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Ernst Lubitsch (1892–1947)

Author of The Shop Around the Corner [1940 film]

65+ Works 883 Members 47 Reviews

About the Author

Works by Ernst Lubitsch

The Shop Around the Corner [1940 film] (1940) — Director — 129 copies, 2 reviews
To Be or Not to Be [1942 film] (1942) — Director — 119 copies, 9 reviews
Ninotchka [1939 film] (1939) — Director — 77 copies, 2 reviews
Trouble in Paradise [1932 film] (1932) 66 copies, 5 reviews
TCM Greatest Classic Films Collection: Holiday (2009) — Director — 58 copies
Design for Living [1933 film] (1933) — Director — 52 copies, 1 review
Heaven Can Wait [1943 film] (1943) — Director — 52 copies, 3 reviews
Cluny Brown [1946 film] (1946) — Director — 26 copies, 3 reviews
Bluebeard's Eighth Wife [1938 film] (1938) — Director — 23 copies, 2 reviews
The Merry Widow [1934 film] (2001) — Director — 19 copies
That Uncertain Feeling [1941 film] (1941) — Director — 14 copies
If I Had A Million [1932 film] (1932) — Director — 12 copies
Angel [1937 film] (1937) — Director & Producer — 12 copies
Greta Garbo: The Signature Collection (2005) — Director — 12 copies
The Claudette Colbert Collection (2009) — Director — 9 copies
Broken Lullaby [1932 film] (1932) — Director — 9 copies, 1 review
Lubitsch in Berlin (2007) — Director — 9 copies
The Love Parade [1929 film] (1929) 9 copies, 1 review
The Student Prince in Old Heidelberg [1927 film] (1927) — Director — 8 copies, 1 review
Madame Dubarry [1919 film] (1919) — Director — 8 copies
Monte Carlo [1930 film] (2007) 8 copies
Classic Comedies Collection (2005) — Director — 7 copies
The Smiling Lieutenant [1931 film] (1931) — Director — 7 copies, 1 review
The Wildcat [1921 film] (1921) — Director — 5 copies
One Hour With You [1932 film] (1932) — Director — 5 copies
The Doll [1919 film] (1919) — Director — 5 copies, 2 reviews
The Oyster Princess [1919 film] (1919) — Director; Screenwriter — 5 copies, 2 reviews
The Marriage Circle [1924 film] (2005) 5 copies, 2 reviews
La Boutique au coin de la rue (2001) — Director — 4 copies
The Doll/I Don't Want to Be a Man (2013) — Director — 3 copies
So This Is Paris 3 copies, 1 review
Anna Boleyn [1920 film] (2011) — Director — 2 copies
Here is Germany [1945 film] (1990) 2 copies, 2 reviews
A Royal Scandal 2 copies
the Eyes of the mummy 🎥 2 copies, 1 review
Eternal Love 1 copy
Rosita 🎥 1 copy, 1 review
Meyer from Berlin 🎥 1 copy, 1 review
Sumurun 1 copy
the Flame 🎥 1 copy, 1 review

Associated Works

Tagged

Common Knowledge

Canonical name
Lubitsch, Ernst
Birthdate
1892-01-29
Date of death
1947-09-30
Gender
male
Education
Sophien Gymnasium, Berlin,Germany
Occupations
film director
Awards and honors
Academy Award (1947)
Hollywood Walk of Fame
Short biography
Ernst Lubitsch was born  in Berlin. He enjoyed performing on stage in gymnasium (high school), and decided to leave school at the age of 16 to pursue an acting career. However, he had to compromise with his father, who wanted him to join the family tailor business, by keeping the account books by day while acting in cabarets and music halls at night. In 1911, he joined Max Reinhardt's famed Deutsches Theater and rose quickly from bit parts to leading roles. He made his screen debut in character roles and in 1914 started writing and directing his own films. His breakthrough film was 1918's The Eyes of the Mummy, a tragedy starring future Hollywood star Pola Negri. The following year he directed seven short films, beginning to perfect the style that later became known as the "Lubitsch Touch" -- sophisticated, subtle humor and wit combined with innovative visuals.

