
Joanne Anderton
Author of Debris
About the Author
Joanne Anderton is an Australian writer. Her science fiction/fantasy novels include Debris, Suited, and Guardian. Her short stories collection is entitled The Bone Chime Song and Other Stories. It won the Aurealis Award for best collection, and the Australian Shadows Award for best collected work. show more Her horror short story, Bullets, won the 2015 Aurealis Awards Best Horror Short Story. She is the author of the children's book, The Flying Optometrist, published in April 2018. (Bowker Author Biography) show less
Series
Works by Joanne Anderton
Trail of Dead 1 copy
Associated Works
Australian Dark Fantasy & Horror: The Year's Best Short Stories Volume Three (2009) — Contributor — 7 copies
In Sunshine Bright and Darkness Deep: An Anthology of Australian Horror (2015) — Contributor — 2 copies
Tagged
Common Knowledge
- Other names
- Anderton, Jo
- Gender
- female
- Occupations
- marketing coordinator
- Awards and honors
- Ditmar Award (Best New Talent, 2012)
- Agent
- Haig-Smith, Anni
- Nationality
- Australia
- Places of residence
- Sydney, New South Wales, Australia
- Associated Place (for map)
- New South Wales, Australia
Members
Discussions
Chat about... Debris by Jo Anderton in The SF&F Book Chat (April 2013)
Reviews
I enjoyed Debris by Jo Anderton.
I read a lot of fantasy, especially by Australian writers (no surprise that they’re dominating my reading so far this year). I’ve found that Australian fantasy is less likely to stick to clichéd convention and in that respect, Debris definitely does not disappoint.
The magical system Anderton has developed is focused around pions — bearing no resemblance to the mesons beloved by particle physicists, if you were wondering — tiny, glowing particles that show more permeate reality and which can be manipulated by people sufficiently skilled and trained. Some people can bind pions to their will, some can’t even see them. The debris of the title is magical matter left over from pion binding; useless refuse that disrupts crucial pions if not cleared away. Overall, the world has a little bit of a steampunk feel to it, mostly because that was the level of technology the society reached before the pion revolution something like 200 years before the start of the story.
The main character, Tanyana, is a highly skilled pion binder architect before she falls — both literally and metaphorically — in the first chapter. Or was she pushed? Forced to live the life of a lowly debris collector when her former lifestyle is lost to her, Tanyana struggles to find some explanation for what happened to her. Because she is convinced something else was there, when she fell, something that pushed her but that no one else could see.
I enjoyed Tanyana as a character. She is arrogant, but I didn’t see that as a bad thing. It made her interesting. She is both realistic and self-deluded about different things (for example, she’s not trying to get her life back, rather to find answers, but on the other hand, she tries to cling to the trappings of her old life a little too long). Most of all, when everything is taken from her, she is a survivor. She finds something else to be a part of. Of course, she doesn’t enjoy it at first, but she accepts it fairly quickly.
The other characters weren’t painted nearly as brightly as Tanyana. Mostly, this is due to the first person nature of the narrative. We know exactly what’s going on in Tanyana’s head all the time, but she doesn’t spend overly much time dwelling on other people (barring special exceptions). It was very much a one-woman show, with everyone else playing second fiddle, which isn’t a bad thing, given the external events also revolve about Tanyana. The only thing, characterisation-wise, that put me off a bit was her love interest. In the scene where they first hook up, I couldn’t really understand at the time why she interested in him, beyond the fact that he provoked her. It does make sense in retrospect, and the subsequent interactions between them worked well, but at the time that first scene left me ambivalent.
The conspiracy and the action in the latter half of the book had be eagerly turning the pages, however it started a more slowly and built up the world gradually. Also, while the climax was very much the most crucial scene in the book, I found the penultimate all-hell-breaks-loose disaster more exciting, in the action-packed sense.
As I said at the start, I enjoyed this book a lot. I am looking forward to reading the sequel out in July this year.
I am also about to go off and read Grandeur, a prequel short story which you can find on Jo Anderton’s website here.
Rating: 4.5 / 5 stars show less
I read a lot of fantasy, especially by Australian writers (no surprise that they’re dominating my reading so far this year). I’ve found that Australian fantasy is less likely to stick to clichéd convention and in that respect, Debris definitely does not disappoint.
The magical system Anderton has developed is focused around pions — bearing no resemblance to the mesons beloved by particle physicists, if you were wondering — tiny, glowing particles that show more permeate reality and which can be manipulated by people sufficiently skilled and trained. Some people can bind pions to their will, some can’t even see them. The debris of the title is magical matter left over from pion binding; useless refuse that disrupts crucial pions if not cleared away. Overall, the world has a little bit of a steampunk feel to it, mostly because that was the level of technology the society reached before the pion revolution something like 200 years before the start of the story.
The main character, Tanyana, is a highly skilled pion binder architect before she falls — both literally and metaphorically — in the first chapter. Or was she pushed? Forced to live the life of a lowly debris collector when her former lifestyle is lost to her, Tanyana struggles to find some explanation for what happened to her. Because she is convinced something else was there, when she fell, something that pushed her but that no one else could see.
I enjoyed Tanyana as a character. She is arrogant, but I didn’t see that as a bad thing. It made her interesting. She is both realistic and self-deluded about different things (for example, she’s not trying to get her life back, rather to find answers, but on the other hand, she tries to cling to the trappings of her old life a little too long). Most of all, when everything is taken from her, she is a survivor. She finds something else to be a part of. Of course, she doesn’t enjoy it at first, but she accepts it fairly quickly.
