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John Collier (1) (1901–1980)

Author of Fancies and Goodnights

For other authors named John Collier, see the disambiguation page.

78+ Works 1,504 Members 33 Reviews 10 Favorited

Works by John Collier

Fancies and Goodnights (1951) 817 copies, 16 reviews
His Monkey Wife (Or, Married to a Chimp) (1930) 226 copies, 8 reviews
The John Collier Reader (1972) 57 copies, 1 review
Defy the Foul Fiend (1948) 50 copies, 1 review
The Best of John Collier (1975) 28 copies
Sylvia Scarlett [1935 film] (1935) — Screenwriter — 23 copies, 1 review
Presenting Moonshine (1957) 18 copies
Deception [1946 film] (1946) — Screenwriter — 15 copies, 1 review
Green Thoughts and Other Stories 2016 (2016) 12 copies, 1 review
The Devil and all (1934) 11 copies
Tom's A-Cold (2020) 9 copies
Avon Bedside Companion (1947) — Contributor — 6 copies
Blüten der Nacht (1977) 6 copies
Of demons and darkness (1965) 6 copies
The Devil's Children (1974) 4 copies
Witch's Money 4 copies
Pictures in the Fire (1958) 4 copies
Bird of Prey 4 copies
The Lady on the Grey 3 copies, 1 review
Man Overboard 3 copies
Elephant Boy [1937 film] (1937) — Screenwriter — 3 copies, 1 review
Little Memento 2 copies
Fallen Star 2 copies
Blackpool Revisited 1 copy, 1 review
Blackpool Remembered 1 copy, 1 review
Mary 1 copy
De Mortuis 1 copy
Rope Enough (1939) 1 copy

