S. J. Rozan

This originally appeared at The Irresponsible Reader.
---

“Big Brother Choi died."

“Wow. What happened?”

“Massive heart attack. Not to worry, there.”

I hadn't really been worried. It wasn’t likely Big Brother Choi had been rubbed out by a rival tong leader and a Chinatown tong war was about to start. Those ham-handed days were largely gone.

But Mary’s “there” implied something else, and I knew what it was, the reason Chris Chiang had called. A seismic shudder was about to show more move through the streets we'd grown up on.

Our high school physics prof had told us that nature abhors a vacuum.

So does power.

WHAT'S FAMILY BUSINESS ABOUT?
The core of this novel is focused on what's going to happen to a real estate development in Chinatown. Which really doesn't sound that exciting—but Rozan's able to make you care. Also, this is not a run-of-the-mill real estate problem.

There's a large-scale development headed towards Lydia's neighborhood, whether anyone wants it or not. The only thing stopping it is that the owner of one building in the middle of the projected development refuses to sell. That owner is—er, was—Big Brother Choi, the head of a tong, who uses that building as his tong's HQ.

So, yeah, a criminal enterprise is all that stands between a (seemingly) legal and successful businessman and the destruction of a neighborhood/way of life. And then the head of the tong dies (of natural causes), and everything could change.

Choi's niece—the executor of his will—comes to Lydia and Bill to provide some security for her as she tries to exert her position vis-à-vis the building. A lot is riding on this one building, and everyone has an opinion: there are two factions within the tong vying to determine the future of the building (and, with it, the tong); the developer; and the neighborhood's historical society--and it's all up to her to decide. People on all sides of the issue are trying to pressure her into making a decision they'd prefer about the building--and some of the pressure could be pretty intimidating.

Especially when ranking members of the tong start dying—without natural causes like those that took out Choi. And then people start shooting at people tangentially connected to the niece and threatening them.

Lydia and Bill now have to keep the niece alive and unscathed while trying to discover who's behind the shooting and the dead tong members.

THE LYDIA AND BILL RELATIONSHIP
There are several reasons that Lydia and Bill's romantic relationship is one of my favorites in fiction, and I'm not going to try to enumerate them all. But probably my favorite part is that when they shifted from close friends/business associates to romantic partners the rest stayed pretty much the same. They deepened what was there, but didn't radically change it.

Their flirting is a little more obvious—and Lydia's less likely to cut it off. But they still have each other's back, the mutual support and trust are still there. When they're on the job, they're on the job, not making goo-goo eyes at each other. Bill knows that Lydia is going to be reckless—and he doesn't try to stop her any more than he did before, but he sure worries about her. Would that everyone in fiction who made that transition did so as well.

SO, WHAT DID I THINK ABOUT FAMILY BUSINESS?
As I've mentioned before (likely too often), while I think most of the Bill-narrated novels are technically superior, the Lydia-narrated novels are consistently the more entertaining. So I went into this with high expectations—and they were pretty much met.

I could go on about the flirting between Lydia and Bill, or talk about Lydia's wit and narration, or how nice it was to see a minor character from several books ago show up. But that's probably enough to indicate where I'm leaning with this post. There are a couple of points that I want to talk about a little, however.

I loved the way Lydia's mom inserted herself into the investigation. I've said enough about the slow-burn in getting the romance to advance, but getting Lydia's mother to stop actively disapproving of Lydia's career and now getting involved?? I dare you to go back 13 books and try to predict that.

Like most people who read Detective Fiction, one of my great joys is being one or three steps ahead of the protagonist in putting the clues together. THere's something so satisfying about being more clever than they are—and in getting your guess endorsed by the protagonist. But what's better? Having the protagonist put all the pieces together in a way you didn't see coming—and instantly realizing there was no other way to interpret the evidence. That mix of "X was really clever there" and "ugh, I'm such a dunce for not seeing that" is somehow gratifying. For me, at least, the solution

Still, I'm not sure the people that Lydia initially revealed the solution to were the best to hear that. I'm even less sure of her timing on the revelation. But it did lead to some of the more exciting parts of the book—so as a reader, I liked that. I just wish that Lydia would be more judicious at times.

This was my first novel of the year—it's a pretty good way to start 2022, something as entertaining as this was can make a guy optimistic about the next twelve months. That's probably a silly way to think about things, but I'm running with it.

Family Business is not only another strong entry in the series that will please fans, it like almost all those before) would be a good entry point for someone curious about the series. So really, there's no excuse to not pick it up. Go do so. show less

This originally appeared at The Irresponsible Reader. If you like this post, you might like others on that site. Consider checking it out!
---

My brother needs a lawyer,” I told Bill over the phone from the sky diving hut.

“Your brother is a lawyer. Unless it’s a different brother, in which case his brother is a lawyer.”

"It’s Elliott, he needs a criminal lawyer, and it’s for a friend.”

“That's what they all say. What happened?”