The other characters weren’t painted nearly as brightly as Tanyana. Mostly, this is due to the first person nature of the narrative. We know exactly what’s going on in Tanyana’s head all the time, but she doesn’t spend overly much time dwelling on other people (barring special exceptions). It was very much a one-woman show, with everyone else playing second fiddle, which isn’t a bad thing, given the external events also revolve about Tanyana. The only thing, characterisation-wise, that put me off a bit was her love interest. In the scene where they first hook up, I couldn’t really understand at the time why she interested in him, beyond the fact that he provoked her. It does make sense in retrospect, and the subsequent interactions between them worked well, but at the time that first scene left me ambivalent.
The conspiracy and the action in the latter half of the book had be eagerly turning the pages, however it started a more slowly and built up the world gradually. Also, while the climax was very much the most crucial scene in the book, I found the penultimate all-hell-breaks-loose disaster more exciting, in the action-packed sense.
As I said at the start, I enjoyed this book a lot. I am looking forward to reading the sequel out in July this year.
I am also about to go off and read Grandeur, a prequel short story which you can find on Jo Anderton’s website here.
Rating: 4.5 / 5 stars show less
I was a little worried that this book might be too shallow, but I actually rather enjoyed it! The only thing I really didn't like was the creepy lover, who seemed bad news to me at once, and towards whom the protagonist seems to feel mostly guilt. Sounds like a good reason to break it of to me... The whole relationship seemed unreal to me in any case. The protagonist didn't seem to be the kind of woman who would get into a relationship that quickly.
But other than that, I was impressed by the show more main character. Her whole world gets turned around, but she manages fairly well and doesn't give in to despair. That doesn't mean that her decisions are always the greatest: clearly she should have given up on her apartment long before she actually did. But hey, she has been through a lot, she is allowed some leeway when it comes to making rational decisions. So sure, she needs some assistance a few times, but she also develops a new skill, questions the workings of the world and makes new friends. Big pluses for me: she is in her thirties, she is highly educated, and whenever she needs help, it's because she goes from the high end of society to the low, not because she is a woman (and no-one ever implies that that might be the reason). I believe there is one mention somewhere of some profession being more likely held by men than by women, but that's it. I hope Mrs. Anderton keeps this up in the sequel! show less
But other than that, I was impressed by the show more main character. Her whole world gets turned around, but she manages fairly well and doesn't give in to despair. That doesn't mean that her decisions are always the greatest: clearly she should have given up on her apartment long before she actually did. But hey, she has been through a lot, she is allowed some leeway when it comes to making rational decisions. So sure, she needs some assistance a few times, but she also develops a new skill, questions the workings of the world and makes new friends. Big pluses for me: she is in her thirties, she is highly educated, and whenever she needs help, it's because she goes from the high end of society to the low, not because she is a woman (and no-one ever implies that that might be the reason). I believe there is one mention somewhere of some profession being more likely held by men than by women, but that's it. I hope Mrs. Anderton keeps this up in the sequel! show less
I was a little worried that this book might be too shallow, but I actually rather enjoyed it! The only thing I really didn't like was the creepy lover, who seemed bad news to me at once, and towards whom the protagonist seems to feel mostly guilt. Sounds like a good reason to break it of to me... The whole relationship seemed unreal to me in any case. The protagonist didn't seem to be the kind of woman who would get into a relationship that quickly.
But other than that, I was impressed by the show more main character. Her whole world gets turned around, but she manages fairly well and doesn't give in to despair. That doesn't mean that her decisions are always the greatest: clearly she should have given up on her apartment long before she actually did. But hey, she has been through a lot, she is allowed some leeway when it comes to making rational decisions. So sure, she needs some assistance a few times, but she also develops a new skill, questions the workings of the world and makes new friends. Big pluses for me: she is in her thirties, she is highly educated, and whenever she needs help, it's because she goes from the high end of society to the low, not because she is a woman (and no-one ever implies that that might be the reason). I believe there is one mention somewhere of some profession being more likely held by men than by women, but that's it. I hope Mrs. Anderton keeps this up in the sequel! show less
But other than that, I was impressed by the show more main character. Her whole world gets turned around, but she manages fairly well and doesn't give in to despair. That doesn't mean that her decisions are always the greatest: clearly she should have given up on her apartment long before she actually did. But hey, she has been through a lot, she is allowed some leeway when it comes to making rational decisions. So sure, she needs some assistance a few times, but she also develops a new skill, questions the workings of the world and makes new friends. Big pluses for me: she is in her thirties, she is highly educated, and whenever she needs help, it's because she goes from the high end of society to the low, not because she is a woman (and no-one ever implies that that might be the reason). I believe there is one mention somewhere of some profession being more likely held by men than by women, but that's it. I hope Mrs. Anderton keeps this up in the sequel! show less
And again a highly engrossing book. I very much like this world. It may be classified as SF, but it feels very fantasy-like to me. Every now and then I had some annoyances (the keeper being a bit whiny, as understandable as that may be. A few scenes that felt repetitive of what happened in book 1). Overall though, enough was happening and enough veils were lifted that I raced through this book. The characters are mostly not all-in-all lovable (the only exception being Lad), sometimes you show more want to kick some of them, but they feel real in all their stubbornness. And they are sympathetic. Events at the end make me really curious to see how this will continue, so I'm going to check out book 3 now... show less
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- Rating
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