Gary Gianni

Before I had read a single fantasy story, before I even really knew what science fiction was, before I had ever rolled a single die in a role-playing game, there was Prince Valiant. From the time I was old enough to read and knew what the Sunday comics in newspapers were, I would look forward to being transported to King Arthur's court to follow the adventures of Prince Valiant of Thule as we waded through anachronistic enemies, won the hand of Aleta of the Misty Isles, and wielded the show more Singing Sword to bring his particular brand of hack and slash justice to the world. Far from Camelot reprints strips of the Sunday comic that appeared between 2004 and 2008, long after my formative years of religiously reading it, but they capture the same history-be-damned pulpy chain mail and flashing swords adventure that I fell in love with when I was six.

The book opens with Prince Valiant, now serving along with his wife Queen Aleta as regents of England following Arthur's abdication, chafing at the idleness of courtly life. After a brief set of strips in which Valiant takes out his frustrations on those around him, he is encouraged to take his son Nathan as his squire and head out into the country in search of adventure. From there four lengthy stories ensue, one after another, as Valiant ventures further and further away from his home in Camelot. First Valiant befriends a Pict named Borgut who convinces him to head north to deal with dragons that are plaguing Borgut's village. After some adventure, intrigue, treachery, and something of a love interest for Nathan, Valiant and his squire charter passage back to Camelot. Of course, as this is Prince Valiant, their journey home is interrupted by some anachronistic Norse raiders, and Valiant is taken prisoner.

The stories are told in a fairly boisterously implausible style, with Valiant doing manly things and dealing with manly men. The Norse captain Skyrmir humiliates Valiant until Valiant manages to disable him, resulting in his replacement as captain by the even more ruthless Thornwolf. After sailing to Iberia, the Norse crew finds a mysterious tower and learn of a forgotten Carthaginian treasure that turns out to be King Solomon's gold. After adventures involving the hoards otherworldly guardian, Valiant and Skyrmir escape, establish the sort of macho friendship that results when two men beat each other over the head for a while, only to stumble across and rescue an African princess named Makeda. Meanwhile Nathan finds Gawain, who takes him back to Camelot where he can report Valiant's capture to Aleta.

And so the story winds on as Valiant finds himself drawn into a quest to return King Solomon's gold to its African guardians in the city of Ab'Saba, and Aleta sets out to rescue the husband she thinks is still the prisoner of Norse pirates. Instead of trying to return home to his wife and children, Valiant decided that once he was free of his pseudo-Viking captors he would work his way south along the African coast. And so Valiant's adventures continue until he finds himself in the middle of a Ab'Saban civil war, where, serendipitously, Aleta's expedition happens to show up to tie the story up in a neat little bow.

For anyone who has ever read Prince Valiant in the Sunday papers, there isn't really anything in this volume that should be surprising. The artwork is done in the usual realistic style, the text is placed in little boxes - the Valiant strip has never used speech bubbles. The stories are, as one would expect, filled with villains who are at turns nefarious, duplicitous, and jovial, and monsters that are sometimes implausible, and sometimes merely beastly. Throughout, Valiant perseveres with the kind of swashbuckling bravado that only works in the particular kind of comic strip that he lives in, but it is a kind of swashbuckling bravado that is entertaining as well. Readers who don't enjoy Arthurian epic heroism won't get much out of this book. Those who do, on the other hand, will certainly find this to be an enjoyable and exciting read.

This review has also been posted to my blog Dreaming About Other Worlds. show less

Gary Gianni's Monstermen and Other Scary Stories was a real treat! I knew nothing about what to expect from this volume, (knowing nothing about the Hellboy series, in which these comics were originally released), so I went in with no preconceptions. I was seriously impressed. Here's why:

First, I LOVED the stories! The first 2/3 of this are different comics featuring a movie director named St. Lawrence, (who looks a lot like Vincent Price, btw, and who you would think belonged in the 30's show more expect for the occasional glimpse of technology), and his friend Benedict a member of the Corpus Monstrum guild. Benedict is an immortal knight and always wears his knight helmet and a tuxedo. (I need to learn more about the background of this character because he was a blast to read about.)


Together they fend off plagues of falling skulls, and other monstrous creatures.


Second, the last third of the book contains illustrated classic stories by the likes of Clark Ashton Smith, Robert E. Howard, and William Hope Hodgson. I LOVED these! When reading these short stories, I couldn't help but notice how the first 2/3 of the book carried the exact same pulpy, adventure feel that these classic stories originally created. I think Gianni did a beautiful job of carrying on that feel in his comics and in his illustrations of these pulp shorts. In a way, I feel like these were his way of paying tribute to what came before, while also making them his own.

Again, I went into this with no preconceptions. I came away with much admiration and respect. I'm going to eventually read the Hellboy comics and I'm definitely going to search out Mr. Gianni and see what else he has on offer, because whatever it is, I'm in!

Highly recommended, especially to fans of the classic pulp short stories and to fans of incredible artwork.

You can get your copy here: Gary Gianni's Monstermen and Other Scary Stories

*Thank you to Edelweiss and to Dark Horse Comics for the e-ARC of this volume in exchange for my honest review. This is it!* show less

This book is difficult to categorize. Basically, it is a series of illustrated stories or graphic mini-novels dealing with various aspects of child abuse. It is described as a children's book for adults. Moving and well-done, the only problem is that the people who really need to read it will never see it.

Background: Gary Gianni's Monstermen and Other Scary Stories is a collection of stories ranging from pirates, to zombies, to skulls, and phantoms and ghosts of all kinds.

Review: The copy that I received via electronic edition was very fuzzy and difficult to read, however the pictures were marvelous in every way! I think that aside from the fuzziness there was also a few parts where I was very lost in the storyline...and I read a lot of graphic novels so I am not sure it was my inability to show more move to the right boxes...
All of the different types of scary beings were well executed and overall it was a decent read. Zombies, pirates, skulls and creepy crawlies, how can one really go wrong? show less