Robert W. Chambers (2) (1865–1933)
Author of The King in Yellow
For other authors named Robert W. Chambers, see the disambiguation page.
Robert W. Chambers (2) has been aliased into Robert W. Chambers.
About the Author
Image credit: Robert W. Chambers, 1903 [published by L.C. Page and Company, Boston; grabbed from Wikipedia]
Series
Works by Robert W. Chambers
Works have been aliased into Robert W. Chambers.
Collector of the Port 3 copies
The gold chase 2 copies
Whistling Cat 1 copy
The Cambric Mask 1 copy
Dark Chambers 1 copy
El tríptico de Ysonde 1 copy
Il re giallo + altre opere 1 copy
The young man's girl 1 copy
Hide and Seek in Forest-Land 1 copy
The King in Yellow (Part 1) 1 copy
Smoke of battle 1 copy
The fifth horseman 1 copy
Whatever love is 1 copy
W Mroku I Strachu 1 copy
Strange Visions 1 copy
Carcosa 1 copy
Anne's Bridge 1 copy
Masters of Gothic Horror 1 copy
The King in Yellow By Robert W. Chambers 'The Annotated Classic Edition' Horror, Supernatural Fiction Stories (2020) 1 copy
The King in Yellow (part 2) 1 copy
Associated Works
Works have been aliased into Robert W. Chambers.
To Sleep, Perchance to Dream...Nightmare: 30 Terrifying Tales (1993) — Contributor — 54 copies, 1 review
The Weiser Book of Horror and the Occult: Hidden Magic, Occult Truths, and the Stories That Started It All (2014) — Contributor — 52 copies
The Valancourt Book of Victorian Christmas Ghost Stories, Volume 4 (2020) — Contributor — 41 copies, 2 reviews
The Necronomicon: Tales of Eldritch Horror from the Masters of the Genre (2021) — Contributor — 37 copies
60 Westerns: Cowboy Adventures, Yukon & Oregon Trail Tales, Famous Outlaws, Gold Rush Adventures & Much More (2017) 33 copies
The Dead Valley and Others: H. P. Lovecraft's Favorite Horror Stories Vol. 2 (2014) — Contributor — 22 copies
The Second Ghost Story Megapack: 25 Classic Ghost Stories (2013) — Contributor — 15 copies, 2 reviews
Penny Dreadful Multipack Volume 7 – The Americans: The Legend of Sleepy Hollow, The Murders in the Rue Morgue, Mosses From An Old Manse, Owl Creek Bridge, The King In Yellow and… (2015) — Contributor — 7 copies
Kings of Horror — Author — 6 copies
Weird Tales Volume 12 Number 2, August 1928 — Contributor — 3 copies
Tagged
Common Knowledge
- Canonical name
- Chambers, Robert W.
- Legal name
- Chambers, Robert William
- Birthdate
- 1865-05-26
- Date of death
- 1933-12-16
- Gender
- male
- Education
- Brooklyn Polytechnic Institute
Art Students' League
École des Beaux-Arts
Académie Julian - Occupations
- artist
writer
novelist
short story writer - Relationships
- Chambers, Robert E. S. (son)
- Short biography
- Robert W. Chambers begann seine Karriere als Maler. Der Amerikaner reiste nach Paris, um dort Kunst zu studieren, und brachte es 1889 sogar zu einer Ausstellung. Aber sein eigentlicher Ruhm begann erst nach seiner Rückkehr nach Amerika. Zunächst arbeitete er als Illustrator für Magazine und Zeitschriften, schrieb dann aber bald auch selber Geschichten. 1895 erschien THE KING IN YELLOW. Das Buch wurde zu einem Bestseller und erlaubte Chambers sich ganz auf das Schreiben zu verlegen. In den darauffolgenden Jahren folgte eine Vielzahl von Romanen und Erzählungen, meist unheimlich-phantastischer Art. Später verlegte Chambers sich auf historische und Gesellschaftsromane, die zu seinen Lebzeiten viel Leser fanden, heute jedoch vergessen sind. In Erinnerung blieb sein KING IN YELLOW, in dessen lose miteinander verknüpften Geschichten ein Buch mit dem Titel "Der König in Gelb" den Protagonisten Tod und Wahnsinn bringt. H. P. Lovecraft lieh sich die Idee später für sein legendäres "Necronomicon" aus und bedankte sich, indem er in vielen seiner Geschichten Referenzen an Chambers einbaute. Die Geschichten um den "König in Gelb" gelten als Klassiker der amerikanischen Phantastik. (aus "Der gelbe Tod")
- Cause of death
- complications after surgery
- Nationality
- USA
- Birthplace
- Brooklyn, New York, New York, USA
- Places of residence
- Brooklyn, New York, New York, USA
Broadalbin, New York, USA - Place of death
- New York, New York, USA
- Associated Place (for map)
- New York, USA
Members
Discussions
Reading Group #14 ('The Repairer of Reputations') in Gothic Literature (February 2020)
THE DEEP ONES: "The Repairer of Reputations" by Robert W. Chambers in The Weird Tradition (April 2019)
THE KING IN YELLOW Discussion Thread in TBR Challenge (October 2016)
Robert W Chambers in The Chapel of the Abyss (May 2013)
THE DEEP ONES: "The Yellow Sign" by Robert Chambers in The Weird Tradition (February 2012)
I just bought The Collected Writings of Ambrose Bierce in Thing(amabrarian)s That Go Bump in the Night (January 2012)
Reviews
Rating: 3.5* of five
Like The King in Yellow, this is a collection of weird short stories, this time connected by the character of a scientist who, in the fashion of the times, goes on hunts to retrieve sample organisms previously only rumored to (still) exist.
