Ben Peek

Peek takes the standard dystopian furniture, all the ubiquitous cameras and brainwashed grunts and creepy identical houses and small bands of idealistic rebels and the like, and at first he seems to be going down the standard dystopian paths with it. But then he takes several unexpected turns - first into Dick-esque paranoia, and then into a series of confrontations with the fact that the solution to our hero's dilemma isn't as simple as raging against the machine. In fact, there may be no show more solution at all....

More... (includes mild spoilers) show less

After the really excellent November 2011 issue, this December one comes as a bit of a letdown. The first two stories fall firmly into the "nice but not particularly exciting" category - Ben Peek's "Sirius" merely presents an SFnal dressing-up of historical events, with aliens being the bad guys instead of European colonists; it is saved from being completely trite only by the way it is narrated, short point-of-view chapters forming an almost stroboscopic sequence. "In which Faster-Than-Light show more Travel Solves All of Our Problems" by Chris Stabback seemed rather pointless to me, and I am still undecided what to think of his almost wholesale inclusion of a story by Franz Kafka ("Auf der Galerie") into his text, but am leaning strongly towards "annoying". The third part of Catherynne M. Valente's "Silent and Very Fast" on the other hand was as much a joy to read as the first two installments - things finally fall into place here and the novella comes to a by no means happy but artistically brilliant conclusion.

For non-fiction, there is "Where No Human has Gone Before: Visiting Sci-Fi's Exoplanets on Earth" which reads much like a travel guide (and maybe was even intended as one). It has some pictures, too, but as I read this on my Kindle I cannot say much about them. Rounding things off is the customary interview, this time with Aliette de Bodard. Jeremy L.C. Jones really seems to have a knack for coming up with questions that his interviewees enjoy answering, And Aliette de Bodard does have some quite interesting things to say in her replies. show less

I've been babbling about this since I read it -- I really enjoyed this. Keeping in mind that I don't read much epic fantasy to begin with, this is like epic fantasy for fantasy veterans in that it breaks a lot of the expected tropes in half. It's political and working itself up to something more dire, but philosophical and thinking about the connotations and consequences of a world whose gods have died but where their power hasn't quite faded. It was good. I think Malazan fans would like it. show more The second book just came out in the US today (yesterday?) and I may have to pick it up in the near future. show less

Dead Americans and Other Stories by Ben Peek is a collection of short and long stories. Mostly on the longer side, really. They were an odd bunch and some of them went a bit over my head for various reasons (see below) but several of them did involve dead Americans, as promised in the title. (Somewhat unusually, the collection is not named after one of the story titles.)

My favourite stories, looking back over them were, in order of appearance, "The Dreaming City", which was the only show more Australian-flavoured story, "Johnny Cash", which was pretty funny, "The Souls of Dead Soldiers are for Blackbirds, Not Little Boys", and "theleeharveyoswaldband", which was a relatively straight forward, albeit it definitely speculative, tale.

"The Souls of Dead Soldiers are for Blackbirds, Not Little Boys" along with three other stories, "Possession", "The Funeral, Ruined" and "Under the Red Sun" were all set in the same world. They were set in very different parts of the world, so that it wasn't until I got to the third story, which referenced both of the two before it, that I realised. I am fond of short stories expanding on the same world. In this case, all the stories dealt with death and life after death, both in the religious sense and in the sense of coming back as a cyborg. I liked the way in which Peek touched upon, for example, the war that affected different aspects of the world, without centring the story on the war itself, just some of its ramifications. And the different attitudes that different people had towards cyborgs were broadly explored throughout the stories.

I have to admit that some of the stories went a bit over my head, I suspect as a result of not being familiar with the right part of American culture. Especially "John Wayne". I caught some of the social commentary, but definitely not all of it. Similarly, I enjoyed "Octavia E Butler (a remix)", but I am positive that there are references to that author's work which I missed on account of not having read any of it (I know, I know, bad me, I'll get to it eventually).

Anyway, as usual, comments on individual stories are below. Peek's writing is well developed and I highly recommend this collection to fans of speculative fiction, especially the kind tending towards the weird, and horror. Also, aficionados of the short story (well, up to novella length, I think) will find much to appreciate here.

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There Is Something So Quiet and Empty Inside of You That It Must Be Precious — ok, the title of this story makes it even creepier; I had forgotten it while I read. I also went back and read through the chapter/section headings and they were eerie. A story whose creepiness creeps up on you (heh). The kind of horror with a drab and mundane setting that puts the fear in the commonplace.
The Dreaming City — I did not know, before reading this story, that Mark Twain had ever visited Australia (apparently he circumnavigated the world in his 60s). The story is told from several perspectives and time-frames. We have Mark Twain on his visit to Sydney and Mark Twain being spoken to by an Aboriginal spirit who shows him the past and, briefly, the future. There's also the point of view of an Aboriginal tribesman told from the landing of the first fleet to his death. That particular story is more of the "progress marches on" variety, whereas Twain's is (sort of) more neutrally observational. There are also some excerpts from the introduction to a more-or-less present-day travel guide, which talk about Twain and Sydney's history. It's a rich story with many layers and very different to the one that preceded it. There are even footnotes on a few historical points, explaining them further.
Johnny Cash (A Tale in Questionnaire Results) — This story was pretty funny and quite short, coming in at 50 answers. It is not about Johnny Cash. It is about Reagan, demons and blood sacrifices. And clean-up.
Possession — This story started a bit slowly but then improved. Shows us a glimpse into a desolate future and a look at a particular subterranean botanist's life. The future combines some sort of (post-) apocalyptic event and cyborgs as longevity-proofed humans (sort of). Really interesting once it got going.
The Souls of Dead Soldiers are for Blackbirds, Not Little Boys — Similar in setting (that is, subterranean) to the previous story and well placed for being so. Otherwise quite different. The title actually describes it very well. The world building was detailed and very much added to the foreign setting and mystical (sort of) story.
The Funeral, Ruined — Same world as the previous story, but a different country. And, actually, as I realised a little way in, they are both also set in the same world as "Possession". Addresses some of the personal social consequences of cyborgification from an entirely different perspective to "Possession".
Under the Red Sun — Same world as above. Set in a very different place to the previous two stories. I have a particular fondness for short stories set in the same world, and I enjoyed the windows into different societies in this set. This one deals with death (again) and the beliefs surrounding it from the point of view of people who can choose to come back as cyborgs but don't necessarily think that's the right thing to do.
John Wayne (As Written by a Non-American) — a story about John Wayne and Orson Welles. I don think I quite "got" it. Maybe one needs to know more US culture? It just seemed a little odd to me (ironic, given that some aspects were supposed to seem odd...)
Octavia E. Butler (a remix) — this was a really weird story. The opening confused me, because at first I thought it was going to be about the real Octavia Butler, like how some of the earlier stories featured real people. But as soon became clear, it was a science fictional story, set in a near future with a complicated (and, as it turns out, sentient) disease infecting humanity. Possibly, it was a reference/homage to a story the Butler wrote, but I haven’t read any, so that aspect would’ve been completely lost on me, if it did indeed exist. Beyond that, I’ll just add that it was a fairly depressing story, spanning many years and, more or less, the main character’s entire life.
theleeharveyoswaldband — OK, all the stories in this volume were a bit weird, and this one probably falls into the less confusing category. I quite liked it. Told by following a key character and through an interview with someone else in Rolling Stone, it was about a one-man-band's surprising rise to fame and the bootlegger who helped him get there.

4 / 5 stars

You can read more of my reviews on my blog. show less