Critic Michael Wilmington would summarize the Lubitsch style as, "At once elegant and ribald, sophisticated and earthy, urbane and bemused, frivolous yet profound." Lubitsch's success in Europe brought him to the attention of Hollywood studios, and he went to the USA in 1923 at the request of his new friend and star Mary Pickford to direct her in his first American hit, Rosita (1923). Lubitsch made a smooth transition from silent films to sound movies, and became famous for his pioneering musical films and dramas in the 1930s. Paramount made him its production chief in 1935, and in 1938 he signed a three-year contract with Twentieth Century-Fox.

He then moved to MGM, where he directed Greta Garbo and Melvyn Douglas in Ninotchka (1939). During World War II, he directed To Be or Not to Be (1942), perhaps his most beloved comedy. It was controversial in its day but is now considered a classic satire. In 1947, the year of his death, he won a Special Academy Award (after being nominated three times) for his 25-year contribution to motion pictures.
Nationality
Germany (birth)
USA (naturalized)
Birthplace
Berlin, Germany
Places of residence
Hollywood, California, USA
Place of death
Los Angeles, California, USA
Burial location
Forest Lawn Memorial Park Cemetery, Glendale, California, USA
Associated Place (for map)
California, USA

Members

Reviews

52 reviews
Delightful silent film with excellent cast in a story of marital misunderstanding and near-infidelity we've seen so many times since. Notable for the presence and excellent performance of the poor, doomed Marie Prevost, made legendary by Nick Lowe's song "Marie Provost" as the friend out to take away the beautiful Vidor's husband. Amazing that a silent comedy that isn't the least bit slapstick can still come across as funny. I watched the restored version, which except for a few missing show more frames, was quite clear and bright. The added musical score, however, is wildly inappropriate and way too intrusive for most of the length of the film. Some of it could stand on its own perhaps, but I was just distracted by it. show less
B (Good).

A rich girl demands to marry a prince.

Unashamedly cartoonish (not that they knew what cartoons were in 1919, but you wouldn't know it from watching this).

(Apr. 2026)
½
A soldier accidentally smiles at a princess.

2.5/4 (Okay).

It's a pleasant enough movie. The story is unpredictable (for a romantic comedy), and very pre-code. The songs are pretty bad.
Aristocratic thieves in a love triangle with their mark.

A fun movie. And presumably a very important movie, but I couldn't care less about that sort of thing. It's too restrained for the comedy to get more than a few chuckles, and too lighthearted for the suspense and romantic drama to be effective. Marshall doesn't have enough charisma to bring anything special to his role. And any story set among the aristocracy isn't something that's going to hook my interest. I enjoyed it, show more though.

Concept: C
Story: B
Characters: A
Dialog: A
Pacing: B
Cinematography: B
Special effects/design: B
Acting: B
Music: B

Enjoyment: C plus

GPA: 3.0/4
show less

Lists

Awards

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Noël Coward Original play
Donald Ogden Stewart Author, Writer
Mervyn LeRoy Director
Sam Wood Director
Samuel Hoffenstein Screenwriter
Elizabeth Reinhardt Screenwriter
Norman Taurog Director
James Cruze Director
Frank Lloyd Director
Fred Orbing Screenwriter
John M. Stahl Director
Jack Conway Director
Howard Hawks Director
Hanns Kräly Screenwriter
Tay Garnett Director
Frank Capra Director
Nora Ephron Director
Dorothy Spencer Film editor
Melchior Lengyel Original story
William Daniels Cinematographer
Mary Carr Actor
Rudolph Maté Cinematographer
Tom Dugan Actor
Sig Ruman Actor
Joseph LaShelle Cinematographer
Margery Sharp Orginal novel
Eve Arden Actor
Ernest Vajda Screenwriter
Victor Milner Cinematographer
Maurice Rostand Original novel
Oscar Wilde Original book
Paul Davidson Producer
Theodor Sparkuhl Cinematographer
Curt Bois Actor
Caitlin Kuhwald Cover artist

Statistics

Works
65
Also by
5
Members
883
Popularity
#29,018
Rating
½ 3.7
Reviews
47
ISBNs
53
Languages
4

Charts & Graphs