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Waylon Jennings (1937–2002)

Author of Waylon: An Autobiography

161+ Works 437 Members 15 Reviews

About the Author

Works by Waylon Jennings

Waylon: An Autobiography (1996) 120 copies, 4 reviews
Greatest Hits (1979) 24 copies
Waylon & Willie (2001) 11 copies
Wanted! The Outlaws (2019) 8 copies, 1 review
Honky Tonk Heroes (2000) 7 copies
Dreaming My Dreams (2001) 6 copies, 1 review
Ultimate Waylon Jennings (2004) 6 copies
Ol' Waylon (2009) 6 copies
16 Biggest Hits (2006) 5 copies, 1 review
Love of the Common People (1999) 5 copies
Waylon Live (Expanded Edition) (2003) 5 copies, 1 review
The Essential Highwaymen (2010) 5 copies
Super Hits (2007) 4 copies
Only the Greatest (2008) 4 copies
Nashville Rebel (2006) 4 copies
All American Country (1997) 4 copies, 2 reviews
Hangin' Tough (1987) 3 copies
Right For The Time (1996) 3 copies
Super Hits II (1998) 3 copies
WWII (1983) 3 copies
Will The Wolf Survive (2006) 3 copies
I've Always Been Crazy (2004) 3 copies
The Taker/Tulsa (1971) 3 copies
Waylon Forever (2008) 2 copies
The outlaws 2 copies
Leavin' Town (1995) 2 copies
Waylon And Company (1983) 2 copies
Jewels [rm] 2 copies
Cedartown, Georgia (1971) 2 copies
16 top tracks 2 copies
This Time 2 copies, 1 review
Hangin' On 2 copies
Don't Think Twice (2002) 1 copy
At JD's 1 copy
Waylon 1 copy
Waylon 1 copy
Crying 1 copy
Songbird 1 copy
This Time 1 copy
Old dogs 1 copy
Early Outlaw (2004) 1 copy
Clean Shirt (1991) 1 copy
Collection 1 copy
It's Only Rock & Roll (1983) 1 copy
Folk Country 1 copy
Full Circle 1 copy
Ultimate Waylon Jennings 1 copy, 1 review
Ramblin Man 1 copy
Full Circle 1 copy
Music Man (1980) 1 copy
The Taker/Tulsa (2008) 1 copy
Eagle (2003) 1 copy

Associated Works

Sesame Street Presents: Follow That Bird [1985 film] (1985) — Actor — 104 copies, 1 review
The Essential Johnny Cash (2002) — Contributor — 59 copies, 1 review
The Dukes of Hazzard: Season 1 (1979) — Narrator — 46 copies
Louis L'Amour Collection (7 Audiobook) (1999) — Reader — 43 copies, 1 review
The Essential Willie Nelson (2003) — Contributor — 35 copies, 2 reviews
The Dukes of Hazzard: Season 3 (1980) — Voice — 24 copies
The Dukes of Hazzard: Season 5 (1982) — Voice — 20 copies
The Dukes of Hazzard: Season 4 (1981) — Actor — 19 copies
Ned Kelly [1970 film] (2004) 18 copies
The Dukes of Hazzard: Season 7 (1984) — Narrator — 15 copies
The Long Kill [1999 TV movie] (1999) — Actor — 12 copies
The Essential Kris Kristofferson (2004) — Contributor — 9 copies
Television's Greatest Hits, Vol. 6: Remote Control (1996) — Contributor — 9 copies
The Essential Jerry Reed (1995) — Contributor — 8 copies, 1 review
Tom Sawyer [2000 film] (2000) — Actor — 8 copies
Stagecoach [1986 TV movie] (1986) — Actor — 7 copies
TV Land Presents Favorite TV Theme Songs (2002) — Contributor — 5 copies
Country USA - 1968 (1989) — Contributor — 2 copies
Country USA - 1970 — Performer — 2 copies
Country USA - 1972 (1990) — Contributor — 1 copy
Country USA - 1966 — Contributor — 1 copy

Tagged

Common Knowledge

Canonical name
Jennings, Waylon
Legal name
Jennings, Waylon Arnold
Birthdate
1937-06-15
Date of death
2002-02-13
Gender
male
Occupations
musician
Relationships
Colter, Jessi (wife)
Nationality
USA
Birthplace
Littlefield, Texas, USA
Places of residence
Coolidge, Arizona, USA
Phoenix, Arizona, USA
Los Angeles, California, USA
Austin, Texas, USA
Place of death
Chandler, Arizona, USA
Burial location
Mesa City Cemetery, Mesa, Arizona
Associated Place (for map)
USA