Associated Works

50 Great Short Stories (1952) — Contributor — 1,471 copies, 11 reviews
The Dark Descent (1987) — Contributor — 797 copies, 14 reviews
Short Story Masterpieces (1954) — Contributor — 777 copies, 3 reviews
Great Tales of Terror and the Supernatural (1944) — Contributor — 733 copies, 12 reviews
Wizards of Odd (1996) — Contributor — 693 copies, 5 reviews
Black Water: The Book of Fantastic Literature (1983) — Contributor — 555 copies, 10 reviews
The Flying Sorcerers: More Comic Tales of Fantasy (1997) — Contributor — 553 copies, 3 reviews
Murder for Christmas (1982) — Contributor — 497 copies, 7 reviews
Fifty Great American Short Stories (1965) — Contributor — 478 copies, 3 reviews
The Oxford Book of Modern Fairy Tales (1993) — Contributor — 411 copies, 6 reviews
A Treasury of Short Stories (1947) — Contributor — 333 copies
Smart Dragons, Foolish Elves (1991) — Contributor — 324 copies, 4 reviews
75 Short Masterpieces: Stories from the World's Literature (1961) — Contributor — 316 copies, 2 reviews
Sympathy for the Devil (2010) — Contributor — 299 copies, 8 reviews
American Fantastic Tales : Terror and the Uncanny from the 1940's to Now (2009) — Contributor — 299 copies, 5 reviews
Alfred Hitchcock Presents : Stories for Late at Night (1961) — Contributor — 292 copies, 4 reviews
Masterpieces of Fantasy and Enchantment (1988) — Contributor — 285 copies, 4 reviews
Hauntings: Tales of the Supernatural (1968) — Contributor — 267 copies, 7 reviews
Damnable Tales: A Folk Horror Anthology (2021) — Contributor — 230 copies, 5 reviews
The Big Book of Classic Fantasy (2019) — Contributor — 222 copies, 3 reviews
A Science Fiction Argosy (1972) — Contributor, some editions — 180 copies, 1 review
QPB Illustrated Treasury of Classic Fairy Tales (2003) — Illustrator — 168 copies, 2 reviews
The Master's Choice (1979) — Contributor — 167 copies
A Decade of Fantasy and Science Fiction (1960) — Contributor — 157 copies, 1 review
A Treasury of Modern Fantasy (1981) — Contributor — 144 copies, 1 review
The Sleep of Stone (1991) — Illustrator — 140 copies, 3 reviews
11 Great Horror Stories (1970) — some editions; Contributor, some editions — 126 copies, 4 reviews
The Worlds of Science Fiction (1963) — Contributor — 118 copies, 1 review
The Universe (1987) — Illustrator — 117 copies, 2 reviews
Werewolves and Shape Shifters (2010) — Contributor — 116 copies
Great Modern Reading (1943) — Contributor — 115 copies, 3 reviews
Magic For Sale (1983) — Contributor — 101 copies, 1 review
Murder for Christmas, Volume 2 (1982) — Contributor — 97 copies
American Fantastic Tales: Boxed Set (2009) — Contributor — 96 copies, 2 reviews
Alfred Hitchcock Presents : Stories My Mother Never Told Me (1963) — Contributor — 94 copies, 2 reviews
Great Short Tales of Mystery and Terror (1982) — Contributor — 93 copies
Alfred Hitchcock Presents: 13 More Stories They Wouldn't Let Me Do On TV (1959) — Contributor — 92 copies, 2 reviews
The Playboy Book of Horror and the Supernatural (1968) — Contributor — 86 copies
Richard Adams' Favourite Animal Stories (1981) — Contributor — 85 copies, 2 reviews
Magicats II! (1991) — Contributor — 85 copies
American Christmas Stories (2021) — Contributor — 84 copies
Stories of Suspense (1969) — Contributor — 79 copies, 4 reviews
The Best Fantasy Stories from the Magazine of Fantasy & Science Fiction (1985) — Contributor — 78 copies, 2 reviews
Great Stories of Suspense [Anthology] (1974) — Contributor — 78 copies
Masters of Fantasy (1992) — Contributor — 76 copies
The Microverse (1989) — Illustrator — 70 copies
Space Mail Vol. II (1982) — Contributor — 70 copies
The Television Late Night Horror Omnibus (1993) — Contributor; Contributor — 66 copies
65 Great Tales of Horror (1981) — Contributor — 66 copies
The Supernatural Reader (1968) — Contributor — 63 copies
55 Short Stories from The New Yorker, 1940 to 1950 (1949) — Contributor — 62 copies
Desert Island Decameron (1945) — Contributor — 58 copies
Point of Departure (1967) — Contributor — 56 copies, 1 review
Alfred Hitchcock's Fear and Trembling (1963) — Contributor — 55 copies
Reading for Pleasure (2023) — Contributor — 55 copies
Some Things Strange and Sinister (1973) — Contributor — 54 copies
The Century's Best Horror Fiction: Volume One, 1901-1950 (2011) — Contributor — 52 copies, 1 review
The Best from Fantasy and Science Fiction: 10th Series (1961) — Contributor — 50 copies, 1 review
Stories Selected from The Unexpected (1948) — Author — 49 copies
Chillers for Christmas (1989) — Contributor — 49 copies
The Young Oxford Book of Nasty Endings (1997) — Contributor — 49 copies, 1 review
The Pocket Book of Science-Fiction (1943) — Contributor — 48 copies, 2 reviews
Modern Short Story Classics of Suspense (1968) — Author — 46 copies
The Bedside Tales: A Gay Collection (1945) — Contributor — 45 copies
Some Things Dark and Dangerous (1970) — Contributor — 42 copies, 1 review
Seaserpents! (1989) — Contributor — 42 copies
The Graveyard Reader (1958) — Contributor — 41 copies, 2 reviews
Best Horror Stories (1990) — Contributor — 38 copies, 2 reviews
Famous and Curious Animal Stories (1982) — Contributor — 36 copies, 2 reviews
Night Shadows: Twentieth-Century Stories of the Uncanny (2001) — Contributor — 32 copies
Masterpieces of Mystery : The Fifties (1978) — Contributor — 31 copies
Human? (1954) — Contributor — 31 copies, 2 reviews
Stories for the Dead of Night (1957) — Contributor — 28 copies
The Best Horror Stories (1977) — Contributor — 28 copies
Tales of Dungeons and Dragons (1986) — Contributor — 26 copies
The Best Ghost Stories (1977) — Contributor — 25 copies
And the Darkness Falls (1946) — Contributor — 24 copies, 1 review
The Bedside Playboy (1963) — Contributor — 24 copies
The Roots of Evil: Weird Stories of Supernatural Plants (1976) — Contributor — 22 copies
The Looking Glass Book of Stories (1960) — Contributor — 21 copies
The War Lord [1965 film] (1965) — Screenwriter — 18 copies
20th Century American Short Stories, Volume 1 (1995) — Contributor — 18 copies, 1 review
The Unhumans (1965) — Contributor — 18 copies, 1 review
Twentieth-Century American Short Stories: An Anthology (1975) — Contributor — 18 copies
Tales of Love and Horror (1961) — Contributor — 17 copies
Tales for Males (1945) — Contributor — 13 copies
In the Dead of Night (1961) — Contributor — 13 copies
Weird Show (1971) — Contributor — 13 copies, 1 review
31 Stories (1960) — Contributor — 13 copies, 2 reviews
The Playboy Book of Short Stories (1995) — Contributor — 11 copies
The Red Brain (1961) — Contributor — 11 copies, 1 review
From the Archives of Evil: Number 2 (1976) — Contributor — 11 copies
Clifton Fadiman's Fireside Reader (1961) — Contributor — 10 copies, 1 review
Murder Without Tears: An Anthology of Crime (1946) — Contributor — 10 copies
Cries of Terror (1976) — Contributor — 9 copies, 1 review
Uncanny Tales of Unearthly and Unexpected Horrors (1983) — Contributor — 9 copies
Tall Short Stories (1960) — Contributor — 9 copies
The scandal and credulities of John Aubrey (2010) — Editor, some editions — 9 copies
Murder for the Millions (1946) — Contributor — 8 copies
Dealers Choice: The Worlds Greatest Poker Stories (1955) — Contributor — 8 copies, 1 review
Demonic, Dangerous, and Deadly: An Anthology (1983) — Contributor — 8 copies
Best Animal Stories of Science Fiction and Fantasy (1979) — Contributor — 8 copies
13 Ways to Kill a Man (1966) — Contributor — 7 copies
Before and After Midnight (1949) — Contributor — 7 copies
The Fireside Treasury of Modern Humor (1963) — Contributor — 7 copies
Elephant dance (2010) — Introduction — 6 copies
Strange Desires (1954) — Contributor — 5 copies
Thrillers Chillers: 2 (1979) — Contributor — 5 copies
American Crime Stories (1991) — Contributor — 5 copies
Breakdown and Other Thrillers (1968) — Contributor — 4 copies
A Hornbook for Witches: Stories and Poems for Halloween (1976) — Contributor — 4 copies
Sechsundreißig mal Gänsehaut (1984) — Author — 4 copies
Huivering wekken : 26 onthutsende verhalen (1982) — Contributor — 4 copies
Vader is de beste — Author — 3 copies
Famous Tales of Suspense: Four Gems by the Masters (1958) — Contributor — 3 copies
The Best Short Short Stories from Collier's (1948) — Contributor — 3 copies
The Furnival book of short stories (1932) — Contributor — 3 copies
Ellery Queen's 1966 Anthology (1966) — Contributor — 2 copies
The Bedside Bonanza (A Lodestone of Love and Laughter) (1944) — Contributor — 2 copies
Historier fra andre verdener — Contributor; Author, some editions — 2 copies, 1 review
Weird Worlds #4 (1980) — Contributor — 2 copies
Enjoying Stories (1987) — Contributor — 2 copies
Husbands and Lovers (1949) — Contributor — 2 copies, 1 review
Great Tales of the Far West (1956) — Contributor — 2 copies
Best Crime Stories 2 (1966) — Contributor — 2 copies
Murder for Christmas [audio abridgement] (1989) — Contributor — 1 copy
Rosanna McCoy [1949 film] — Writer — 1 copy

