Erik Larsen (1) (1962–)
Author of Excalibur Epic Collection: The Sword is Drawn
For other authors named Erik Larsen, see the disambiguation page.
About the Author
Erik J. Larsen (born December 8, 1962) is an American comic book writer, artist and publisher. He is known for his work on Savage Dragon, as one of the founders of Image Comics, and for his work on Spider-Man for Marvel Comics. (Bowker Author Biography)
Image credit: www.savagedragon.com/
Series
Works by Erik Larsen
Spider-Man: The Cosmic Adventures (Amazing Spectacular Web) (1993) — Illustrator — 28 copies, 1 review
The Dragon 3 copies
Defenders (2001) #6 — Author — 2 copies
Savage Dragon #108 2 copies
Spider-Man (Vol. 1) #18 2 copies
Hulk [1999] #8 2 copies
SuperPatriot #3 1 copy
Superpatriot #4 1 copy
Defenders (2001) #5 1 copy
Defenders (2001) #7 1 copy
Defenders (2001) #2 — Author — 1 copy
Defenders (2001) #3 1 copy
Defenders (2001) #4 1 copy
Defenders (2001) #1 1 copy
Defenders (2001) #8 1 copy
Defenders (2001) #10 1 copy
Defenders (2001) #11 1 copy
Defenders (2001) #9 1 copy
Defenders (2001) #12 1 copy
Freak Force (1997) #3 1 copy
Spider-Man (Vol. 1) #23 1 copy
Freak Force (1993) #4 1 copy
Freak Force (1993) #5 1 copy
Spider-Man (Vol. 1) #22 1 copy
Highbrow Entertainment 1 copy
Freak Force (1993) #2 — Author — 1 copy
Nova (1999) #1 1 copy
Savage Dragon #228 1 copy
Savage Dragon #229 1 copy
Savage Dragon #191 1 copy
Savage Dragon #202 1 copy
Associated Works
The Unbeatable Squirrel Girl Vol. 1: Squirrel Power (2015) — Cover Artist — 1,016 copies, 65 reviews
Image Comics Summer Special #1 (Free Comic Book Day 2004) — Author; Illustrator; Cover artist, some editions — 6 copies
Bodycount (1996) #3 — Other, some editions — 1 copy
Tagged
Common Knowledge
- Birthdate
- 1962-12-08
- Gender
- male
- Occupations
- comic book artist
publisher
comic book writer - Awards and honors
- Inkpot Award (2012)
- Nationality
- USA
- Birthplace
- Minneapolis, Minnesota, USA
- Places of residence
- Oakland, California, USA
Bellingham, Washington, USA
Albion, California, USA - Associated Place (for map)
- USA
Members
Reviews
I like the Amazing Spider-Man issues, but the other Spider-Man titles don't have the same quality of artwork, and Gerry Conway's scripts for those books seem a little too 1970s to belong in comics from this period.
This book raises three questions:
1. How did the idea get started that anyone can write? But only plumbers can lay pipe (true) and only artists can draw? These artists can mostly draw (a craft of its own, don't get me wrong). But none of them can write.
2. How is it that there are so many cool, funny web comics with simple, appealing art, and so many trad-comic artists that are completely uncool and unfunny? Where do they go to the parties that make them think we're all a b-boyin urban show more breakbeatz party like it's 1999? Not in New York, and not in a small town neither.
3. NO SRSLY - how are they so out of touch? Fucking ninjas, fucking zombies, fucking aliens, fucking stealing scenes from Fight Club and not in a riffing way but in a you sincerely don't think that anyone will know you stole this scene which is great because it's SO KEWL way. Fuck them for making me use the word "kewl," even in mockery. Fuck how like five of these stories star Mexican fucking wrestlers. At least there's no pirates. At first you're like "The good art and bad writing balance each other out!" By the end you're like "The good art makes it more offensive, because they think their art gives them the right to inflict their writing on you." This isn't really a question. show less
1. How did the idea get started that anyone can write? But only plumbers can lay pipe (true) and only artists can draw? These artists can mostly draw (a craft of its own, don't get me wrong). But none of them can write.
2. How is it that there are so many cool, funny web comics with simple, appealing art, and so many trad-comic artists that are completely uncool and unfunny? Where do they go to the parties that make them think we're all a b-boyin urban show more breakbeatz party like it's 1999? Not in New York, and not in a small town neither.
3. NO SRSLY - how are they so out of touch? Fucking ninjas, fucking zombies, fucking aliens, fucking stealing scenes from Fight Club and not in a riffing way but in a you sincerely don't think that anyone will know you stole this scene which is great because it's SO KEWL way. Fuck them for making me use the word "kewl," even in mockery. Fuck how like five of these stories star Mexican fucking wrestlers. At least there's no pirates. At first you're like "The good art and bad writing balance each other out!" By the end you're like "The good art makes it more offensive, because they think their art gives them the right to inflict their writing on you." This isn't really a question. show less
I love crossover stories, and while this one was great, I feel it could have been better. For one, it was a bit short for my liking. The amount of time it took our heroes to get together felt very truncated. It would have been nice if there was even another page or two before Hellboy and the Savage Dragon actually met up. Maybe if Dragon had looked around the train yard a while before Hellboy and the mummy crashed in on him or something. Also, the Hitler's brain angle was a bit weak. I mean, show more interesting that Hitler's brain was so altered in trying to save it that he didn't even remember who he was and became a typical criminal, thug, supervillain, ape with a human brain, but just felt a bit off (possibly because of the Kriegaffes in the Hellboy comics which are exactly the same as Brainiape).
Still, a fun read. Just be sure you update yourself on the Savage Dragon chronology so you know who all the players are. show less
Still, a fun read. Just be sure you update yourself on the Savage Dragon chronology so you know who all the players are. show less
I love villain teams, and I like most of these villains, but Erik Larsen's art was at its most outrageous at this point in time, and the story is a little padded.
Awards
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Statistics
- Works
- 436
- Also by
- 12
- Members
- 1,489
- Popularity
- #17,247
- Rating
- 3.9
- Reviews
- 24
- ISBNs
- 142
- Languages
- 7
- Favorited
- 1