Very much in the mode of its day, the breathless excitement of taking ownership via description and study of wild things resonates very differently now. It is notable that Chambers, whose later career was writing mostly romantic show more fiction, grafts a romance onto the last story that has an unfulfilled unreturned love in it.
Wildside Press offers a trade paper edition for $15.95, or you can opt for a free Kindle edition. show less
Like The King in Yellow, this is a collection of weird short stories, this time connected by the character of a scientist who, in the fashion of the times, goes on hunts to retrieve sample organisms previously only rumored to (still) exist.
Very much in the mode of its day, the breathless excitement of taking ownership via description and study of wild things resonates very differently now. It is notable that Chambers, whose later career was writing mostly romantic show more fiction, grafts a romance onto the last story that has an unfulfilled unreturned love in it.
Wildside Press offers a trade paper edition for $15.95, or you can opt for a free Kindle edition. show less
The four central Jauniste stories seem relatively simple upon finishing, but on second look (third...) each reveals cross-references to other(s); knowing nods to offstage characters or events; more side characters than are recalled upon finishing the first time. In short: misleadingly simple. A surprising level of detail can be uncovered on re-reads, from facts & names "hidden in plain sight", to plot tangents, suggestive character memories, or confessions.
The title figure is similarly show more enigmatic. Playtext or personage, the King in Yellow never receives extended description or clear definition, yet what little is revealed seems to exert a gravitational pull. That pull is to be observed first operating on characters, which kindles curiosity and then allows a metatextual force to begin working on the reader.
What of those twin suns and many moons? How could they rise in front of the towers of Carcosa? Are the Phantom of Truth and the Pallid Mask one and the same? Do the stars truly shine black? So many questions, so little in the way of answers.
That such oblique storytelling could be so compelling is perhaps counterintuitive. Yet I keep reading.
//
My Pushkin Press edition includes only the central four "King in Yellow" stories, inexplicably omitting the six "Other Stories" included in most editions, as well as the indispensable epigraph, "Cassilda's Song". At minimum two omitted stories make reference to the Yellow Mythos, however glancingly:
● THE DEMOISELLE D'YS: Jeanne D'ys is a cryptic pun, and one of her falconers is named Hastur
● THE PROPHETS' PARADISE mentions a Phantom, a white mask, a song & seeking "her" show less
The title figure is similarly show more enigmatic. Playtext or personage, the King in Yellow never receives extended description or clear definition, yet what little is revealed seems to exert a gravitational pull. That pull is to be observed first operating on characters, which kindles curiosity and then allows a metatextual force to begin working on the reader.
What of those twin suns and many moons? How could they rise in front of the towers of Carcosa? Are the Phantom of Truth and the Pallid Mask one and the same? Do the stars truly shine black? So many questions, so little in the way of answers.
That such oblique storytelling could be so compelling is perhaps counterintuitive. Yet I keep reading.
//
My Pushkin Press edition includes only the central four "King in Yellow" stories, inexplicably omitting the six "Other Stories" included in most editions, as well as the indispensable epigraph, "Cassilda's Song". At minimum two omitted stories make reference to the Yellow Mythos, however glancingly:
● THE DEMOISELLE D'YS: Jeanne D'ys is a cryptic pun, and one of her falconers is named Hastur
● THE PROPHETS' PARADISE mentions a Phantom, a white mask, a song & seeking "her" show less
nice Lovecraftian atmospheric writing with the first few short stories. dark and somewhat twisted if a bit claustrophobic in style and prose. but the later stories evolved into 19th century romance and i found it hard to follow or keep my mind on what was going on. the writing was not bad, it was just dated and was not holding my attention since it was full of brash young soldiers and bold women who would not settle for mediocrity… at least, that’s the kind of rubbish my mind show more recalls.
once again, i’m wondering if i’ve missed something. perhaps the brilliance of the much longer last story was hidden in its mundanity much like the fellow who shows Somerset Maugham’s protagonist in the Razor’s Edge that washing dishes IS a religious act.
maybe i’ll try again another day. show less
once again, i’m wondering if i’ve missed something. perhaps the brilliance of the much longer last story was hidden in its mundanity much like the fellow who shows Somerset Maugham’s protagonist in the Razor’s Edge that washing dishes IS a religious act.
maybe i’ll try again another day. show less
This book is chiefly known for its opening quartet of stories of eldritch horrors and macabre dystopias. Some works contain only those four, which may well satisfy the majority of readers who (like myself) are drawn to it due to the thread it weaves through the works of others, most famously H.P. Lovecraft. However that does the author a disservice. Chambers collected these stories together and intended them to be read as a complete work.
Doing that, you appreciate the arc he takes from the show more futurist dystopia of The Repairer of Reputations, with its claustrophobic feeling of paranoia, through the subsequent alchemical and supernatural tales, onto the fifth story, a folkloric fairytale, a short set of Gibran-like (though simultaneously unlike) prose poems, and so gradually into the historical world of everyday reality, with its wars and romance, comedy and pathos. An expert writer who deserves recognition for more than horror. show less
Doing that, you appreciate the arc he takes from the show more futurist dystopia of The Repairer of Reputations, with its claustrophobic feeling of paranoia, through the subsequent alchemical and supernatural tales, onto the fifth story, a folkloric fairytale, a short set of Gibran-like (though simultaneously unlike) prose poems, and so gradually into the historical world of everyday reality, with its wars and romance, comedy and pathos. An expert writer who deserves recognition for more than horror. show less
Lists
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Awards
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Statistics
- Works
- 150
- Also by
- 37
- Members
- 4,879
- Popularity
- #5,155
- Rating
- 3.6
- Reviews
- 122
- ISBNs
- 750
- Languages
- 12
- Favorited
- 6