Tagged

1930s (13) 20th century (29) British (20) collection (19) comedy (9) drama (12) England (10) English (10) English literature (25) fantasy (102) fantasy fiction (8) fiction (205) horror (45) humor (18) literature (20) mystery (11) NOT DONE YET (8) novel (24) NYRB (29) NYRB Classics (12) read (12) science fiction (13) sf (8) short stories (168) short story (46) signed (9) stories (24) Time Reading Program (11) to-read (72) unread (18)

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Reviews

48 reviews
What. The fuck. Even.

Okay, so a friend of mine gave books away as wedding favors and I picked this because I was curious. It sounded like it could be funny, as the premise was about an intelligent monkey falling in love with an English teacher she met when he was on a mission in Africa. I also wanted to get a sense of who this book was written for (because, really, who wants to read about a monkey loving a man?) and at the very least, I figured it would be amusing.

Well I was wrong. This show more book is crap.

I know it was written in 1930 but one of my favorite books was written in the 1800s, so I don't feel the disconnect is because of the difference in time and society. I do think a lot has to do with Collier's prose - it was so wordy and flowy and he talked so much about gourd only knows what. To be honest, very little stuck in my head and I was constantly trying to find the parts that actually had to do with Emily (the chimp) and Mr. Fatigay (her weak-willed love interest).

