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Joe Orton (1933–1967)

Author of Joe Orton : The Complete Plays

30+ Works 2,164 Members 19 Reviews 5 Favorited

About the Author

Born in Leicester, Orton trained as an actor but soon turned to writing plays instead. Before his career had barely begun, however, he was murdered by his homosexual lover, apparently in a fit of jealousy over his success. Orton's shocking murder is too easily made the biographical focus for show more discussion of his plays, devoted as they are to the grotesque, the perverse, and the violent. A more relevant landmark in the playwright's life might be the jail term he served for the bizarre crime of defacing library books, replacing illustrations with uproarious collages, and rewriting jacket blurbs in "mildly obscene" parodies of journalistic cliche. Assaulting the cultural consumer by transposing familiar icons and vocabulary was the key to Orton's theatrical method. But it was supplemented by a growing verbal power and stage imagery with aspirations to myth. As Orton's literary powers grew, so did the outrage of social response. The Pinterian ambiance and language of his first works, Entertaining Mr. Sloan (1964) and the radio play The Ruffian on the Stair (1966), were well received. Sloane was chosen best new British play of 1964 and won the blessing of Terence Rattigan himself. But Loot, joking with death, religion, sex, and family, proved more disturbing (it involves a slapstick charade centered on a corpse and a coffin). The first production, directed by Peter Wood, closed on tour without reaching London. It was not until 1966 that the play was staged, to acclaim, in Charles Marowitz's fringe theater. In 1969, What the Butler Saw failed in the West End, despite a cast of many famous names, including Ralph Richardson. Only the Royal Court revival of 1975 gave Orton's undoubted masterpiece its due. But by then the playwright had been dead for eight years. In the phallic epiphany with which Butler ends, as in his version of Euripides' Bacchae, The Erpingham Camp (1965), Orton calls attention to his Dionysian ambitions, his serious use of farce as a means of disruption and liberation. His last plays, in which violent animal spirits subvert dialogue of extreme, even Victorian, formality and outrageous authority figures, represent probably the greatest comic achievement of contemporary British drama. show less

Includes the names: Joe Orton, Joe Kingsley Orton

Works by Joe Orton

Joe Orton : The Complete Plays (1976) 713 copies, 4 reviews
The Orton Diaries (1986) 580 copies, 4 reviews
What the Butler Saw (1969) 194 copies, 5 reviews
Head to Toe (1971) 167 copies
Loot (1967) 153 copies, 4 reviews
Entertaining Mr. Sloane (1964) — Author — 99 copies, 2 reviews
Between Us Girls: A Novel (1998) 40 copies
New English Dramatists 8 (1965) 15 copies
Funeral Games (1970) 15 copies
Visitors and Fred and Madge (1998) 14 copies
Crimes of Passion (1967) 13 copies
The Boy Hairdresser and Lord Cucumber: Two Novels (1999) — Author — 13 copies
New English Dramatists 13 (1968) — Author — 12 copies

Associated Works

The Assassin's Cloak: An Anthology of the World's Greatest Diarists (2000) — Contributor, some editions — 623 copies, 9 reviews
Gay Plays: The First Collection (1979) — Contributor — 121 copies

Tagged

1960s (17) 20th century (45) autobiography (36) biography (52) British (33) comedy (22) diary (71) drama (175) England (13) English (10) English literature (32) farce (14) fiction (83) gay (42) humor (22) Joe Orton (18) LGBT (17) LGBTQ (10) literature (29) memoir (13) non-fiction (37) novel (11) Orton (12) play (57) plays (102) playscript (12) script (24) theatre (116) to-read (55) UK (15)

Common Knowledge

Legal name
Orton, John Kingsley
Other names
Welthorpe, Edna
Birthdate
1933-01-01
Date of death
1967-08-09
Gender
male
Education
Royal Academy of Dramatic Art
Clark's College
Occupations
playwright
Agent
Peggy Ramsay
Relationships
Halliwell, Kenneth (partner and murderer)
Short biography
Playwright. He specialized in black comedy; the term "Ortonesque" was coined to mean "outrageously macabre" after his work. After an uneventful childhood, except for bouts of ill health, he became interested in theatre and joined several dramatic societies. He also used this period to improve his appearance, language and make up for a lack of education. He was accepted into the Royal Academy of Dramatic Art which he entered in 1951. He met Kenneth Halliwell there the same year and began a relationship that lasted until both their deaths. They collaborated on a number of novels, most of which are unpublished. Later, ideas from the novels would surface in the plays for which Orton became famous. A colorful and controversial career as an openly gay playwright began in the early sixties, however Halliwell's contributions and career were eclipsed by Orton's success and personality. Halliwell came to rely on drugs to combat his depression and frustration. It ended when he murdered Orton on August 9, 1967, and committed suicide directly afterwards. The next morning was to have been a meeting between Orton and the Beatles to discuss a script he was writing for them. Cremated at Golders Green Crematorium his ashes were mixed with Halliwell's then scattered in the Garden of Remembrance at Golders Green. Orton's most famous plays are: The Ruffian on the Stair (1964), Entertaining Mr Sloane (1964), Loot (1965), and What the Butler Saw (1969 posthumous).
Cause of death
murder
Nationality
UK
Birthplace
Leicester, Leicestershire, England, UK
Places of residence
London, England, UK
Place of death
London, England, UK
Burial location
Golders Green Crematorium, London, England
Map Location
England, UK

Members

Reviews

20 reviews
Amusing play about a young man (something like Mr. Ripley from [[Patricia Highsmith]]'s classic) who is lodging with a woman whose whole family is trying to make some kind of claim on him. The homosexual aspect was probably risqué back in the 1960s when it was first performed, but what I found both funny and sad was the sexual competition between brother and sister.
Wasn't a big fan of this on the whole. It veered between quite dull sections on the night by night performance of his plays at the theatre and joyless sex scenes - in particular with the kids in Morocco. On the other hand I liked the gossipy, conversational bits where people like Kenneth Williams popped up, and it was quite morbidly fascinating reading it, all the time knowing how it ends, and looking out for the warning signs in their relationship.
½
A very entertaining read unless you are homophobic. In his brief career Orton wrote several West End theatre successes until murdered by his gay lover in 1967. His diaries tell it very much as it is, with sex on his mind almost continuously, and almost as frequently being acted out, sometimes with graphic detail. One wonders what he might have achieved had his lifestyle left more time and energy for writing - and not been cut off so early (age 34) by that lifestyle.
Reminiscent of a French farce or an extended Monty Python sketch... I found it hilarious but some may find the jokes about rape in poor taste. Since no one was actually raped, it didn't bother me.

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Statistics

Works
30
Also by
3
Members
2,164
Popularity
#11,870
Rating
3.9
Reviews
19
ISBNs
91
Languages
8
Favorited
5

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