“The friend was found at the hospital in the show more company of a dead body.”

“Did he make it dead?”

“No.”

“That's what they all say. New York City? Long Island, upstate, New Jersey? "

“That's as far as your reach extends?”

“God no. You need Nebraska? The Leeward Islands?”

“Just testing. Manhattan.”

“The guy’s in custody?”

“Yes, and he’d rather not be,"

“That's what they all say.”

WHAT'S FIRST DO NO HARM ABOUT?
That's basically all you need to know. Lydia's brother gets a call from a coworker that he's friendly with, who's the prime suspect in a murder at the hospital. After Bill connects him with a good criminal lawyer, that lawyer hires the duo to do the investigating for her.

It doesn't go well at first—there's a lot of institutional resistance to helping them—the hospital just wants to put the incident behind them—they're on the verge of a nurses' strike, and the additional bad press associated with a murder is too much for them. They're perfectly willing to let this staff member be arrested and convicted, as long as it happens fast and keeps them out of the news.

Thankfully, Lydia and Bill are good at making allies and cashing in favors—once they start learning secrets and talking to the right people (probably in the reverse order), they start finding more people who will talk to them (willingly or not), and a picture—very slowly begins to emerge.

They've had some real doozies of a case before—and honestly, this is one of the more straightforward cases they've had (if you ignore all the distractions they encounter along the way)

WHY DID I PICK THIS UP? WHY DID I KEEP READING?
I picked this up because it's a Lydia Chin/Bill Smith book.

I kept reading for the expected reasons: the mystery/crime s they uncovered and their chemistry and banter. It's also a "Lydia" book, so it's a bit more upbeat and fun.

The way these two interact has always been something that attracted me to the books, and it continues strong here. There's a little competition between the two of them early on about who can charm the most people connected to the case—and neither of them does very well. Dismally, really. But it's fun to watch them go back and forth about it—it's a nice twist on Spenser's strategy of going around annoying people until someone does something that leads him somewhere. At least they're (superficially, at least) trying to charm people.

But really, just getting the chance to watch the two of them talk to each other is enough to keep me reading.

WHAT DOES THIS BOOK TELL US ABOUT HUMANITY?
This is a tricky one, because like most PI Fiction, the core of this book is people being despicable and trying to get away with it. But there's a focus to this one.

“Seriously,” I said, sipping the cinnamony froth off my mug, “I've never seen so many people doing so many nefarious things. It’s a little disheartening. No, it’s a lot disheartening. A hospital? Isn’t it a thing that medical people are supposed to at least do no harm?”

Bill shrugged. "I always thought so."

Lydia has seen a lot of...well, a lot. Crime, corruption, organized crime, family dysfunction, murder, and so on. A lot of what she's seen would be too much for many of us (myself included). Yet this case disheartens her. She's seen the various and sundry corruptions, backstabbing, machinations, poor conditions surrounding the workers at this hospital—and we're not even talking about patient care/conditions—who knows what would show up if that happened. It's all behind-the-scenes stuff. And it gets to her. She mentions it frequently.

Even with a brother who works in the ER in this hospital, all of this mess shocks her. Bill doesn't seem as disturbed, but I don't get the impression that he expected it to be this bad, either. Even people like them—given their experience, profession, and what they've heard—they expect hospitals to be about helping people. Healing people. Not trying to profit at other people's expense.

I think it says something about how all of us have illusions about institutions. Or that even in the best places for humanity, our collective depravity shows up. Or maybe, that despite all the nefarious things going on, there are people (like her brother) who help people—and that even those who are getting away with things still manage to do some good.

Okay, I'm not sure what this book tells us about humanity. It's not cut and dry—and on one level, we all know that, but something that Crime Fiction is good at is reminding us all that humanity is a mess, but still some good things happen.

SO, WHAT DID I THINK ABOUT FIRST DO NO HARM?
I thoroughly enjoyed it. I think my only complaints are that we didn't get enough of Lydia's brother—because I enjoyed him in his element; and we definitely didn't get more time with the accused murderer—because he was such a fun ball of chaos and earnestness. Seriously, can he get accused of another crime soon? I'd like to see him back in this series.

Everything else was great—good red herrings, a good twisty mystery that exposed a lot of other criminal/crime-adjacent activities, some winning characters. And more than one scuzzy person that you wouldn't have minded being guilty of the murder—sadly, some that get to keep being less-than-upstanding and successful. The final reveal of the killer? I didn't see it coming, but in perfect murder mystery style, once revealed, I couldn't not see it and was annoyed with myself for missing it.

As one expects, Rozan did it again. And now we get to wait for her next successful outing. This would make a fine jumping-on point for the series. I think every book in the series would, for that matter. You've got no excuse not to read it. show less

The New York private investigator team of Lydia Chin and Bill Smith head to the Mississippi Delta to investigate a murder. It was Lydia’s mother who asked them to go, because both the victim, Leland Tam, and the person accused of murdering him, his son Jefferson, are distant cousins of the Chins. Lydia didn’t even know she had cousins in Mississippi. In the course of the investigation she learns why there were a number of Chinese in the South.