In short, Emily is super smart. She thinks like a human (albeit a very subservient and martyrish one) and though she cannot speak she can read and so she falls in love with Mr F. He takes her back to England because he finds her amusing (having no clue how intelligent she really is), where Emily encounters Mr. F.'s bitch fiance, Amy. Amy is instantly jealous of Emily and makes her a slave. In the end, Emily threatens Amy with a knife on their wedding day, so they switch places at the alter and dumbass Mr. F. can't tell his lover from a chimp and so marries Emily. He finds out seconds later, banishes her and then falls on Amy's mercy. Amy, strange bird that she is, decides to use this as an out not to marry Mr. F. and tells him to get lost. He ends up nearly starving to death on the streets from despair, where Emily finds him. She's become a rich dancer (I can't even) and takes him in and he decides to keep her as his wife. Amy shows up later to crash the party, finally revealing that Emily threatened her and Mr. F. is shocked and upset for 2 seconds, but them Emily produces a letter she typed him explaining how she wanted to come clean, etc, etc and he forgives her and finally realizes that Amy is a conniving bitch. Then they move to Africa to live in marital bliss forever after.

No joke.

And this book wasn't funny, nor amusing. Nor did I find it "A work of genius" or "written with sly humor throughout and is illuminated by splendid similes and metaphors which mark the author as a true humorist" s the quotes on the book's page remark.

I still don't know who the intended audience of this book was, but it wasn't me. I didn't find Emily endearing or fascinating and I am more than a little creeped out by Mr. F.'s speech at the end, proclaiming the virtues of having a chimp for a lover! Is this just an intellectual romance or is there some bestiality going on here? Either way I'm glad it's over.
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This really is quite a delight of a book, with a highly original and frequently laugh-out-loud narrative.
Alfred Fatigay is a young British man, out teaching in a remote village in the Congo. His fiancee, it transpires, has encouraged him to go...she seems in no hurry to tie the knot. Meanwhile he has acquired a pet chimpanzee, Emily. And while she never masters speech, Emily - sitting in on lessons- soon understands everything that is said, beside becoming highly literate, all unknown to her show more owner.
Actually Emily is undoubtedly the superior being of the three of them, for while Fatigay is a tad dense and even lowbrow, and his intended a pretty cold and selfish type, Emily resembles nothing so much as a Charlotte Bronte heroine, quiet, virtuous and utterly devoted to her master.
Collier writes in florid, high-Victorian prose; and Emily's thought processes are all in this Bronteesque style, emphasizing her fine mindset.
Thus on the ship back to England, Emily is considering her role in a forthcoming fancy dress party:
"Perhaps Elaine, the lily maid of Astolat...supposing he realized that he is my Sir Lancelot, and she his hard exacting Guinevere!...Or supposing I went as Ruth.."
"By Jove! I've got it!" suddenly cried Mr Fatigay, slapping his thigh with a crack like a pistol shot. "Where's that green velvet smoking jacket mother sent me? It'll be just the thing. I'll go as an organ-grinder and I'll get the stewardess to run up a little suit for Emily out of some red stuff, and she can be the monkey."
(The reader by this stage is glaringly aware of the inappropriateness of this.)
Back in England, Emily finds herself a skivvy to the callous and unlovely Amy, while Alfred vainly attempts to enthuse his betrothed in matrimony. Meanwhile Emily's dark looks and quiet demeanour attract various admirers, but her heart is devoted to the oblivious Alfred...
I did find some of the elaborate prose went on a tad, but very funny and original!
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½
Another book from 1951, but these short stories were mostly written a decade or two earlier. They now appear in a kindle version in two volumes. I read the 32 stories in volume 1. John Collier was British born but lived for a time in Hollywood where he earned his living as a screenwriter for film and television, but he had success as a short story writer with many of these stories being published in the New Yorker.

The stories could be classed as entertainments with many of them having show more elements of fancy. Some of them were adapted for the television series Alfred Hitchcock presents and they would have been equally at home in The Twilight Zone. They are generally well written with Collier showing his screenwriting skills by introducing his scenarios quickly and effectively. Several of the best stories are crime dramas for example The Touch of Nutmeg Makes it. In this story two friends working in a research library befriend a newcomer from out of town, he is difficult to get to know but eventually opens up to reveal that he has recently been acquitted in a big murder trial; he tells his new friends it was a particularly frenzied murderous attack and they cannot believe that there new friend would be capable of such a crime, he invites them up to his apartment and mixes some drinks......

About half way through the collection I came across Great Possibilities and things began to get a little weirder; stuffed animals coming to life. Then there is Gavin O'Leary which is a story about a performing flea called Gavin O'Leary and Thus I Refute Beelzy which is a story of a child's imaginary friend coming horribly to life. This vein continues with Special Delivery where a shy young man falls in love with a mannequin in a Department store; Green Thoughts tells of a man eating plant that holds its victims still half alive within itself and we seem to have spilled over into Alien territory. There are a couple more crime stories before the final story The Chaser where a loving celebrity couple have acquired just one potion of eternal youth, which one of them should use it?