Members

Reviews

15 reviews
A brilliant "with help" autobiography. It sounds as if Waylon is telling you the story over along night of whiskey, cigarettes, and song-swappin' on the guitar. He tells the stories of his life from his hardscrabble youth in the plains of the Texas Panhandle to a brush with stardom and death with Buddy Holly on to his hard years in the Nashville machine to his big break as an "outlaw" and beyond. His life-long drug habit is detailed poignantly and with aplomb. Unlike other big stars with show more drug problems, Waylon doesn't ever say he wished he never did drugs or that drugs are indeed "bad" and he doesn't say drugs really ever "ruined his life." This is sort of refreshing, and gives the whole book a ring of truth. I do wish that there were a million more pictures, and I wish he spent a bit more time discussing his trademark style or how he came about his songs and writing. But, these are minor quibbles. There is a selected discography, which is great, and, often in bios there isn't, an index. So kudos to whatever editor decided on this. show less
½
Waylon's mind seems to wander a lot, sort of like mine. Except his wandering was a lot more productive than mine. He talks about best friends who suddenly become, lets say, disappointments. Overall though we do learn about what made Waylon the controversial celebrity he was. And I'm sure the drugs did not help, but who am I to judge? A very good read and tells a lot about the music and the people I love (as entertainers). Even if I had the talent I wouldn't fit in, though I think it would show more have been fun (not because of the drugs, well not just the drugs.) Anyway, very informative and especially entertaining. show less
½
This is a pretty good account written by the man himself. It covers Waylons days on the farm growing up, his short time with Buddy Holly, his career long battle with pills/drugs on the way to becoming a country legend, and his life after he kicked the habit by staying out in the desert for a month. This book is written by Waylon so the way he talks/writes is a reflection of the way that he actually talked and rembered things so the account can get a little confusing when the down home show more country accent bleeds through, also somtimes the narrative can jump decades and back in the same paragraph. That was my only complaint with this book. It does give good insight on how Waylon and the rest of the outlaws changed how country music sounded and how Waylon had to fight to get a fair contract that he could live with. If your interested in his music or how that era helped shape today's country music give it a read.
m.a.c
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On the cover "with Lenny Kaye". According to wamu.org,

Lenny Kaye became my hero in 1972, after he assembled one of rock’s greatest anthologies, Nuggets: Original Artyfacts from the First Psychedelic Era, 1965–1968.

I spent countless hours listening to that compilation, discovering garage-borne bands from around the country. Many — most — of these artists would likely never have been heard outside of their hometowns without his help. That album was, in more ways than one, the spark
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that lit the coming punk movement.

Outside of his curatorial brilliance on Nuggets and the inspiration it provided to artists like Iggy and The Stooges, Lenny Kaye played an even more elemental role in the development of punk as the guitarist on Patti Smith’s revolutionary first album Horses. His legacy, with Patti and through his work as record producer, continues.

In the mid-’90s, while conducting research for the autobiography of Waylon Jennings he would co-write with the country legend, Kaye met Waylon’s wife, the musician Jessi Colter. All these years later, Kaye has produced Jessi Colter’s just-released album The Psalms. Its origins go back to their first meeting.


I just wonder how much Kaye is responsible for the tone and style of this autobiography. I have read many such works, hundreds I am sure. This one feels the most intimate and conversational, as if I were riding down that highway in the tour bus with Waylon and we was just recollecting is tall to me: Being there at the birth of rock-n-roll with Buddy Holly, the highs and excesses of touring popularity fueled by cocaine and pills, records/events/films/Highwaymen with Willie Nelson, keeping it outlaw and eschewing the countrypolitan and more.

This is one of the best musician biographies I have ever read.

... I think my role is fairly constant with the people I work with. I just did Waylon Jennings' autobiography. To me that was a lot like literary production. I would find myself relating to him in the same way when we would be riding in a car, as I would to a musical artist sitting in the studio. Listening to what he has to say, trying to find little things about him that he may not even recognize are there. Trying to see what can be made of them, in terms of placing a portrait up on the wall of this artist. I like to think that, if writing is somewhat driven by the rational part of your mind, and music comes from a kind of intuitive spot, then producing blends the two together. You're listening to stuff and thinking about it, but you're also reacting to it in a very musical way.

...Now Waylon had already been through two writers, and he didn't get along with them. He didn't really want to see me, but Tony told me to go down there anyway. So I walked in and we really hit it off. I'm a musician, and told him that I wanted to relate to him musically. I knew that there was a lot of good tabloid stuff happening, but in the end, you are why you get up on that stage. He also like the fact that I wasn't a Nashville guy, I was an outsider. We got along great. I went on his bus the next week, to kind of get the introduction thing together. He took me to Wichita, Kansas, on the bus, and we went up to Milwaukee and by the end of it we were really close buddies. It's a pretty intimate relationship with somebody, when they tell you their life story. We got along really deeply. He's open, and he's a wonderful, wonderful human being. He has tons of integrity and it was a great story to tell. I was proud to be able to tell it. It took a long time. Writing a book is a lot of discipline. When you start thinking, "I have to write over 50,000 words," you don't realize just how many words that is! You know, you're sitting there, day after day, but it came out great. I think it's his voice. He's reflecting himself off me, so I'm hearing certain elements of him, and I think he'd like that...


- interview with lenny kaye, march '96
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Statistics

Works
161
Also by
35
Members
437
Popularity
#55,994
Rating
4.0
Reviews
15
ISBNs
31
Languages
3

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