 copies, 1 review
Legends of the Round Table (1968) 12 copies, 1 review
Antipodes Jane (1985) 12 copies, 1 review
Last Year's Broken Toys (1964) 11 copies
Fairy Tales of Russia (1959) 11 copies, 1 review
Kevin the kookaburra (1983) 9 copies
Acacia Terrace (1988) 9 copies
The Biscuit-Tin Family (1967) 8 copies
Fairy Tales from Germany (1959) 8 copies
KELLY THE SLEEPY KOALA (1983) 7 copies
Fairy tales of India (1960) 7 copies
The Quade Inheritance (1988) 7 copies
Meltdown (1999) 6 copies
Albert The Albatross (1986) 6 copies
Fairy Tales of Mexico (1960) 5 copies
A family likeness (1967) 5 copies
Fairy Tales of England (1960) 5 copies
Fairy tales of France (1960) 4 copies
In the shadow of Vesuvius (1965) 4 copies
Fairy tales of Ireland (1959) 4 copies
The Lovely Summer (1972) 4 copies
The Turtle and the Island (1978) — Narrator — 3 copies
Fairy Tales of Persia (1961) 3 copies
Katy the Grey Kangaroo (1986) 3 copies
Brief Encounters (1992) 2 copies
Australian Kaleidoscope (2007) 2 copies
In love and war 2 copies
Danny, the dolphin (1986) 2 copies
Tiddalik the Frog (1986) 1 copy
Yellow Dog Dingo (1986) 1 copy

Associated Works

Stories of Ghosts, Witches, and Demons (1971) — Contributor — 63 copies, 1 review
Alitjinya ngura tjukurtjarangka = Alitji in the dreamtime (1975) — Editor, some editions — 30 copies
The New Young Oxford Book of Ghost Stories (1999) — Contributor — 27 copies
A Book of Girls' Stories (1973) — Contributor — 15 copies
Strange Tales from Many Lands (1975) — Contributor — 13 copies

Tagged

Common Knowledge

Canonical name
Wilson, Barbara Ker
Other names
Tahourdin, Barbara Ker Wilson
Birthdate
1929-09-24
Date of death
2020-09-10
Gender
female
Education
North London Collegiate School
Occupations
editor
author
Awards and honors
Dromkeen Medal (1999)
Nationality
UK (birth)
Australia
Birthplace
Sunderland, Durham, England, UK
Places of residence
London, England, UK
Adelaide, South Australia, Australia
Melbourne, Victoria, Australia
Sydney, New South Wales, Australia
Leura, New South Wales, Australia
Disambiguation notice
Secretary and assistant editor at Oxford University Press (1949); children's book editor at Bodley Head (1954); children's editor at Collins publishers (1950s); editor at Angus & Robertson publishers; from 1973 she worked at Hodder & Stoughton, Sydney, and then Reader's Digest Condensed Books. Wilson also kept up her parallel career as an anthologist and writer.
Associated Place (for map)
Australia

Members

Reviews

10 reviews
I have a weakness for all things Jane Austen so when I saw this novel purporting to fill in the missing time in our knowledge of Austen, I snapped it up. Wilson imagines that Austen traveled with her aunt and uncle Leigh Perrot to Australia during this gap of time, drawing a well done portrait of the penal colony in the beginning of the 1800's. Starting with Aunt Jane Leigh Perrot being arrested and falsely accused of stealing lace (based on a true incident in which Mrs. Leigh Perrot spent show more some months in jail before being brought to trial and exonerated), Wilson imagines that Austen's uncle, an amateur lepidopterist, fixates on the idea of the strange and wonderful natural life in the Antipodes should his wife be inexplicably found guilty and transported. Meanwhile, Austen herself is in Bath with her family and falls in love with every expectation of marriage. But a letter telling her of Elliott Fordwick's untimely demise ends these happy imaginings and it takes Jane a considerable amount of time to stop grieving. With her future completely changed from all expectation, Jane jumps at the chance to accompany her aunt and uncle on the trip to Australia about which her uncle has never quite relinquished hope of taking. Many are the characters introduced in the book before and during the journey as well as once the Leigh Perrots and niece Jane arrive in Sydney; some are historic figures and some are fictional. And despite the billing on the jacket copy of the book, this is not a book about hushing up a failed romance that Austen had while Down Under. It is a well done, interesting, and unusually imagined guess at what Jane Austen could have been doing during the years there was such a dearth of letters to her sister Cassandra.

I was impressed by how well Wilson managed to invoke the language of the time, something so many post-Austen writers fail to do. I enjoyed her characterizations and the way she set up little clues for careful readers to explain things that later found themselves in Austen's actual works. She widened the focus beyond just Austen herself, fleshing out the Leigh Perrots quite extensively, which helped to give the novel a bit more heft and while that generally worked, I felt it did go on just a bit too long, given the dearth of things to do in the colony for a gently reared young lady. But the budding society in Parramatta and Sydney were well described and interesting, especially the details about the former convicts. Overall, a satisfying read that will probably appeal to most Jane-ites, despite the seeming incongruity of Austen in Australia.
show less
The title of the story for older girls is taken from one of the patchwork quilt patterns used by our great-great-grandmothers. It centers around one such quilt, and takes us back to the days, about 100 years ago, when each piece of material in it was fresh and unfaded. It is the story of a Victorian family living on the outskirts of London, and, in particular, of Sophie Fielding, the oldest daughter, who conceives the unheard of notion of wanting to make a career for herself – – as a show more lady doctor! Incredulity, ridicule, and blank opposition stand in her way, but she is determined to prove that a woman can make a place for herself in the medical profession.We live with Sophie and her family in the days of handsome cabs and muffinmen; when the railways were a daring innovation; when Queen Victoria was young. We share the excitement of the Great Exhibition, the sorrow of the Crimean War, and pride in Florence Nightingale. But primarily this is the story of Sophie's struggle to fulfill her ambition, set against the exciting, rapidly changing background of the 1850s. show less
I enjoyed this book, based on the premise that Jane Austen's aunt is transported to Australia for a minor theft, and Jane joins her. Observations on early colonial society.
½
The turtle is looking for a place to rest in the sun, so one by one he brings sand and rocks to a spot in the water so he can create an island. A man and woman whom have no connection to each other, both tell the turtle about how they would like to have chldren and have a family. After completing the island, the turtle brings both the man and woman to live there together and Papua New Guinea is created.

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Statistics

Works
58
Also by
5
Members
657
Popularity
#38,399
Rating
½ 3.5
Reviews
9
ISBNs
77
Languages
1

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