The stories are clever rather than being emotional portraits and they all work towards an interesting ending, which does not always feature a plot twist, but can leave the reader to make up his own mind how it might end. The dialogue is handled well enough and these scenarios take place in America, England and France; all places familiar to the author. I suppose the stories may seem a little old fashioned now, with many of them familiar to television audiences, but I found them amusing to read and so 3.5 stars.
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½
This opens as most of the Anglo-Irish have sold their estates and left. Not Ringwood.
[He] inherited a family instinct, which prompted him to regard all Ireland as his domain, and to rejoice in its abundance of horses, foxes, salmon, game, and girls.

Ringwood is calculated, predatory, very casual, and entitled in his “seignorial approach” to girls.

He would have preferred a cottage girl, because he had no wish to waste time on elaborate approaches.

His friend, Bates, is no show more better. Separately and together, they go “roving up and down the country in pursuit of fur, feathers, and girls”. They’re well-known, and people willingly tell them where the other one is, and what they’re up to. They're deferential to Ringwood, and complicit in his caddish pursuits.

Seeing a pretty “child in her teens” herding cows, Ringwood “felt an over-mastering desire for a cup of milk”. It’s hardly subtle, and certainly creepy.

Fear not. This is a feminist story, penned by a man, and published in The New Yorker in 1951.

His head is immediately turned by the eponymous Lady on the Grey:
It was not a mere exchange of glances, it was wooing and a marriage, all complete and perfect in a mingling of the eyes.
But she rides away.

Image: Line drawing of Morgan le Fay, with entourage, by Beatrice Clay (Source)

Back at the inn, he formulates a plan.
The next day, he returns:
He… went along under the forlorn and dripping trees, which were so ivied and overgrown that the darkness was already thickening under them.

The feminist tale takes a more magical turn, with echoes of classical myth and Arthurian legend, and with an excellent ending.

See also

• This is a sort of reversal of the tale of Bluebeard, but with added animals, because that’s what some men are. See my review of Angela Carter’s version of Bluebeard HERE .

• The Lady on the Grey appears twice in Neil Gaiman’s The Graveyard Book, with a slightly different slant Death, in general, rather than transforming people into animals .

• Bizarrely, Hitchcock was told this story was too terrifying for him to film. See HERE.

• If you like tales of love-'em-and-leave-'em types, there's George MacDonald Fraser's rather more exotic Flashman. See my review of the first one, HERE.

Short story club

I read this in Black Water: The Anthology of Fantastic Literature, by Alberto Manguel, from which I’m reading one story a week with The Short Story Club, starting 4 September 2023.

You can read this story here, starting at page 62.

You can join the group here.
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Associated Authors

Ray Bradbury Introduction
Zoltan Korda Director
Ákos Tolnay Screenwriter
Mortimer Offner Screenwriter
Joseph Than Screenwriter
Lajos Bíró Screenwriter
Laurence Stallings Screenwriter
Patrick Kirwan Screenwriter
Arthur Wimperis Screenwriter
Thomas Burke Contributor
Émile Zola Contributor
Pierre Louÿs Contributor
Sally Benson Contributor
Colcott Gibbs Contributor
Honoré de Balzac Contributor
Guy de Maupassant Contributor
Jerome D. Ross Contributor
H. Allen Smith Contributor
Konrad Bercovici Contributor
Marcia De Silva Screenwriter
Erskine Caldwell Contributor
Rudyard Kipling Original novel, Original story
Osmond Borradaile Cinematographer
Joseph August Cinematographer
Compton Mackenzie Original novel
Roy Webb Composer
Louis Verneuil Original play
Henry Blanke Producer
Ernest Haller Cinematographer
W. Howard Greene Cinematographer
Mel Blanc Actor
Georges Périnal Cinematographer
A. E. W. Mason Original novel
Lee Garmes Cinematographer
Christopher Lee Introduction
Les Edwards Cover artist
Sabu Actor
Iravatha Actor
Seymour Chwast Cover artist
Fred Hoyle Introduction
Moses Hadas Foreword
Anthony Burgess Introduction
George Giusti Cover designer
Vincent Price Narrator

Statistics

Works
78
Also by
137
Members
1,504
Popularity
#17,082
Rating
3.8
Reviews
33
ISBNs
80
Languages
4
Favorited
10

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