The Chinese came after the Civil War. The show more planters lost their slaves, and were looking for other sources of cheap labor to pick cotton. The Chinese didn’t like the work, but they liked the climate. Therefore many of them left the jobs after a short time but stayed in the area. The Chinese saw a need for grocery stores that would serve newly freed African Americans, who were not welcome in white establishments. As Captain Pete Tam, uncle of the accused explained to Lydia and Bill:

“So all over the Delta, Chinese opened groceries in black towns, or in black neighborhoods in mixed towns.”

After the stores got established, the owners brought over their families from China. Because of the Chinese Exclusion Act of 1882, most Chinese weren’t welcome. If, however, you were in the immediate family of a Chinese person who was an American citizen, you were allowed into the country: “Thus was created the paper son.” Young men in China paid U.S. citizens to sponsor them as “sons.” Lydia found out that her great-grandfather’s brother was one of them, and her family in the Mississippi Delta were descendants of that paper son.

Meanwhile, Lydia and Bill’s investigation is much more complicated than they anticipated. First of all, the accused, her cousin Jefferson, escaped from jail. Lydia and Bill think this makes Jefferson look guilty, but no one else does. There does not seem to be a lot of faith that innocence will necessarily help you in the Mississippi justice system, which is - in real life - notoriously unjust.

Moreover, no one who knows Jefferson believes he would have killed his father. In any event, there are plenty of theories for what might have happened to Leland. Did it have to do with his status as being the family of a “paper son”? Did racism play a role? Jefferson had been seen in Burcell, a nearby town dedicated to meth production; was the local drug cartel involved? What about all the information relating to sports fantasy team gambling found on Jefferson’s computer? Then there is the Tam cousin in the Delta who was running for political office - might politics be involved because of a desire to hide the Tams illegitimate origins?

Lydia and Bill methodically and intrepidly plod through the possibilities, showing once again why they operated as a team. As Lydia said to herself later:

“This was how we worked, not reading each other’s minds but trusting each other’s instincts, having each other’s backs, whatever happened. This, I suddenly realized, was something my mother knew full well, though she’s never admitted it. This was why she’d sent him with me.”

Evaluation: This is an entertaining story with unique complications and a fair bit of humor as Lydia confronts her own preconceptions about the South. The relationship between Lydia and Bill is an interesting one. Followers of the series will not be disappointed, nor will readers who like to learn a bit of history and sociology as part of the mysteries they read. show less

Crime Hits Home is a nice collection of crime related short stories exploring the most jarring type of crime imaginable, those that invade a victim’s most personal space: the home. Keep in mind that, as S. J. Rozan points out in her introduction to Crime Hits Home, “home” does not mean the same thing to everyone. Some people, Rozan says, are living in the home they want to spend the rest of their lives in, others hate where they are, and still others are desperate to return to the show more place they never should have left in the first place. But what all of these homes have in common is that we feel safest when we are there. So what happens when those safe spaces are violated in the worst ways imaginable?

Twenty authors, including Rozan, give their take on how that feels to the victim and what happens next. Mystery fans, of course, will recognize names like Sara Paretsky and Walter Mosley among the twenty, but some of the best stories in the book come from authors with whose work I am less familiar.

Among my favorites are “Oyster Creek,” a story by Neil S. Plakey in which a man comes home after his mother has been killed on the roadway in a tragic hit and run accident. After what he learns about the accident and who was behind the wheel, the young man faces a decision that there is no coming back from.

I enjoyed Ellen Hart’s “Calling Mr. Smith” because it is so easy to imagine what a movie director like Alfred Hitchcock could do with a plot like this one in which a woman mouths off in a bar one night that she would be better off without her elderly mother. Was the wrong person perhaps listening?

Then there’s G. Miki Hayden’s story, “Forever Unconquered,” about a Seminole Indian family whose home turf in swampy Florida is invaded by drug dealers who make the mistake of hijacking the wrong man’s airboat. Let’s just say that it’s not a mistake they are going to make twice.

What is my favorite story of them all is also the shortest in the book: S. J. Rozan’s “Playing for Keeps.” This is a deceptively simple story about a little girl who not only survived a German concentration camp but made sure that her younger brother did the same. Now, the children are living in the US where the girl is being mocked and bullied by a boy because of her accent and religion. If he only knew who he was picking on…

Bottom Line: The stories in Crime Hits Home, despite the theme common to them all, are very different from one another. They were, however, all chosen for the collection because of how clearly they address that theme: nothing is worse, and no one feels more cornered, than when a criminal dares invade a person’s home space, be that a physical home or a place you live in only in your mind. Bad things can happen to bad people when they push their intended victims too far — and in Crime Hits Home, those things do happen.

Review Copy provided by Publisher show less